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Supports: WAV
WAV is uncompressed PCM — about 10 MB per minute for stereo 16-bit/44.1 kHz CD-quality audio, and roughly 30 MB per minute for 24-bit/96 kHz studio masters. MP3 typically shrinks that 8–12× while staying transparent to most ears at 192 kbps and above. Encoding uses the LAME library, the de facto reference open-source MP3 encoder maintained since 1998.
| Property | WAV | MP3 |
|---|---|---|
| Compression | Uncompressed PCM (or rarely ADPCM) | Lossy perceptual (MPEG-1/2 Layer III) |
| Typical size (4-min stereo, CD quality) | ~42 MB | ~3.8 MB at 128 kbps; ~9.4 MB at 320 kbps |
| Quality ceiling | Bit-exact original | Transparent to most listeners at 192+ kbps VBR |
| Metadata | Optional INFO/LIST chunks; limited ID3 support | Rich ID3v1/ID3v2 tags (artist, album, art, lyrics) |
| Max sample rate / bit depth | Up to 192 kHz / 32-bit float | 8–48 kHz, 16-bit internal precision |
| Channels | Mono, stereo, multichannel surround | Mono, stereo, joint stereo |
| Streaming-friendly | No (large, no framing) | Yes (frame-aligned, seekable) |
| Editing-friendly | Yes (lossless re-saves) | No (re-encoding compounds artifacts) |
| Released | 1991 (Microsoft/IBM) | 1993 (ISO/IEC 11172-3) |
| Best for | Mastering, archiving, DAW projects | Distribution, podcasts, mobile, streaming uploads |
| Setting | Average bitrate | 4-min file size | Best for |
|---|---|---|---|
| LAME V0 (VBR) | ~245 kbps | ~7.2 MB | Music archival, transparent listening |
| 320 kbps CBR | 320 kbps | ~9.4 MB | Maximum-quality distribution, broadcast delivery |
| LAME V2 (VBR) | ~190 kbps | ~5.6 MB | General-purpose music — LAME's recommended default |
| 192 kbps CBR | 192 kbps | ~5.6 MB | Apple Podcasts, fixed-rate streaming, predictable file sizes |
| LAME V4 (VBR) | ~165 kbps | ~4.9 MB | Voice + music mix, indie podcasts |
| 128 kbps CBR | 128 kbps | ~3.7 MB | Apple Podcasts minimum stereo, casual listening |
| 96 kbps CBR mono | 96 kbps | ~2.8 MB | Spoken-word podcasts, audiobooks |
| 64 kbps CBR mono | 64 kbps | ~1.9 MB | Telephony, voice memos, low-bandwidth uploads |
CBR (constant) holds the bitrate steady — predictable file sizes, slight quality compromise on complex passages. VBR (variable) lets the encoder spend more bits on transients and complex sections and fewer on silence; for the same average bitrate it usually sounds better, but file sizes vary. ABR (average) sits between the two and is rarely the right pick when VBR is available.
Yes — MP3 is lossy. The encoder removes spectral content that psychoacoustic models predict is masked or inaudible. At 192 kbps VBR and above, most listeners cannot reliably tell MP3 from the WAV original in double-blind ABX tests; below 128 kbps stereo, artifacts (cymbal smearing, pre-echo, swirly highs) become audible on good headphones. Always keep your WAV as the master — you can re-encode at a higher bitrate later, but you cannot recover bits MP3 discarded.
For pure quality at the smallest size, V0 wins — it averages around 245 kbps but spends bits adaptively, so dense passages get more headroom than a 320 kbps CBR would waste on near-silence. Pick 320 CBR only when you need a predictable file size (radio delivery, fixed-rate streaming uploads) or when the player has historically had bugs with VBR seek tables (very old in-car CD-MP3 players from the early 2000s). For everything else built in the last 15 years, V0 or V2 VBR is the better choice.
Apple Podcasts recommends 128–256 kbps stereo MP3 at 44.1 or 48 kHz, or 64–128 kbps for mono spoken word, with loudness around −16 LUFS and a true-peak ceiling of −1 dBFS. Spotify for Creators accepts MP3 but prefers a WAV or FLAC master at 44.1 kHz / 16-bit minimum and re-encodes internally to Ogg Vorbis at 96–160 kbps. If you only ship MP3, 192 kbps stereo VBR (LAME V2) hits both platforms cleanly.
WAV's metadata story is messy — most WAV files store little or nothing, and what they do store (RIFF INFO chunks) is not standardized across DAWs. The XConvert encoder writes ID3v2 tags into the MP3 and carries over whatever it can read from the WAV header. In practice, expect to add or fix artist / album / title / album-art after conversion using a tag editor like Mp3tag, Picard, or your music app's built-in editor.
Yes, but MP3 internally tops out at 48 kHz and 16-bit precision, so the encoder downsamples on the way in. For best results, render or pre-convert your master to 16-bit / 44.1 kHz with proper dither in your DAW before encoding — that way you control the resampling quality instead of leaving it to the encoder defaults. For lossless archival of a 24/96 master, convert WAV to FLAC instead.
A 60-minute stereo podcast WAV is ~600 MB. Encode to mono 96 kbps MP3 (Apple Podcasts' mono minimum) and the same hour drops to ~43 MB; mono 64 kbps drops it to ~29 MB; mono 48 kbps gets you under 25 MB at the cost of audible warble on music beds. For voice-only content, mono 64–96 kbps is usually indistinguishable from higher bitrates on phone playback.
Trim is built into Advanced Options — set a start time and a duration to crop the leading countdown, dead air, or unused tails before encoding. For more involved edits (cutting multiple sections, splitting into chapters) use the dedicated audio cutter and feed the resulting WAVs back through this tool.
Files are sent to the conversion backend, processed, and made available for download on the same session — they are not stored or indexed afterwards. There's no per-file count limit and no watermark. If you need the reverse direction (decompressing MP3 back to WAV for editing), use MP3 to WAV; for shrinking already-encoded MP3s without re-uploading WAV masters, use compress MP3. To reduce audio file size across other formats too, the general-purpose audio compressor handles the same job.