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Supports: M2V
This pairs two formats that were never designed to meet: a raw MPEG-2 video elementary stream on one side, and Apple's uncompressed audio interchange format on the other. The catch is structural rather than technical — an .m2v holds picture only, with no audio track anywhere inside it, so a spec-correct file cannot produce an AIFF at all. The reference tables below set out exactly what each format stores, so you can see why, and identify which file in your project actually carries the sound you are after.
| Property | Value |
|---|---|
| What it is | a raw MPEG-2 video elementary stream — one media type, unmuxed |
| Standard | ITU-T H.262, first approved July 1995, published jointly with ISO/IEC as MPEG-2 Video |
| Container | none; it is a bare bitstream, not a container format |
| Audio track | none — an elementary video stream cannot carry audio by definition |
| Subtitles, chapters, timecode | none |
| Duration and bitrate metadata | absent at the container level; players often report zeros or estimate from the bitstream |
| Typical resolutions | 720×480 (NTSC) and 720×576 (PAL) for DVD; HD variants exist for broadcast |
| Where it comes from | DVD authoring and broadcast mastering, where video and audio are encoded as separate files and multiplexed at the end |
| Its usual partner file | a separate .ac3, .mp2, or .wav audio master with the same base name |
| Property | Value |
|---|---|
| What it is | Audio Interchange File Format — uncompressed PCM audio in a chunked file |
| Origin | Apple, 1988, built on Electronic Arts' EA IFF 85 chunk structure |
| Byte order | big-endian, a legacy of the Motorola 68000 Macs it was designed for |
| Structure | a FORM wrapper containing a COMM chunk (channels, frame count, bit depth, sample rate) and an SSND chunk holding the samples |
| Sample rate storage | an 80-bit IEEE 754 extended-precision float in the COMM chunk |
| Compression | none in classic AIFF; the AIFF-C variant adds compressed and little-endian encodings |
| Codecs offered here | PCM 16-bit Big Endian (the default), PCM 16-bit Little Endian, PCM A-law, PCM mu-law |
| Best for | mastering, editing, and archival hand-off where a lossless file is expected |
| Comparable to | WAV, which stores the same PCM data little-endian |
.m2v onto the page or click "+ Add Files". Multiple files can be queued and processed with the same settings, which helps when you are sorting through a folder of DVD-authoring assets..aiff. Files upload over an encrypted connection, are processed on our servers, and are deleted automatically after a few hours. No sign-up, no watermark.Because there is no audio in the source. An audio-only target has to write at least one audio stream, and an MPEG-2 video elementary stream contains none, so the job ends with an error rather than producing an empty or silent AIFF. We reproduced this using the same command shape our converter builds — decode, drop the video, encode audio — and the encoder reports that the output file contains no stream, writing no file at all.
Play it in VLC and open Tools → Codec Information, which lists every stream the file contains. One video stream and nothing else means a genuine elementary stream. If you hear sound, the file is almost certainly a misnamed MPEG program stream — really an .mpg — with a muxed audio track, and it will convert here without trouble, because the decoder identifies files by content rather than by extension.
In a sibling file. DVD and broadcast workflows keep video and audio separate until the final multiplex, so the folder holding your .m2v usually holds a matching .ac3 (Dolby Digital), .mp2 (MPEG-1 Layer II), or .wav/LPCM master with the same base name. Convert that instead — AC3 to AIFF covers the most common case. If the project was already authored, the audio is muxed back into the .vob or the .mpg, so use VOB to AIFF or MPG to AIFF.
PCM 16-bit Big Endian is classic AIFF and writes a plain FORM/AIFF file that every AIFF reader accepts. The other three are stored in the AIFF-C variant instead: choosing PCM 16-bit Little Endian, A-law, or mu-law produces a FORM/AIFC file with a version chunk added. We verified this by inspecting the bytes our encoder writes. A-law and mu-law are 8-bit companded encodings, so they halve the file size at a real cost in fidelity — telephony formats, not mastering formats. Leave the default alone unless you specifically need one of the others.
Classic AIFF does not — it stores raw PCM samples, which is why there is no bitrate or quality control on this page. File size is arithmetic: sample rate × bit depth × channels × duration. Stereo 16-bit at 48 kHz works out to about 11.5 MB per minute. AIFF-C exists precisely to allow compressed variants, which is where the A-law and mu-law options land.
They are near-equivalents for uncompressed PCM: same samples, different byte order and chunk layout, with AIFF's big-endian heritage coming from early Macs and WAV's little-endian one from the PC side. Both are read everywhere today. Pick AIFF when you are handing files to a Mac-centric audio workflow such as Logic Pro, and WAV when the destination is Windows-based or expects it — the audio itself is identical.
Yes, but through a different tool. AIFF is audio-only, so the picture is discarded by design. M2V to MP4 wraps the raw stream into a container that ordinary players and editors can open, and M2V to MPEG keeps it in the MPEG family as a program stream. The M2V converter hub lists every target this source supports.
Because elementary streams carry no container to store it in. Duration, overall bitrate, and stream indexes are container-level metadata, and a bare MPEG-2 video bitstream has no container — so players either report zeros or estimate the length from the bitstream itself. It is normal for the format and not a sign that your file is damaged.
Files travel over an encrypted connection, are processed on our servers, and are deleted automatically after a few hours. They are never shared or made public, and no account is required. There is no size tier to buy — the practical limit is how long a large MPEG-2 stream takes to upload from your own connection, so trimming first is often quicker than sending a feature-length file.