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Supports: AIF, AIFF
.aiff and .aif (they are the same format) as well as the compressed AIFF-C .aifc variant. Batch is supported — drop in several files and each one converts in parallel.AIFF (Audio Interchange File Format) was developed by Apple in 1988, based on Electronic Arts' Interchange File Format (IFF) used on the Amiga. It stores uncompressed PCM audio — the same bit-for-bit samples a CD holds — which makes it a studio-grade master format but a heavy one. At CD quality (44.1 kHz, 16-bit, stereo) an AIFF file runs about 10 MB per minute, so a single album can fill a gigabyte. AIFF is essentially the Mac counterpart to Windows' WAV; the main technical difference is byte order (AIFF is big-endian, WAV is little-endian), which is why some non-Apple tools that read WAV cleanly stumble on AIFF.
People convert AIFF for three recurring reasons:
Note that .aif and .aiff are identical — only the extension length differs — while AIFF-C (.aifc) is the compressed sibling that can hold codecs other than raw PCM.
| Format | Compression | Typical size (3-min CD-quality stereo) | Tags / metadata | Best for |
|---|---|---|---|---|
| AIFF | Uncompressed PCM (big-endian) | ~30 MB | Limited (ID3 in newer chunks) | macOS / iOS mastering, editing |
| WAV | Uncompressed PCM (little-endian) | ~30 MB | Limited | Windows / cross-platform DAWs |
| FLAC | Lossless | ~15–18 MB | Full (Vorbis comments) | Lossless archive with tags |
| MP3 | Lossy | ~3–7 MB (128–320 kbps) | Full (ID3) | Universal playback, sharing |
| AAC / M4A | Lossy | ~3–6 MB (128–256 kbps) | Full | Apple devices, streaming |
| Opus | Lossy | ~1.5–4 MB | Full | Most efficient modern codec, voice |
No. FLAC uses lossless compression, so when it is decoded the waveform is bit-for-bit identical to the original AIFF PCM — there is no measurable quality difference. The only thing that shrinks is the file size, typically to about half. That makes FLAC the right target when you want to archive a CD-quality master in a smaller, fully-tagged file you can later convert back to AIFF or WAV without any generational loss. Converting to MP3 or AAC, by contrast, is lossy and permanently discards some data.
They are technically near-twins: both store uncompressed PCM audio at the same sample rates and bit depths, so a CD-quality AIFF and WAV sound identical and take roughly the same space (~10 MB per minute in stereo). The core difference is byte order — AIFF is big-endian and originated on the Mac, WAV is little-endian and originated on Windows. In practice that means AIFF tends to be the smoother choice in Logic Pro and macOS tools, while WAV is the safer pick for Windows apps and broad cross-platform compatibility. Converting AIFF to WAV re-wraps the same samples for the Windows side.
Yes. .aif and .aiff are the same Audio Interchange File Format — the shorter .aif extension exists only because some older systems limited extensions to three characters. There is no quality or structural difference between them, and our converter accepts both interchangeably. The separate .aifc extension is different: that is AIFF-C, the compressed variant of AIFF that can store codecs other than raw PCM.
For music you want to sound transparent, choose 256 or 320 kbps Constant Bitrate — at that range most listeners cannot distinguish the MP3 from the lossless AIFF source. 192 kbps is a reasonable middle ground that saves space, and 128 kbps is fine for spoken-word, podcasts, or background audio where size matters more than fidelity. If you would rather target an exact file size — say to fit an upload limit — switch to Specific file size and the encoder picks the bitrate to match. The dedicated AIFF to MP3 page covers the bitrate settings in more detail.
Because AIFF stores uncompressed PCM — it keeps every audio sample at full resolution with no compression at all. At CD quality (44.1 kHz, 16-bit, stereo) that works out to about 10 MB per minute, so an hour of audio is roughly 600 MB. That size is exactly what makes AIFF a good editing and mastering format (nothing is thrown away), but it is wasteful for listening or storage. Converting to FLAC halves the size losslessly, and converting to MP3, AAC, or Opus shrinks it by 10x or more at the cost of some inaudible-to-most data.
It depends on the target. Bare AIFF often carries little or no metadata, so there may be nothing to preserve in the first place — but where tags do exist, lossy and lossless targets that support metadata (MP3 via ID3, FLAC via Vorbis comments, M4A/AAC) can carry title, artist, album, and cover art forward. WAV, like AIFF, has weak tag support, so a conversion to WAV is best when you only care about the audio. If building a tagged library is the goal, AIFF to FLAC or AIFF to M4A are the better targets.
Yes. Files are uploaded over an encrypted (TLS) connection, processed on our servers, and deleted automatically after a few hours — there is no sign-up, no watermark, and your audio is never shared or made public. In our testing, a typical 3-minute CD-quality AIFF (about 30 MB) uploads and converts to a 320 kbps MP3 in a few seconds on a normal broadband connection; the main variable on very large lossless files is upload time rather than processing speed.