Initializing... drag & drop files here
Supports: WMV
.mts files individually or as a ZIP archive.The video codec defaults to H.264 (AVC) and audio defaults to AC-3 (Dolby Digital), the standard AVCHD codec pair. Both can be overridden under Advanced Options if your downstream tool expects something different.
WMV is Microsoft's video family (WMV1/2 from 1999-2001, WMV9 from 2003, later standardised as SMPTE VC-1 in April 2006). Outside Windows it is awkwardly supported — macOS dropped Flip4Mac in 2020, iOS and Android have no native decoder, and most consumer set-top boxes refuse to mount .wmv files. AVCHD was launched by Sony and Panasonic in 2006 as a Blu-ray-derived consumer HD format using H.264 video in an MPEG-2 transport stream (.mts on camcorder cards, .m2ts after import). Re-wrapping WMV as AVCHD gives you a file the broader hardware and editing ecosystem actually understands.
.mts/.m2ts H.264 + AC-3 pair drops straight into BDMV/STREAM authoring tools (DVDfab, multiAVCHD, Nero). WMV cannot be burned to a standard Blu-ray.| Property | WMV (input) | AVCHD (output) |
|---|---|---|
| Developer | Microsoft (1999) | Sony + Panasonic (2006) |
| Container | ASF (.wmv) |
MPEG-2 transport stream (.mts / .m2ts) |
| Video codec | WMV1/2/3 or VC-1 | H.264/AVC, Main or High Profile, Level 4.1 (AVCHD 1.0) / 4.2 (AVCHD 2.0) |
| Audio codec | WMA1/2/Pro | AC-3 (Dolby Digital), 64-640 kbit/s, or LPCM (pro models) |
| Max bitrate | Implementation-defined | 24 Mbit/s (1.0) / 28 Mbit/s (2.0 Progressive) |
| Max resolution | Up to 1080p (Pro) | 1920×1080 (1080p50/60 in AVCHD 2.0) |
| Blu-ray-compatible | No | Yes (BDMV-derived) |
| Native macOS / iOS / Android | No | Partial (QuickTime + many Android players support .mts) |
| Camcorder support | None (export-only on a few PCs) | Sony, Panasonic, Canon, JVC consumer HD camcorders |
| Preset | Approx. video bitrate (1080p) | Best for |
|---|---|---|
| Highest | ~26-28 Mbit/s | Archival masters, AVCHD 2.0 Progressive (1080p50/60) |
| Very High (default) | ~22-24 Mbit/s | Match canonical AVCHD 1.0 camcorder output, Vegas/Premiere ingest |
| High | ~16-18 Mbit/s | DVD-media AVCHD, smaller file with strong quality |
| Medium | ~10-12 Mbit/s | Proxy edit files, web preview |
| Low / Very Low | 4-8 Mbit/s | Long-form interviews, talking-head footage |
| Lowest | ~2 Mbit/s | Rough cuts, draft review copies |
Bitrate ranges are typical defaults — use the Constant Bitrate or Specific File Size modes if you need an exact target.
If your destination is a Sony or Panasonic camcorder workflow, a Blu-ray authoring tool, or an older AVCHD-only set-top box, MP4 will not be recognised — those devices read the AVCHD folder spec, not generic ISO/MP4. If you just want a portable file that plays everywhere, WMV to MP4 is the better target. AVCHD is the right answer specifically for hardware that expects .mts/.m2ts and BDMV.
Vegas Pro 15-23 support AVCHD natively, so the H.264 + AC-3 .mts output drops onto a Vegas timeline without a second transcode. Two notes from the community: (1) MTS clips imported as a loose file outside the BDMV folder structure can occasionally throw "unrecognised format" errors — in that case, place the .mts inside a BDMV/STREAM/ folder and re-import. (2) For very long clips, some editors prefer a proxy workflow with DNxHD or ProRes; AVCHD is the delivery format, not always the smoothest scrub format on slow drives.
.mts and .m2ts?They are the same MPEG-2 transport stream container with the same H.264 + AC-3 payload. .mts is what camcorders write to the SD card; many ingest tools (PlayMemories, Catalyst Browse, Vegas) rename them to .m2ts on import to match the Blu-ray-style BDAV stream extension. xconvert outputs .mts — rename to .m2ts if your tool requires it; the bytes inside are identical.
Yes. WMA audio is decoded and re-encoded to AC-3 at 192-384 kbit/s, the standard AVCHD audio bitrate range. Stereo is preserved. If your source has 5.1 surround audio, AC-3 also supports 5.1 and that channel layout is kept where the source provides discrete channels.
Yes — that is one of the main reasons to convert. AVCHD .m2ts files drop directly into BDMV authoring tools (multiAVCHD, DVDfab Blu-ray Creator, Nero). For a strict Blu-ray spec disc, keep bitrate at or below 24 Mbit/s for AVCHD 1.0-style discs, or use AVCHD 2.0 Progressive (28 Mbit/s) for newer players. WMV cannot be burned to a Blu-ray without first transcoding to H.264 anyway.
The two canonical AVCHD resolutions are 1920×1080 (Full HD, the most common for cards from 2008 onward) and 1280×720 (HD, used by older AVCHD Lite camcorders). 4K is outside the AVCHD spec — for 4K H.264 you want a generic MP4 or XAVC-S container, not AVCHD. If your source WMV is 720p or 1080p, keep "Original" to avoid an unnecessary upscale; if it is 480p/SD, scale to 720p for cleaner playback on HD hardware.
Roughly comparable, sometimes slightly larger. WMV9/VC-1 and H.264 have similar compression efficiency, but AVCHD's standard bitrate floor (around 16-24 Mbit/s for 1080p) is higher than what many WMV files were encoded at — older WMV web clips at 2-4 Mbit/s will balloon when re-encoded to AVCHD at the default preset. Lower the Quality Preset or set a Specific File Size if you need to keep the size flat.
Yes. Use Trim → Time Range and enter a Start time and Duration in seconds or HH:MM:SS.sss. Only the selected segment is encoded, which both saves processing time and lets you cut a 30-minute WMV down to a single 90-second AVCHD clip without a separate edit step.
For the reverse trip — taking finished AVCHD masters back into Windows-only workflows — use AVCHD to WMV. For a more universally playable output, AVCHD to MP4 is the more common modern choice, and you can also feed an AVCHD master into compress AVCHD if the file is too large for upload.