Initializing... drag & drop files here
Supports: 3GPP
This walkthrough is for anyone with a 3GPP mobile clip — a phone recording, voice memo, or old MMS video — who needs the audio track pulled out and saved as AIFF (uncompressed PCM) for a Mac or pro-audio workflow. By the end you'll know which settings to leave alone, why the AIFF will be larger than the source, and the one thing AIFF can't do: add fidelity the phone never captured.
.3gpp clip. Multiple files convert with the same settings, so batch a folder of voice memos in one pass.The two settings that matter for this extraction are Audio Channel and Audio Sample Rate, and the right choice depends entirely on what codec your 3GPP holds inside its container. 3GPP is an MP4-based container (built on ISO/IEC 14496-12), and the audio inside is usually one of two things: AMR-NB (a narrowband speech codec) or AAC.
There is no separate bit-depth control to worry about for AIFF: the converter writes PCM_S16BE (16-bit big-endian), the encoding Logic Pro, GarageBand, and Pro Tools assume for AIFF. Going wider than 16-bit gains nothing because the 3GPP source is lossy and often only 8 kHz, so 16-bit already exceeds its effective resolution.
AIFF is the wrong destination when your goal is a small, shareable file — uncompressed PCM is the opposite of small, so a one-minute clip balloons to several megabytes. For sending or storing, convert to 3GPP to MP3 for a compact lossy file. If you need uncompressed PCM but want little-endian WAV instead (or more bit-depth options), use 3GPP to WAV. And if the 3GPP is DRM-protected or corrupted, no online converter can read it — that's a problem with the source file, not the format target.
No. AIFF is an uncompressed container, not a quality upscaler. If the 3GPP holds AMR-NB audio, it was captured at 8 kHz and filtered to 200–3400 Hz, so the AIFF holds those same band-limited samples as PCM — it still sounds like a phone recording, just in a much larger file. If the 3GPP holds AAC, the AIFF carries the AAC-decoded samples with no audible improvement. AIFF's value is workflow (native PCM in your DAW with no re-decode), not fidelity.
Leave Audio Sample Rate at Original. AMR-NB is recorded at 8000 Hz, so an 8 kHz mono AIFF preserves everything that was captured, at roughly 0.9 MB per minute. Upsampling to 44100 Hz produces a file about 5x larger that contains no extra audio information — AMR-NB filters out everything above 3400 Hz at the source, and resampling cannot invent frequencies that were never recorded.
Because 3GPP stores audio compressed and AIFF stores it uncompressed. AMR-NB often sits near 12 kbit/s and AAC around 64–128 kbit/s; uncompressed 16-bit PCM is about 10 MB per minute at 44.1 kHz stereo or about 0.9 MB per minute at 8 kHz mono. The discarded video is gone, but the audio payload expands. To keep the AIFF small, leave the sample rate at Original and choose Mono for speech.
The output is PCM 16-bit big-endian (PCM_S16BE) — the standard AIFF encoding that Logic Pro, GarageBand, and Pro Tools assume. There's no benefit to a wider bit depth here: a 3GPP's audio is lossy and often 8 kHz, so 16-bit already exceeds the source's effective resolution. If you need a different PCM width or little-endian samples for a specific tool, convert to 3GPP to WAV, which exposes more PCM bit-depth options.
Effectively yes. 3GP is the file form of the 3GPP standard — the same MP4-based container family, just a different extension — so the audio inside (AMR-NB or AAC) and the AIFF output behave identically. If your file ends in .3gp rather than .3gpp, use 3GP to AIFF instead; everything in this guide still applies.
Your file is uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — there's no account, no watermark, and the audio is never shared or made public. In our testing, a 30-second AMR-NB voice clip (8 kHz mono) produced an AIFF of about 0.5 MB, while the same length of stereo AAC audio at 44.1 kHz produced roughly 5 MB.