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Supports: AMR
AMR (Adaptive Multi-Rate) is a speech-optimized codec built by Ericsson and adopted by 3GPP for GSM/UMTS mobile networks. It compresses voice down to 4.75-12.2 kbps for narrowband (AMR-NB at 8 kHz) or 6.6-23.85 kbps for wideband (AMR-WB at 16 kHz) — about 100× smaller than CD audio, but unusable for music. WAV stores uncompressed PCM samples that every editor reads natively. Common reasons to convert AMR → WAV:
See also MP3 to WAV and M4A to WAV if your archive mixes formats.
| Property | AMR | WAV |
|---|---|---|
| Compression | Lossy, speech-optimized (ACELP) | Uncompressed PCM |
| Typical bitrate | 4.75-12.2 kbps (NB), 6.6-23.85 kbps (WB) | 128 kbps (8-bit/8k mono) to 1,411 kbps (16-bit/44.1k stereo) |
| Sample rate | 8 kHz (NB) or 16 kHz (WB) only | 8 kHz to 192 kHz, freely selectable |
| 1-minute file size | ~50-100 KB | ~1 MB (8k mono) to ~10 MB (44.1k stereo) |
| Frequency range | 300 Hz - 3.4 kHz (NB) / 50 Hz - 7 kHz (WB) | Full audible spectrum (20 Hz - 20 kHz+) |
| Editor support | Limited — most DAWs lack AMR decoders | Universal — every editor since the 1990s |
| Best for | Mobile voice messages, voicemail, MMS | Editing, archival, transcription, broadcast |
| PCM format | Bit depth | Best for |
|---|---|---|
| PCM_S16LE | 16-bit signed LE | Default — CD-standard PCM, every editor reads it |
| PCM_S24LE | 24-bit signed LE | DAW work where you'll add EQ/compression and need headroom |
| PCM_S32LE | 32-bit signed LE | Float-style mastering pipelines |
| PCM_ALAW | 8-bit A-law | European telephony systems and legacy PBX integration |
| PCM_MULAW | 8-bit μ-law | North American/Japanese telephony, IVR, and call-center systems |
| PCM_S16BE | 16-bit signed BE | Legacy big-endian (older Mac, SGI) systems |
No. AMR is a lossy speech codec — once audio is encoded as AMR, frequencies above 3.4 kHz (narrowband) or 7 kHz (wideband) are gone, and the speech-coded waveform is a parametric reconstruction rather than a faithful sample stream. Converting to WAV unwraps that reconstruction into uncompressed PCM but cannot add detail that AMR threw away. The benefit is editability and preventing further loss when you process the audio.
Match the source. AMR-NB recordings (8 kHz sample rate) gain nothing from upsampling beyond 8 or 16 kHz — interpolation invents data that wasn't captured. AMR-WB (16 kHz) can be left at 16 kHz or upsampled to 44.1/48 kHz if your editor or transcription tool requires it. XConvert detects the source rate; pick "Original" if unsure.
WAV stores every sample at full bit depth without compression; AMR stores a tiny set of vocal-tract parameters per frame. A 60-second AMR voicemail at 7.4 kbps is about 55 KB. The same 60 seconds as 16-bit / 16 kHz mono PCM WAV is about 1.9 MB — roughly 35× larger. Stereo 44.1 kHz pushes it to 10 MB. This is normal and expected; WAV is for editing and archival, not storage efficiency.
Yes. Drop in dozens or hundreds of .amr files at once. Each file converts in parallel within your browser session and downloads as individual WAVs or a single ZIP. Useful for clearing out a years-old call recording archive from an old Samsung or HTC phone.
Yes. The decoder handles AMR-NB (8 kHz, the original .amr format used by most older Android phones and MMS) and AMR-WB (16 kHz, sometimes saved as .awb, used in HD voice / VoLTE recordings). XConvert detects the codec automatically from the file header.
The audio data is preserved exactly — but file-system timestamps and any phone-specific metadata (caller ID notes, recording app comments) live outside the AMR container and don't survive the codec conversion. If you need timestamps, save the original filename (which usually contains the date) before uploading.
Yes. Use the trim section to enter a start time and duration. Both accept seconds (12.5) or HH:MM:SS.sss format (00:01:30.500). Useful for cutting a single statement out of a long call recording or trimming silence from the start of a voicemail before transcription.
Most desktop DAWs ship without AMR decoders because of historic licensing fees on the codec — Pro Tools, Logic Pro (until recently), Audition, and older Audacity builds simply refuse to import .amr. Converting to WAV gives them raw PCM, which every audio app reads natively. This is the single most common reason people convert AMR.
WAV is the standard format for forensic audio submission because it's uncompressed and bit-exact. However, the underlying recording is still bound by AMR's lossy encoding — frequencies and detail discarded by AMR cannot be recovered. For evidentiary value, preserve and submit BOTH the original AMR file and the WAV decoding so analysts can verify the conversion is faithful.