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Supports: MTS
MTS files are AVCHD camcorder recordings (developed by Sony and Panasonic in 2006) that wrap an H.264 video track alongside Dolby AC-3 or linear PCM audio. This tool pulls the audio track out and writes it to an AIFF file — the uncompressed PCM container Apple introduced in 1988 — so the video is discarded and you keep only the sound, ready to drop into Logic Pro, GarageBand, or Pro Tools.
.mts clip onto the page or click "+ Add Files" to browse. You can queue several clips and convert them with the same settings.Both formats store the same uncompressed PCM samples, so they sound identical and take up the same space (~10 MB per minute of 44.1 kHz 16-bit stereo). The choice is about which ecosystem you edit in.
| Property | AIFF | WAV |
|---|---|---|
| Introduced by | Apple (1988) | Microsoft / IBM (1991) |
| Sample encoding | Uncompressed PCM, big-endian | Uncompressed PCM, little-endian |
| Best fit | Logic Pro, GarageBand, Final Cut, macOS | Pro Tools, Audacity, Audition, Windows |
| Metadata | Rich native tagging (name, author, annotations) | Basic; relies on extensions like BWF |
| Size, 1 min CD-quality stereo | ~10 MB | ~10 MB |
| Cross-platform playback | Plays everywhere, strongest on Apple | Plays everywhere, the universal default |
If you work outside the Apple ecosystem, the MTS to WAV converter produces the byte-for-byte PCM equivalent. To archive the same audio at roughly half the size with no quality loss, use the MTS to FLAC converter instead.
No. Most AVCHD camcorders record audio as Dolby AC-3, which is lossy. Wrapping it in AIFF stores those already-compressed samples in an uncompressed PCM container, so nothing is recovered — you get a much larger file with the same fidelity as the source. The conversion is genuinely lossless only when the original MTS used linear PCM audio, in which case the samples transfer into AIFF untouched.
AIFF is uncompressed, so it stores every sample at full size — about 10 MB per minute of CD-quality stereo regardless of how compact the source audio was. The MTS clip looks small partly because its audio was AC-3 or AAC compressed; expanding that to raw PCM is the trade you make for an edit-friendly file. Trim to the section you need to keep the output manageable.
Yes. AIFF is the native uncompressed format on macOS, so Logic Pro, GarageBand, and Final Cut Pro import it by drag-and-drop with no conversion prompt. That Apple-ecosystem fit, plus AIFF's richer metadata tagging, is the main reason to pick it over WAV when your project lives on a Mac.
It is discarded. This tool demuxes the file and keeps only the audio stream, writing it to AIFF — there is no picture in the output. If you also need the video, convert the MTS to a video format separately, or use the audio cutter on the AIFF afterward to isolate a specific passage.
By default the output is 16-bit big-endian PCM and preserves the source sample rate (commonly 48 kHz on AVCHD camcorders) when Audio Sample Rate is left at "Original." In our testing, a one-minute 48 kHz stereo MTS clip extracted to an AIFF of roughly 11 MB, in line with the ~10 MB-per-minute figure for uncompressed PCM. You can resample to 44.1 kHz from the same panel if your project requires it.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion. There is no sign-up, no watermark, and your files are never shared or made public.