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Supports: DIVX
This tool pulls the audio track out of a DivX video and writes it to an AIFF file — the picture is discarded, you get sound only. DivX is an early-2000s MPEG-4 Part 2 (Advanced Simple Profile) video codec from the DVD-rip era, and its audio track is almost always lossy — typically MP3 or AC-3. Decoding that into uncompressed AIFF PCM produces a much larger file but cannot restore detail the original lossy encoder already threw away. A lossless container is not the same as lossless audio. The honest reason to do this is workflow: AIFF is the uncompressed PCM format that Logic Pro, older editors, and hardware samplers import natively.
| Property | DivX | AIFF |
|---|---|---|
| Type | Video container (audio + video) | Audio-only container |
| Format basis | MPEG-4 Part 2 (ASP) video codec | Audio Interchange File Format |
| Created by | DivX, Inc. — codec era circa 2001 | Apple, 1988 (based on Electronic Arts' IFF) |
| Typical extension | .divx, .avi |
.aiff, .aif |
| Audio payload | Lossy — usually MP3 or AC-3 | Uncompressed PCM (this tool: 16-bit big-endian) |
| Endianness | Little-endian (AVI/RIFF) | Big-endian (IFF) |
| Audio quality | Whatever the embedded lossy track holds | Bit-perfect copy of the decoded source |
| Typical audio size | Small (lossy, ~1 MB/min at 128 kbps) | Large — roughly 10 MB per minute at CD quality |
| Best for | Storing DVD-rip-era video with sound | Uncompressed editing input, sampler feeds |
.divx or .avi files onto the page or click "+ Add Files". You can queue several and extract them with the same settings.Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — never shared or made public.
No. A DivX file's audio track is almost always lossy — typically MP3 or AC-3 — and the original encoder permanently discarded detail to shrink it. Decoding that track to uncompressed AIFF cannot bring any of it back; the AIFF holds the same audio, just stored without compression, so it is identical in sound but much larger. The only case where AIFF is bit-perfect is if the DivX somehow carried an uncompressed PCM track to begin with, which is rare. Any tool promising a fidelity boost from a lossy source is mistaken.
Because AIFF stores every sample uncompressed. CD-quality AIFF (16-bit, 44.1 kHz, stereo) runs about 10 MB per minute, so a 4-minute clip's audio lands near 40 MB regardless of how small the original track was. A 128 kbps MP3 track of the same length might be only about 4 MB, so expect a roughly tenfold jump. The extra bytes are uncompressed padding, not added detail — and because the video is dropped, the AIFF can still be far smaller than the whole DivX file.
It is discarded. This is an audio-extraction conversion: the converter reads the DivX container, decodes the audio stream, and writes only that to AIFF. The MPEG-4 video frames are not included in the output. If you want to keep the moving picture, you'd convert DivX to another video format instead — this tool's output is sound only.
They're close cousins: both are uncompressed PCM and sound identical. AIFF is big-endian and based on Electronic Arts' IFF; WAV is little-endian and based on RIFF — the same RIFF family the AVI side of DivX belongs to. AIFF is the more natural fit on macOS and in Apple's audio apps, while WAV is the cross-platform default. If you'd rather output WAV, use DivX to WAV.
In our testing, this converter writes 16-bit big-endian PCM (PCM_S16BE) by default, and leaving Audio Channel and Audio Sample Rate on "Original" matches the decoded source's channels and rate — commonly 44.1 kHz stereo for a DivX with an MP3 or AC-3 track. The converter does not upsample, so a 44.1 kHz source yields a 44.1 kHz AIFF, not a higher-resolution one. To re-pack an existing PCM master into AIFF from a WAV file instead, use WAV to AIFF.
It decodes the AC-3 audio that's present, but AIFF is most commonly used as a stereo PCM file. If your DivX carries a 5.1 AC-3 track and your downstream tool expects stereo, set Audio Channel to stereo so the surround mix is downmixed cleanly; leaving it on "Original" preserves whatever channel layout the source decodes to. Check what your editor or sampler actually accepts before extracting.
Files are uploaded over an encrypted connection and processed on our servers, then deleted automatically a few hours after conversion. Nothing is shared or made public, there's no watermark, and no sign-up is required to convert.