Cut and trim MP3, WAV, FLAC, AAC, OGG, and 15+ audio formats. Create ringtones, edit podcasts, extract clips. Free, no quality loss.
Process files in seconds with our optimized servers
Frame-accurate cuts with intuitive timeline controls
Maintain original quality with smart re-encoding
12.5) or HH:MM:SS.sss format (e.g. 00:01:30.500) — pick the unit from the dropdown next to each field. The cutter keeps everything between start and start + duration; the rest is discarded.Audio cutting (also called trimming) removes the parts of a file you don't want and keeps the slice you do — without re-recording or running a full DAW. The same job ffmpeg -ss START -t DURATION does on the command line, exposed as a one-click browser tool. Common reasons:
.m4a to .m4r after download), and sync via Finder. Android tones have no length cap but most users keep them under 30 s.| Operation | What it does | Pick when |
|---|---|---|
| Cut / Trim | Keep ONE continuous segment from start_time to start_time + duration | You want one slice — a ringtone, a quote, a podcast segment |
| Multi-cut (run repeatedly) | Run the cutter once per output slice with different start + duration windows | You're splitting one long file into many separate clips |
| Split at silence | Auto-detect quiet gaps and emit each chunk separately | Splitting a tape rip / DJ mix into tracks by gap (not supported here — use a DAW) |
| Convert (no cut) | Change codec/format with no time edit | You just want format conversion — use Audio Converter instead |
| Compress | Shrink file size without changing duration | The cut isn't enough; you need a smaller file too — see Audio Compressor |
| Format | Typical source | Cut behavior |
|---|---|---|
| MP3 | Music, podcasts, voice recordings | Sample-accurate; re-encoded near source bitrate |
| WAV | DAW exports, studio recordings, dictation | Sample-accurate; PCM out, no quality loss |
| FLAC | Lossless music rips, archival audio | Sample-accurate; stays FLAC, sample-lossless |
| AAC / M4A | iTunes, Apple Music DRM-free, iPhone Voice Memos | Sample-accurate; re-encoded near source bitrate |
| OGG / OPUS | WhatsApp / Telegram voice notes, game audio, Discord recordings | Sample-accurate; re-encoded near source bitrate |
| WMA | Older Windows Media recordings, Sony NetMD rips | Sample-accurate; re-encoded |
| AIFF | macOS production audio, Logic Pro exports | Sample-accurate; PCM out, no quality loss |
| AC3 / EAC3 | Movie soundtracks ripped from DVD / Blu-ray | Sample-accurate; re-encoded near source bitrate |
| AMR | Older phone voice memos, GSM-era recordings | Sample-accurate; re-encoded |
| AU | Sun / NeXT audio, legacy Unix recordings | Sample-accurate; re-encoded |
Every cut re-encodes the kept segment in the output codec. For uncompressed and lossless formats (WAV, AIFF, FLAC) the audio samples come through unchanged, so there is no quality loss. For lossy formats (MP3, AAC, OGG/OPUS, WMA, AC3, AMR) the cutter re-encodes at close to the source bitrate — one high-bitrate generation is inaudible in practice, but it is a re-encode, not a byte-for-byte copy. Changing output format or sample rate re-encodes as well.
For WAV, AIFF, and FLAC output, no — the kept segment is rewritten in the same lossless format, so the audio samples are preserved exactly. For lossy formats (MP3, AAC, OGG/OPUS, WMA) the cut is sample-accurate but the audio is re-encoded at close to the source bitrate — one high-bitrate generation is inaudible in practice, but it is a re-encode, not a bit-identical copy. Changing the output format (MP3 to AAC, FLAC to MP3, etc.) or lowering the bitrate has a bigger effect than the cut itself.
Sample-accurate for every format. The audio is decoded at your Start time and Duration, so the cut lands on the exact timestamp you enter rather than snapping to a codec frame or keyframe — no need to pre-convert compressed sources to WAV for precision. For ringtones, podcast trims, and clip extraction, the boundary lands exactly where you set it.
Cut the segment to 30 seconds or less (Apple's documented max for GarageBand-exported tones; iTunes will sync up to 40 s but enforces the cap). Set output format to M4A. After download, rename the extension from .m4a to .m4r. Drag the file into Finder (macOS Catalina+) or iTunes (Windows / older macOS) with your iPhone connected, then pick the tone under Settings > Sounds & Haptics > Ringtone. Note that iOS plays only the first 20 seconds during an actual incoming call regardless of file length.
Run the cutter once per output slice. Each run takes a different Start time + Duration and produces a separate file — three runs gives you three clips. For a long DJ set or live recording with many cut points, this is faster than it sounds because each run is a quick server-side cut. For audio merge after cutting, the workflow is cut → cut → cut → use a separate merge tool (or a DAW like Audacity for free).
Cutting happens on our servers, so the limit is upload size and connection speed and patience for the initial upload. Multi-GB FLAC archives and full-length DJ mixes work; the upload is the slow part. There's no per-file MB cap imposed by XConvert and no quantity limit on batch jobs.
If the cut point lands mid-waveform — where the signal isn't at a zero crossing — playback begins with an abrupt step, which can sound like a brief click or tick. Two fixes: (1) nudge the Start time a few milliseconds to land in a quieter spot, or (2) add a short fade-in with a free DAW like Audacity after cutting. The same behavior exists in every audio editor regardless of codec.
Yes. Set Start time + Duration under Trim, then change the output extension under To Extension and adjust Audio Codec, bitrate, sample rate, or channels. The cutter trims first (cheap operation) then re-encodes the remainder, which is faster than encoding the entire source and trimming after. Use this for MP3 → M4A ringtones, WAV → MP3 compression after cutting silence, FLAC → AAC for storage.
For MP3, M4A, FLAC, and OGG: ID3 / Vorbis comment tags usually survive the cut. Embedded artwork survives in most cases but can be stripped if the encoder repacks the metadata block. WAV has no standard tag container, so any RIFF INFO chunks may or may not transfer. If preserving artwork matters, verify the output in your music player before deleting the original.
Yes. No sign-up, no email required, no watermark on the audio output, no file count limits, no daily quota. The cutter runs as a managed conversion on our servers — the file is uploaded, processed on our edge servers, and the result returned for download. Files are deleted from our servers after processing. If you need to compress the output further, see Audio Compressor; to convert format without cutting, use Audio Converter; to trim video instead, see Video Cutter.