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Supports: 3GP, 3G2
3GP is the container older 3G phones and feature phones recorded to, and its audio track is almost always AMR speech (narrowband, sampled at 8 kHz) or AAC. This tool extracts that audio and decodes it to WAV — uncompressed linear PCM that opens in any audio editor without a codec. Decoding to WAV makes a phone recording portable and edit-ready, but it cannot add detail the original AMR or AAC track never captured: a narrowband voice memo stays a narrowband voice memo, just in a lossless, universally editable wrapper.
.3gp or .3g2 clip onto the page, or click "+ Add Files" to browse. You can queue several at once.The WAV you get out is only as good as the audio the phone recorded. Use this to set expectations before you convert.
| 3GP audio source | Native sample rate | Audio bandwidth | Typical use | WAV result |
|---|---|---|---|---|
| AMR-NB (narrowband) | 8 kHz | 200–3400 Hz | Voice memos, calls | Lossless copy of a speech-band recording |
| AMR-WB (wideband, ITU-T G.722.2) | 16 kHz | 50–7000 Hz | Higher-quality voice | Fuller speech, still no high treble |
| AAC-LC / HE-AAC | up to 48 kHz | full-range music | Camcorder/video audio | Music-quality PCM, editor-ready |
Because the source is almost certainly AMR-NB, the narrowband speech codec 3G phones used for calls and voice memos. AMR-NB samples at 8 kHz and only carries roughly 200–3400 Hz — the telephone speech band. Converting to WAV stores those exact samples losslessly, but the frequencies above ~3.4 kHz were never recorded, so no format can add them back. WAV makes the clip editable and portable, not higher-fidelity.
Yes, often dramatically. WAV is uncompressed PCM, so its size is fixed by sample rate, bit depth, and channel count regardless of how quiet the audio is. CD-quality stereo (44.1 kHz, 16-bit) runs at about 1,411 kbps — roughly 10 MB per minute. An AMR clip that was a few hundred kilobytes can become several megabytes as WAV. If size matters more than lossless editing, convert 3GP to MP3 instead, or compress the WAV afterward.
Only if a downstream tool requires a standard rate — for example, a DAW or CD-mastering workflow that expects 44.1 kHz. Upsampling resamples the existing audio onto a denser grid; it does not reveal detail the 8 kHz source never had, and it makes the file larger. If your editor accepts arbitrary rates, leaving sample rate on "Original" keeps the file smaller and avoids an unnecessary resample.
The decode step from AMR or AAC to PCM is lossy in the sense that the original codec already discarded data when the phone recorded it — that loss is permanent. From that decoded PCM forward, WAV adds no further loss: it stores the samples exactly. So the WAV is a faithful, lossless container around audio that was already compressed once on the device.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public. In our testing, a 30-second AMR-NB voice memo (8 kHz, mono) decoded to a roughly 0.5 MB mono WAV; the same clip upsampled to 44.1 kHz stereo grew to about 5 MB, which is why we leave sample rate and channel on "Original" by default. If you have a bare .amr file with no video wrapper, use AMR to WAV instead.