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Supports: M4A
M4A is Apple's MPEG-4 audio container — typically AAC at 128-256 kbps, occasionally ALAC lossless — designed for music, podcasts, and audiobooks. AMR (Adaptive Multi-Rate) is a parametric speech codec built by Ericsson and Nokia in the late 1990s, adopted by 3GPP for GSM/UMTS voice calls. It throws away everything outside the speech band (300 Hz - 3.4 kHz for AMR-NB) and compresses voice down to ~100 KB per minute. Common reasons to convert M4A → AMR:
See also M4A to MP3 for music-friendly output, or AMR to WAV for going the other direction to edit existing AMR recordings.
| Property | M4A (AAC) | AMR |
|---|---|---|
| Codec family | AAC-LC / HE-AAC / ALAC (lossless) | ACELP-based parametric speech codec |
| Typical bitrate | 96-256 kbps (AAC), 600-1100 kbps (ALAC) | 4.75-12.2 kbps (NB), 6.6-23.85 kbps (WB) |
| Sample rate | 8 kHz to 96 kHz, freely selectable | 8 kHz only (NB) or 16 kHz only (WB) |
| Channels | Mono, stereo, 5.1, 7.1 | Mono only |
| 1-minute file size | ~1-2 MB at 128 kbps stereo | ~50-100 KB |
| Frequency range | 20 Hz - 20 kHz+ (full audible) | 300 Hz - 3.4 kHz (NB) / 50 Hz - 7 kHz (WB) |
| Best for | Music, podcasts, audiobooks, iTunes | Voice calls, voicemail, MMS, ringtones for 2G/3G |
| Hardware support | iPhone, Android, iTunes, QuickTime | GSM/UMTS handsets, IVR, VoLTE devices |
| AMR mode | Bitrate | Sample rate | Best for |
|---|---|---|---|
| AMR-NB 4.75 kbps | 4.75 kbps | 8 kHz | Smallest files — barely-intelligible MMS where size matters more than clarity |
| AMR-NB 7.40 kbps | 7.40 kbps | 8 kHz | Half-rate GSM voice — adequate speech, very small |
| AMR-NB 12.2 kbps | 12.2 kbps | 8 kHz | Default — GSM full-rate, equivalent to old GSM-EFR call quality |
| AMR-WB 12.65 kbps | 12.65 kbps | 16 kHz | HD-voice intelligibility at NB-comparable size |
| AMR-WB 15.85 kbps | 15.85 kbps | 16 kHz | Common VoLTE / 3GPP HD voice setting |
| AMR-WB 23.85 kbps | 23.85 kbps | 16 kHz | Maximum AMR-WB quality — clearest speech, largest AMR files |
AMR is a destructive lossy codec optimized exclusively for the human voice. Converting a music M4A to AMR will strip out all bass below 300 Hz, all high frequencies above 3.4 kHz (AMR-NB) or 7 kHz (AMR-WB), and apply a vocal-tract model that mangles non-speech audio. This is not a quality issue with the converter — it's how AMR works by design. Use M4A to AMR only when the destination device or system requires AMR. For music or general listening, convert M4A to MP3 or keep it as M4A.
Match the destination. AMR-NB (8 kHz) is the right choice for ringtones on older feature phones, MMS attachments to 2G/3G handsets, and any system that pre-dates 2010. AMR-WB (16 kHz, sometimes saved as .awb) is required for VoLTE / HD-voice systems, modern IVR platforms, and 3GPP-compliant wideband recordings. If you're not sure, AMR-NB at 12.2 kbps is the safest universal default — every AMR decoder on the planet handles it.
That's expected. M4A typically carries AAC at 128 kbps stereo with a full 20 Hz - 20 kHz frequency range. AMR-NB throws that down to 12.2 kbps mono and a 300 Hz - 3.4 kHz band — a 10× compression ratio plus aggressive frequency truncation, with a codec model designed for voice rather than music. Drums, cymbals, bass, and any pitched instrument come through badly. This is by design; AMR is for speech only.
No — iPhone ringtones use M4R (M4A renamed) and require AAC. Convert M4A to AMR only for non-Apple legacy phones (Nokia, Sony Ericsson, JioPhone, KaiOS feature phones, older Android devices) or for MMS / IVR systems. For iPhone ringtones, use M4A to M4R instead.
Most carriers cap MMS payload at ~300 KB total (which must include any attached image plus the audio plus headers). At AMR-NB 12.2 kbps that's roughly 3 minutes of audio, but in practice keep clips to 30-60 seconds to stay under aggregate limits. At 4.75 kbps you can fit ~7 minutes in 300 KB — useful for voicemail-style MMS where intelligibility matters more than clarity.
Yes — AMR is mono-only at the codec level. The encoder downmixes left and right channels to a single mono track before encoding. If your source M4A has critical stereo information (e.g., a dialogue panned hard right), pre-mix it to center in an editor before converting, otherwise the panned audio attenuates by 3 dB during downmix.
Yes. Drop in dozens of .m4a voice memos at once. Each file converts in parallel within your browser session and downloads as individual AMRs or a single ZIP. Useful for migrating an iPhone Voice Memos folder to a Nokia / KaiOS feature phone or for bulk-uploading IVR prompts to an Asterisk server.
Yes. M4A is just a container — the underlying audio can be AAC (most common, from iTunes, Voice Memos, podcasts) or ALAC (Apple Lossless, often from CD rips). Both decode correctly and re-encode to AMR. ALAC sources are first decoded to PCM, then downmixed to mono and encoded as AMR; the final file size is identical regardless of source codec because AMR's bitrate is fixed.
Modern iPhones do not natively play .amr files — you need VLC for iOS or a third-party AMR player. Android historically supports AMR via the system media framework, though support has been deprecated on Android 13+ in some OEM builds. AMR is intended for the destination device or telephony system, not for playback on smartphones — for general phone playback, convert M4A to MP3 or keep it as M4A instead.