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Supports: DIVX
DivX is a video format, not an audio one — so "DivX to WAV" really means decoding the audio track out of a DivX video and writing it as an uncompressed WAV file. This walk-through is for anyone who needs that raw audio for editing, sampling, or archiving, and explains the one tradeoff that trips people up: WAV is lossless, so the output is large.
.divx or .avi file onto the page, or click "Add Files" to browse. You can queue several files and run them with the same settings.The audio inside a DivX file is almost always MP3 or AC3 (AAC appears in some HD profiles). Whatever it is, the converter decodes it back to linear PCM and wraps it in a WAV header — there is no "DivX audio codec" to preserve, so your real choices are about the PCM itself:
This converter reads the audio that is actually present in the file. It cannot recover audio from a video-only DivX, and it cannot decode a DRM-protected or corrupted container — purchased, copy-protected movies will not extract. If you have a healthy file but want a compressed result rather than raw PCM, go straight to DivX to MP3; if you already have a WAV and now want it small, use WAV to MP3. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.
WAV is uncompressed linear PCM, so its size is fixed by math, not by how the audio sounds: sample rate × bit depth × channels × seconds. CD-quality stereo (44.1 kHz, 16-bit) runs about 10 MB per minute regardless of content, while the DivX video compressed both picture and sound heavily. Extracting just the audio as WAV can easily produce a file in the same ballpark as the whole movie.
No. The DivX track is already lossy (MP3, AC3, or AAC), so decoding it to WAV gives you a lossless container around audio that has already lost data. WAV is the right choice when an editor or sampler needs uncompressed PCM input — it does not add back detail that compression removed.
By default the converter writes 16-bit PCM at the source's own sample rate (often 44100 Hz for MP3 audio or 48000 Hz for AC3). In the advanced options you can choose 16-, 24-, or 32-bit little-endian PCM and force a specific Audio Sample Rate if your workflow requires it.
Yes — open Trim and set a Start time and Duration. With an uncompressed format this is the most reliable way to keep the file small, so trimming to the exact clip you need is usually worth doing before you convert.
In our testing, a stereo source kept on "Original" produced a standard 2-channel WAV; a multi-channel AC3 source is down-mixed during decoding rather than written as discrete 5.1 PCM. If you specifically need a single mono file, set Audio Channel to Mono; for ordinary playback and editing, stereo output is the practical result.