Initializing... drag & drop files here
Supports: 3GP, 3G2
A 3GP file is a 3G-era mobile video clip; this tool pulls the audio track out and saves it as AIFF, discarding the picture. The honest catch: AIFF is uncompressed PCM, but it can't add fidelity the phone never captured — if your 3GP holds AMR-NB speech (8 kHz, telephone-bandwidth), the AIFF will be a big file that still sounds like a phone call. Convert to AIFF when you need raw PCM your Mac DAW reads natively; for a small shareable file, use 3GP to MP3 instead.
| Property | 3GP (source) | AIFF (output) |
|---|---|---|
| Type | Video + audio container (mobile) | Audio only |
| Defined by / year | 3GPP, early 2000s | Apple, 1988 |
| Built on | ISO base media file format (MPEG-4 Part 12) | Electronic Arts IFF (1985) |
| Typical audio inside | AMR-NB (8 kHz speech), AMR-WB, or AAC | Uncompressed linear PCM |
| Output codec here | — | PCM 16-bit big-endian (PCM_S16BE) |
| Compression | Lossy (AMR / AAC) | None — raw PCM samples |
| Audio bandwidth | AMR-NB capped at 200–3400 Hz | Limited only by sample rate |
| Designed for | 3G mobile phones, low bandwidth | Mac / pro-audio interchange |
| Typical size, 1 min | ~0.1–1 MB (compressed) | ~10.1 MB at 44.1 kHz 16-bit stereo |
| Native macOS support | QuickTime, VLC | Logic, GarageBand, Music app, QuickTime |
.3gp or .3g2 clip — a phone recording, voice memo, or old MMS video. Batch is supported.HH:MM:SS.sss to pull just the segment you need.No. AIFF is an uncompressed container, not a quality upscaler. If the 3GP's audio is AMR-NB, it was captured at 8 kHz and filtered to 200–3400 Hz (telephone bandwidth); the AIFF holds those same band-limited samples as PCM, so it still sounds like a phone recording — just in a 10 MB/min file. If the 3GP holds AAC, the AIFF carries the AAC-decoded samples with no audible improvement. AIFF's value is workflow (native PCM in your DAW, no re-decode), not fidelity.
Leave Audio Sample Rate at Original. AMR-NB is recorded at 8000 Hz, so 8 kHz mono AIFF preserves everything that was captured at roughly 0.9 MB/min. Upsampling to 44100 Hz produces a file ~5x larger that contains no extra audio information — the missing high frequencies are gone from the source and resampling cannot invent them.
Because 3GP stored audio compressed (AMR-NB often near 12 kbit/s, AAC around 64–128 kbit/s) and AIFF stores it uncompressed. A one-minute clip that was a few hundred KB as 3GP becomes several megabytes as AIFF (about 10 MB/min for 44.1 kHz 16-bit stereo, ~0.9 MB/min for 8 kHz mono). The video you discarded is gone, but the audio payload expands. To keep it small, keep the source sample rate, use Mono for voice, and Trim to just the part you need.
The output is PCM 16-bit big-endian (PCM_S16BE) — the standard AIFF encoding Logic Pro, GarageBand, and Pro Tools assume. There is no upside to 24-bit here: a 3GP's audio is lossy and often 8 kHz, so 16-bit already exceeds the source's effective resolution. If you specifically need a different PCM width for a tooling reason, convert to 3GP to WAV, which exposes more PCM bit-depth options.
None — .aiff and .aif are the same Audio Interchange File Format, just a 4-character versus 3-character extension, and they play identically in every DAW. For the reverse direction or to rename the extension, see AIFF to AIF.
Your file is uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — there's no account, no watermark, and the audio is never shared or made public. In our testing, a 30-second AMR-NB voice clip (8 kHz mono) produced an AIFF of about 0.5 MB, while the same length of stereo AAC music at 44.1 kHz produced roughly 5 MB.
Yes — set Trim to enabled and enter Start time and Duration. Only that segment is written to the AIFF, which saves output size and processing time. For multi-region edits or fades after extraction, run the result through Audio Cutter.