Initializing... drag & drop files here
Supports: AAC
This converts your lossy AAC audio into uncompressed AIFF — the PCM format Logic Pro, GarageBand, and hardware samplers import natively. One honesty note up front: AAC is lossy, so the AIFF will not sound better than the AAC. It is a faithful, much larger PCM copy of the same decoded audio; the detail the AAC encoder discarded does not come back. The real reason to do this is workflow, not fidelity — get a stable uncompressed file to edit, sample, or feed to gear that won't read raw AAC.
.aac files onto the page or click "+ Add Files". Queue several to convert them with the same settings.| Property | AAC | AIFF |
|---|---|---|
| Compression | Lossy (Advanced Audio Coding) | Lossless, uncompressed PCM |
| Audio quality | Detail permanently removed at encode | Bit-perfect copy of the decoded AAC — no fidelity regained |
| Typical size | Small (e.g. ~1 MB/min at 128 kbps) | Large — roughly 10 MB per minute at CD quality |
| Byte order | N/A (raw .aac is an ADTS stream) | Big-endian (WAV is the little-endian sibling) |
| Created by | MPEG (MPEG-2/MPEG-4), 1997 | Apple, 1988 (based on Electronic Arts' IFF) |
| Native DAW import | Often transcoded on import | Yes — Logic Pro, GarageBand, samplers read it directly |
| Best for | Storage, streaming, listening copies | Uncompressed editing input, sampler feeds |
No. AAC is a lossy codec: the encoder permanently discarded detail to shrink the file, and decoding to uncompressed AIFF cannot bring it back. As the audio-engineering magazine Sound on Sound puts it, "there's no 'up-conversion' process from AAC to AIFF, only a format change" — the AAC decoder rebuilds the audio "as far as it can, but there are still missing frequencies and other artifacts." The AIFF will sound identical to the AAC, just much larger. Anyone promising a fidelity boost from a lossy source is mistaken.
Because of workflow, not sound. AIFF is the uncompressed PCM format that Logic Pro, GarageBand, older DAWs, and hardware samplers import directly — many of them would transcode an AAC on import anyway. Decoding to AIFF once also gives you a stable working file you can cut, fade, and process repeatedly without triggering a fresh lossy re-encode each time you save. And some samplers and legacy audio hardware accept AIFF or WAV but won't read raw AAC at all.
Because AIFF stores every sample uncompressed while AAC compresses heavily. CD-quality AIFF (16-bit, 44.1 kHz, stereo) runs around 10 MB per minute, so a 4-minute track lands near 40 MB regardless of how small the source AAC was. A 128 kbps AAC of that same track might be only about 4 MB, so expect a roughly tenfold jump. The extra bytes are uncompressed PCM, not added detail.
They're close cousins: both are uncompressed PCM and sound identical. AIFF is big-endian and based on Electronic Arts' IFF format; WAV is little-endian and based on RIFF. AIFF is the more natural fit on macOS and in Apple's apps, while WAV is the cross-platform default. If you'd rather output WAV, use AAC to WAV instead — same audio, different container.
In our testing, leaving Audio Channel and Audio Sample Rate on "Original" produces an AIFF that matches the decoded AAC — commonly 16-bit PCM at 44.1 kHz for a typical music AAC. The converter does not upsample, so a 44.1 kHz source yields a 44.1 kHz AIFF, not a higher-resolution one. To go back the other way later, our AIFF to AAC tool re-encodes it to a compact lossy file.
Yes. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, and never shared or made public.