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Supports: AIF, AIFF
AIFF (Audio Interchange File Format) is Apple's uncompressed PCM audio format — the macOS equivalent of WAV, dating back to 1988. It's lossless and editor-friendly, but the file size is enormous: roughly 10 MB per minute of CD-quality stereo. MP3 is lossy compressed audio that's 8-15× smaller at quality indistinguishable from the source for most listeners. Common reasons to convert AIFF → MP3:
| Property | AIFF | MP3 |
|---|---|---|
| Compression | Uncompressed PCM | Lossy (perceptual coding) |
| Typical bitrate | 1411 kbps (CD quality 16-bit/44.1k stereo) | 64-320 kbps |
| Typical 4-min song | ~40 MB | ~5-9 MB |
| Quality | Bit-perfect | Audibly excellent at 256-320 kbps |
| Universal playback | Mac, pro audio software | Every device on earth |
| Editing | Native PCM, every editor | Lossy on every re-save |
| Best for | Mastering, archival, editing on Mac | Distribution, sharing, mobile listening |
| Bitrate | File size (4-min song) | Use case | Audible vs source |
|---|---|---|---|
| 128 kbps CBR | ~3.7 MB | Podcasts, audiobooks, speech | Slight high-frequency loss |
| 192 kbps CBR | ~5.5 MB | General music, casual listening | Mostly transparent |
| 256 kbps CBR | ~7.3 MB | Quality music distribution | Effectively transparent |
| 320 kbps CBR | ~9.2 MB | Best MP3 quality, near-lossless | Audibly identical for most listeners |
| V0 VBR (~245 kbps avg) | ~7 MB | Best quality-per-byte | Effectively transparent |
| V2 VBR (~190 kbps avg) | ~5.5 MB | Balanced quality and size | Mostly transparent |
Yes — MP3 is lossy. The encoder discards audio data that perceptual studies suggest is below the threshold of hearing. At 256-320 kbps the difference from the source AIFF is inaudible to most listeners in normal conditions. At 128 kbps you may notice subtle high-frequency softness on cymbals and reverb tails. Keep your AIFF masters as backup; deliver MP3 to listeners.
For music distribution: 320 kbps CBR or V0 VBR for highest MP3 quality, or 192-256 kbps for a smaller-but-still-excellent balance. For podcasts and speech: 128 kbps CBR is plenty (the human voice's frequency range maps efficiently). For audiobooks: 96-128 kbps mono cuts size further. Match the source sample rate (usually 44.1 kHz) to avoid resampling.
AIFF stores every PCM sample at full bit depth — 16 or 24 bits times 44,100 samples per second times 2 channels = ~1411 kbps. MP3 uses psychoacoustic modeling to keep only what your ears can detect, often at one-tenth the data rate. The compression ratio is 8-15× depending on bitrate. The reduction is real and lossy, but at 320 kbps it's effectively transparent.
Yes — drop in all the tracks at once. They convert in parallel withon our servers and download individually or as a single ZIP. Settings can apply uniformly (typical for albums) or be tuned per-file.
Yes — ID3v2 metadata tags survive the conversion. Artist, title, album, year, track number, and embedded album art transfer from the AIFF metadata blocks to the MP3 ID3 tags. Some very old AIFFs without metadata produce MP3s without tags, but modern GarageBand / Logic / iTunes exports include full metadata.
VBR (variable bitrate) uses fewer bits during simple passages (silence, single instruments) and more during complex passages (full mix, transients). The result is better quality per byte than CBR at the same average bitrate. Use VBR for music. CBR (constant bitrate) has predictable file size and is required by some streaming platforms and broadcast workflows. Use CBR for podcasts and broadcast.
Yes. Use the trim section to enter a start time and duration. Both accept seconds (12.5) or HH:MM:SS.sss format (00:01:30.500). Useful for pulling a single song from a long DJ mix AIFF or extracting a clip from a recording session.
AIFC (Audio IFF Compressed) is a variant of AIFF that adds compression types like A-law, μ-law, and ADPCM. XConvert handles both — see also AIFC to MP3 for AIFC-specific guidance. The MP3 output process is identical from your perspective.