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Supports: MP3
If you are importing an MP3 into Logic Pro, GarageBand, or another macOS audio app, you may want AIFF — the uncompressed PCM format Apple introduced in 1988 as its big-endian counterpart to WAV. The honest catch up front: decoding an MP3 to AIFF gives you a large, edit-friendly uncompressed file, but it does not restore the detail MP3 compression already discarded. Convert when you need AIFF for editing or DAW import; if you only want a smaller, shareable file, stay on MP3.
| Property | MP3 | AIFF |
|---|---|---|
| Full name | MPEG-1/2 Audio Layer III | Audio Interchange File Format |
| Introduced | 1993 (ISO/IEC 11172-3) | 1988, by Apple (built on EA's IFF 85) |
| Compression | Lossy (psychoacoustic) | Uncompressed PCM (lossless container) |
| Byte order | N/A (bitstream) | Big-endian (WAV is little-endian) |
| Typical size, 1 min stereo | ~1 MB at 128 kbps | ~10 MB at 44.1 kHz / 16-bit |
| Bit depth | N/A (perceptual) | 8, 16, 24, or 32-bit PCM |
| Metadata / tags | ID3 (artwork, lyrics) | Limited (Name/Author/Annotation chunks) |
| Best for | Streaming, phones, sharing | macOS editing, mastering, archival masters |
.aiff/.aif rather than .wav.No. MP3 is lossy, so the encoder permanently discarded audio data that an AIFF cannot reconstruct. The AIFF will sound the same as the source MP3, just in an uncompressed wrapper. The benefit is editability and avoiding further generation loss, not recovered fidelity.
Because AIFF stores raw, uncompressed PCM samples while MP3 throws most of that data away. Uncompressed stereo at 44.1 kHz / 16-bit runs about 10 MB per minute, whereas a 128 kbps MP3 is closer to 1 MB per minute. The size jump is expected — it is the storage cost of an uncompressed format, not added quality.
Both are uncompressed PCM and sound identical; the real difference is byte order and ecosystem. AIFF is big-endian and Apple-native, so it feels at home in Logic Pro and GarageBand, while WAV is little-endian and slightly more universal across Windows tools. On macOS, AIFF is the safer default. If you need WAV instead, use our MP3 to WAV converter.
For most music work, 44.1 kHz / 16-bit matches CD-quality MP3 sources and keeps files manageable. If your DAW session runs at 48 kHz or 24-bit, match that instead so the engine does not resample on import. Converting up to 24-bit will not add detail the MP3 lacks, but it keeps the file aligned with a higher-resolution session.
Largely no. ID3 (artwork, lyrics, album fields) is an MP3 feature; AIFF supports only basic Name, Author, and Annotation text chunks, and not every player reads them. Treat the AIFF as a working audio file and keep the tagged MP3 if you need the metadata for a library.
Yes — queue multiple MP3s and they convert with the same channel, sample-rate, and trim settings. In our testing, a typical 3-minute 320 kbps MP3 decodes to an AIFF in the low tens of megabytes; the practical limit on the way in is upload size and time, not your device. For oversized batches or to compress the result afterward, see the Audio Compressor.
That is a common and sensible workflow: convert to AIFF, do your trimming and effects in PCM to avoid re-encoding loss at each save, then export a fresh MP3 only at the end. When you are ready to shrink it back down, use our AIFF to MP3 converter.