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Supports: AAC, AC3, AIF, AIFC, AIFF, AMR +13 more
.aiff container, big-endian). Use File Compression to choose a quality preset, target file size, or specific bitrate when the source carries lossy data you'd rather not re-expand. The Compression level slider trades encode speed against size for codec variants.AIFF (Audio Interchange File Format) was published by Apple in 1988, built on top of Electronic Arts' Interchange File Format (IFF) chunk structure. It stores linear PCM samples in big-endian byte order — the Mac-side counterpart to Microsoft's little-endian WAV. Quality is identical to WAV at the same bit depth and sample rate; the format choice is about ecosystem fit and metadata handling.
.aiff..aiff deliverables with embedded metadata over .wav because Apple's INFO chunks survive round-trips through iTunes and Logic.| Property | AIFF | WAV | FLAC | MP3 |
|---|---|---|---|---|
| Year / origin | 1988, Apple | 1991, Microsoft + IBM | 2001, Xiph.Org | 1993, Fraunhofer |
| Compression | None (PCM) | None (PCM) | Lossless | Lossy |
| Byte order | Big-endian | Little-endian | Little-endian | n/a |
| Container | IFF chunks | RIFF chunks | Native FLAC | MPEG frames |
| File size (1 min, 16/44.1 stereo) | ~10 MB | ~10 MB | ~5-6 MB | ~1 MB at 128 kbps |
| Native metadata | Rich (NAME, AUTH, ANNO, COMT) | Limited (INFO/LIST) | Vorbis comments | ID3v1/v2 |
| Native on macOS | Yes | Yes | Yes (10.13+) | Yes |
| Best for | Apple DAW workflows | Cross-platform PCM | Lossless distribution | Streaming/sharing |
| Use case | Bit depth | Sample rate | Channels | File size / minute |
|---|---|---|---|---|
| CD master / iTunes match | 16-bit | 44.1 kHz | Stereo | ~10 MB |
| Video / film post-production | 24-bit | 48 kHz | Stereo | ~17 MB |
| Hi-res studio session | 24-bit | 96 kHz | Stereo | ~34 MB |
| Voice memo / podcast source | 16-bit | 44.1 kHz | Mono | ~5 MB |
| Telephony / IVR prompt | 16-bit | 8 kHz | Mono | ~1 MB |
It can't — MP3 throws away frequency content during encoding and that loss is permanent. The reason to convert is to stop further damage. Every time you re-export an MP3 from an editor, the encoder re-compresses an already-compressed signal and stacks new artifacts. Converting once to AIFF, then editing and exporting from there, holds the audio at its current quality until you choose to render a final lossy copy. See MP3 to AIFF for the dedicated converter.
They're genuinely different binary layouts. AIFF wraps PCM samples in IFF "FORM" chunks with big-endian byte order; WAV uses Microsoft's RIFF chunks with little-endian. Most modern players read both, but writing the wrong byte order into a renamed file plays back as static. If you need a WAV instead, use AIFF to WAV.
Match the destination. CD masters and most iTunes/Apple Music ingests want 16-bit / 44.1 kHz stereo. Video editorial almost always runs 48 kHz to stay frame-aligned. Hi-res music distribution is typically 24-bit / 96 kHz. Going higher than the source's original sample rate doesn't recover detail — it just inflates file size, so use the source's rate or the delivery target's rate, whichever is lower.
AIFF supports name, author, annotation, and comment chunks (NAME, AUTH, ANNO, COMT) that Logic, GarageBand, and the Finder Get Info panel read. Album art and rich ID3-style tags from MP3 sources don't always round-trip cleanly — Apple's INFO chunks survive but extended ID3v2 frames may drop. For tag-heavy libraries, keep a backup of the source.
.aiff and .aif are the same uncompressed PCM format with different historical extensions — .aif came from early classic Mac OS filename limits, .aiff is preferred today. .aifc is AIFF-C, a container that allows compressed payloads (μ-law, A-law, IMA ADPCM, or Apple's sowt pseudo-compression which is just little-endian PCM). Use plain .aiff for uncompressed work; .aifc only when a target tool specifically requires it.
Yes. A 1-minute 128 kbps MP3 is about 1 MB; the same minute as 16-bit / 44.1 kHz stereo AIFF is roughly 10 MB. The MP3 encoder discarded most of the bit budget; AIFF restores the full PCM envelope (not the discarded detail). If you need a smaller file but still want lossless, start from FLAC directly, or use Compress AIFF on the output to drop bit depth or sample rate.
You can batch-upload and convert all files with the same settings in one pass. The Trim option applies the same start time and duration to every file in the batch — for clip-by-clip cuts use Trim AIFF on each output, or upload one file at a time when the trim points differ.
It plays on both, just not always natively. Windows Media Player handles standard .aiff since Windows 7; VLC, foobar2000, and Audacity play it on every desktop OS. Android needs a third-party player like VLC or MX Player — the stock Files app and Google's media stack don't decode AIFF reliably. For phone-friendly playback, convert AIFF to MP3 instead.
Yes. WAV→AIFF and FLAC→AIFF are bit-exact PCM transcodes — the same samples are written into a different container (plus a byte-order swap for WAV). No re-encoding, no quality loss. Going WAV to AIFF preserves every sample.