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Supports: AIF, AIFF
AIFF stores audio as uncompressed PCM, so a few minutes of music can run to tens of megabytes. Converting to FLAC keeps every sample bit-for-bit identical — it is a lossless-to-lossless conversion with zero quality loss — while typically shrinking the file to roughly half its original size. You also gain FLAC's richer tagging, which is handy for large music libraries.
.aiff or .aif file onto the page, or click "+ Add Files" to browse. You can queue several files and convert them in one batch.| Property | AIFF | FLAC |
|---|---|---|
| Compression | Uncompressed PCM | Lossless compression |
| Audio quality | Lossless | Lossless (bit-identical after decode) |
| Typical file size | Largest | Often ~half of AIFF |
| Origin | Apple, 1988 (based on EA IFF 85) | Xiph.Org, royalty-free open format |
| Byte order | Big-endian | Container-defined |
| Tagging | Limited, inconsistent across apps | Rich Vorbis comments, embedded cover art |
| Apple ecosystem | Native (macOS, iTunes, Apple Music) | Not native — ALAC is Apple's lossless equivalent |
| Best for | macOS/Logic Pro editing, Apple workflows | Archiving and storing a lossless library compactly |
Not every library benefits from the switch. If your files live inside Logic Pro sessions, GarageBand projects, or an Apple Music workflow, AIFF is the native citizen — every Apple app opens it instantly, and converting to FLAC would add a format Apple's own players don't read. Convert to FLAC when the goal is storage: archiving masters compactly, moving a library to a NAS or non-Apple player, or sharing lossless files with people outside the Apple ecosystem. Because the conversion is lossless in both directions, you can also keep AIFF as the working format and FLAC as the archive copy without ever losing a sample.
| Control | Options | Effect on the audio |
|---|---|---|
| Compression level | 0–12 slider | None — only trades encoding time against file size |
| Audio Channel | Original / Mono / Stereo | Original preserves the source; Mono downmixes (changes the samples) |
| Audio Sample Rate | Original, or 8,000–48,000 Hz | Original preserves the source; any other value resamples |
| Trim | Start time + Duration | Exports only the selected range |
Three, and they're all optional. Changing Audio Sample Rate from Original resamples the waveform; switching Audio Channel to Mono downmixes it; and Trim exports only part of the track. Each of those genuinely alters the samples, so the output is no longer a sample-exact copy of the source. For an archival conversion, leave all three on their defaults — then the only thing that changes is how the identical audio is stored.
Both are lossless, so the audio is equivalent — the difference is ecosystem. ALAC (Apple Lossless) plays natively in Apple's Music app and on iPhones, while FLAC has broader support everywhere else: dedicated audio players, DAPs, Plex/Jellyfin servers, and Android. If your library lives in Apple software, ALAC saves friction; if it lives anywhere else — or you want the most widely supported open format — FLAC is the safer archive.
No. Both AIFF and FLAC are lossless, so the conversion is lossless end to end. FLAC compresses the PCM data the way a ZIP file compresses a document — when the file is decoded for playback, the waveform is bit-for-bit identical to the original AIFF. The only thing that changes is the file size on disk.
It depends on the music — dense, complex audio compresses less than sparse or quiet recordings — but FLAC commonly lands around half the size of the uncompressed AIFF source. In our testing, a 16-bit/44.1 kHz stereo album that was roughly 300 MB as AIFF came down to about 180 MB as FLAC with no change to the audio. A higher Compression level squeezes out a little more.
Not natively. Apple's apps (iTunes, the Music app, older iPods) do not support FLAC playback; Apple's own lossless format is ALAC. If you live entirely inside the Apple ecosystem you may prefer to keep your AIFF files or use ALAC. FLAC plays natively in VLC, foobar2000, and most modern non-Apple players and DAPs.
No. The Compression level slider only trades encoding time against file size. Every level produces a perfectly lossless file that decodes to identical audio — a higher level just works harder to make the file a bit smaller. There is no "audio quality" setting to lose, because nothing is ever discarded.
FLAC supports rich Vorbis-comment tags and embedded cover art, so it can hold more metadata than AIFF, whose tagging is more limited and inconsistent between applications. Any standard tags present in the AIFF are preserved where a direct equivalent exists; if you need to go the other direction, see FLAC to AIFF. For a universally playable lossy copy instead, use AIFF to MP3.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.