Initializing... drag & drop files here
Supports: MP4, M4V
M4V is Apple's MPEG-4 video container, used since 2006 for iTunes Store movies and TV; its soundtrack is almost always AAC, a lossy codec. This tool pulls that audio track out and writes it to AIFF — Apple's uncompressed PCM format — so the video is discarded and you keep an edit-ready file for Logic Pro, GarageBand, or Pro Tools. If you only want a small file to listen to or share, extract to a compressed format instead; the comparison below shows when each makes sense.
| Property | M4V (source) | AIFF (output here) |
|---|---|---|
| Container | Apple MPEG-4, debuted 2006 | AIFF, Apple, published Jan 1988 |
| Holds | Video + audio (H.264 + AAC/Dolby) | Audio only — video discarded |
| Typical audio codec | AAC (lossy) | Uncompressed PCM, 16-bit big-endian |
| Compression | Lossy on the audio track | None — raw samples written in full |
| Relative file size | Compact audio inside a movie | Larger audio file (PCM is uncompressed) |
| Native playback | Apple devices / iTunes lineage | macOS, Logic Pro, GarageBand, QuickTime |
| Best for | Watching the whole video | Apple DAW imports needing AIFF |
.aif/.aiff open without a prompt..m4v onto the page, or click "+ Add Files" to browse. Queue several clips and they convert in one batch with the same settings.Only if the M4V is not copy-protected. Movies and TV bought or rented from the iTunes Store are locked with Apple's FairPlay DRM and play only on devices signed in to the purchasing Apple ID, so converters — this one, VLC, and HandBrake alike — cannot read the audio out of them. DRM-free M4V files, such as your own exports or unprotected downloads, extract normally.
No. M4V soundtracks are almost always AAC, which is lossy — some detail was permanently discarded when the file was first encoded. Decoding that to uncompressed PCM and wrapping it in AIFF stores the exact samples your player already produces; it cannot rebuild what was removed. You get a much larger file that sounds identical to the source. The point of AIFF here is an edit-ready uncompressed format, not added fidelity.
Because AIFF is uncompressed. AAC inside an M4V shrinks audio by roughly an order of magnitude versus raw PCM, while AIFF writes every sample out in full at 16-bit. CD-quality stereo PCM runs about 10 MB per minute (44.1 kHz × 16-bit × 2 channels ≈ 1,411 kbit/s), so a compact compressed soundtrack commonly expands several-fold. The extra bytes are uncompressed data, not added detail — trim to the part you need to keep the file manageable.
It is discarded. This tool demuxes the file and keeps only the audio stream, writing it to AIFF — there is no picture in the output. If you also need to isolate a specific passage of the extracted sound, run the audio cutter on the AIFF afterward.
By default the output is 16-bit big-endian PCM (the AIFF standard since Apple published it in 1988) and preserves the source sample rate — commonly 44.1 or 48 kHz — when Audio Sample Rate is left on "Original." In our testing, a one-minute 48 kHz stereo M4V extracted to an AIFF of roughly 11 MB, in line with the ~10 MB-per-minute figure for uncompressed PCM. You can resample to 44.1 kHz from the same panel if your project requires it.
.aif the same as .aiff?Yes — the bytes inside are identical. Apple specified the format as AIFF in January 1988, but DOS-era and cross-platform tools were limited to three-letter extensions, so .aif became the common spelling for the very same file. macOS, Logic Pro, and GarageBand read both interchangeably. If you specifically need the three-letter extension, the M4V to AIF page does this exact conversion.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.