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Supports: AIF, AIFF
AIFF is Apple's uncompressed studio format — a full PCM waveform that runs roughly 10 MB per minute for CD-quality stereo. This tool re-encodes that audio to AAC and writes it as a raw .aac file (an ADTS stream), so the size drops dramatically. Two things to know before you start: this is a lossless-to-lossy step, so detail the encoder discards never comes back — keep the AIFF as your master; and the output is a bare .aac stream, not an .m4a, so it carries no tags or artwork and some players (such as QuickTime) won't open it. Pick .aac when a tool, encoder, or streaming pipeline wants raw AAC frames; for everyday listening use AIFF to M4A instead.
Both carry the same AAC codec; the difference is the wrapper. A raw .aac is an ADTS stream of self-synchronizing frames with nowhere to store metadata, while an .m4a wraps the same AAC audio inside an MP4 container that holds tags, artwork, and a seek index.
| Property | Raw .aac (ADTS, this tool) | .m4a (MP4 container) |
|---|---|---|
| Audio codec | AAC (lossy) | AAC (lossy) |
| Wrapper | Bare ADTS elementary stream | MP4 / ISO base-media container |
| Metadata / tags | Not carried by the stream | Title, artist, album, artwork |
| Player support | Narrower — some players (e.g. QuickTime) won't open raw ADTS | Broad — iPhone, iTunes, most apps |
| Seeking | Frame-by-frame; less reliable in some players | Container index aids seeking |
| Best for | Encoders, streaming, pipelines wanting raw AAC frames | General listening, music libraries |
If you just want a small, taggable file to play on a phone or in iTunes, use AIFF to M4A — same AAC codec, but a tagged, broadly compatible file. If you want a smaller file with no quality loss at all, convert to a lossless format like FLAC instead.
.aac file..aiff or .aif file onto the page, or click "+ Add Files" to browse. You can queue several at once and convert them with the same settings..aac file. No sign-up, no watermark.Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — never shared or made public.
Yes, by design. AIFF is uncompressed PCM and AAC is a lossy format, so the encoder permanently discards audio detail to shrink the file. At higher bitrates and presets the result is transparent to most listeners on typical playback gear, but the discarded data cannot be recovered. Always keep the original AIFF if it is your only master — re-encode future conversions from that lossless source, not from an AAC copy.
Both hold AAC audio; the container differs. This tool outputs a raw AAC stream in ADTS framing with a .aac extension — a series of self-synchronizing frames with no place to store tags. An .m4a wraps the same AAC audio in an MP4 container that holds metadata and a seek index. Pick .aac when a downstream tool or stream wants raw AAC frames; pick M4A for everyday playback and tagging.
A raw ADTS .aac is not an MP4, so players that expect a container can reject it — QuickTime, for example, will not open raw AAC ADTS files. Most general-purpose players (VLC, modern browsers) and audio tools read it fine, but if a specific app refuses the file, convert to M4A or MP3 instead, which use the broadly supported MP4 and MPEG containers.
No. ADTS framing has no field for tags, so title, artist, album, and cover art are not written to a raw .aac file. AIFF masters often carry little embedded tag data to begin with, but anything that is there will not transfer. If you need embedded metadata, choose M4A, whose MP4 container stores tags, or add tags afterward in your own library tool.
For music, a higher constant bitrate such as 256 kbps is a common choice that most listeners cannot distinguish from the source. For spoken-word content like podcasts or audiobooks, lower bitrates around 96–128 kbps keep files small with no meaningful loss. In our testing, a 4-minute 44.1 kHz stereo AIFF re-encoded to a 256 kbps AAC stream produced an .aac file roughly a tenth the size of the original — the exact ratio depends on the source and the bitrate you pick.
Because AIFF is uncompressed: it stores the full PCM waveform at about 10 MB per minute for CD-quality stereo. AAC applies lossy compression, removing data the ear is unlikely to notice, so the same audio fits into a fraction of the space. That size reduction is the whole reason to run the conversion.
Yes. AIF and AIFF are the same format — AIF is just the three-letter extension used on systems that prefer short names. Upload either and the converter treats them identically.