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Supports: AVI
This tool pulls the audio track out of an AVI video and writes it to an AIFF file — the picture is discarded, you get sound only. What that buys you depends on what's inside the AVI. Most AVI files carry a lossy audio track (commonly MP3 or AC-3), and decoding that to uncompressed AIFF does not restore any lost detail — the AIFF is just a much larger copy of the same lossy audio. If the AVI's track is PCM, this is a true bit-perfect unpack. Either way, the real reason to do this is workflow: AIFF is the uncompressed PCM format that Logic Pro, older DAWs, editors, and hardware samplers import natively.
| Property | AVI | AIFF |
|---|---|---|
| Type | Video container (audio + video) | Audio-only container |
| Created by | Microsoft, November 1992 (Video for Windows) | Apple, 1988 (based on Electronic Arts' IFF) |
| Container family | RIFF (little-endian) | IFF (big-endian) |
| Audio payload | Usually lossy — often MP3 or AC-3; sometimes PCM | Uncompressed PCM |
| Audio quality | Whatever the embedded track holds | Bit-perfect copy of the decoded source |
| Typical audio size | Small (lossy) to large (PCM) | Large — roughly 10 MB per minute at CD quality |
| Native DAW import | No — apps want the audio extracted first | Yes — Logic Pro, editors, and samplers read it directly |
| Best for | Storing video with synced sound | Uncompressed editing input, sampler feeds |
.avi files onto the page or click "+ Add Files". You can queue several and extract them with the same settings.Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — never shared or made public.
AIFF stores every sample uncompressed, so its size is fixed by bit depth, sample rate, and channel count — not by how small the AVI's original track was. Approximate sizes:
| Audio spec | AIFF size per minute | Typical source |
|---|---|---|
| 16-bit / 44.1 kHz / stereo | ~10 MB | CD quality; the most common AVI-track result |
| 16-bit / 48 kHz / stereo | ~11.5 MB | DVD and video-audio sample rate |
| 24-bit / 48 kHz / stereo | ~17 MB | High-resolution master |
| 16-bit / 44.1 kHz / mono | ~5 MB | Voice or mono sources |
Only if the AVI's audio track is already uncompressed PCM, in which case the AIFF holds the same bit-perfect samples. Most AVI files carry a lossy track — frequently MP3 or AC-3 — and for those the answer is no: the original encoder permanently discarded detail to shrink the audio, and decoding it to AIFF cannot bring that back. The AIFF will sound identical to the embedded track, just much larger. Any tool promising a fidelity boost from a lossy source is mistaken.
It is discarded. This is an audio-extraction conversion: the converter reads the AVI container, decodes the audio stream, and writes only that to AIFF. The video frames are not included in the output. If you actually want to keep the video, you'd convert AVI to another video format instead — this tool's output is sound only.
Because AIFF stores every sample uncompressed. CD-quality AIFF (16-bit, 44.1 kHz, stereo) runs around 10 MB per minute, so a 4-minute clip's audio lands near 40 MB regardless of how small the original lossy track was. A 128 kbps MP3 track of that same length might be only about 4 MB, so expect a roughly tenfold jump. The extra bytes are uncompressed padding, not added detail — and the video being dropped is why the file can still be far smaller than the whole AVI.
They're close cousins: both are uncompressed PCM containers and sound identical. AIFF is big-endian and based on Electronic Arts' IFF; WAV is little-endian and based on RIFF — the same RIFF family AVI itself belongs to. AIFF is the more natural fit on macOS and in Apple's audio apps, while WAV is the cross-platform default. If you'd rather output WAV, use AVI to WAV.
Because every time you re-save a lossy track after editing, the encoder runs again and throws away a little more detail — generational loss stacks up over multiple passes. Decoding once to uncompressed AIFF gives you a stable PCM working file you can cut, fade, and process repeatedly without any further lossy re-encoding. Export back to a compressed format only at the very end, once.
In our testing, leaving Audio Channel and Audio Sample Rate on "Original" produces an AIFF that matches the decoded source — commonly 16-bit PCM at 44.1 kHz for a typical AVI with an MP3 or AC-3 track, or whatever depth and rate a PCM track already carried. The converter does not upsample, so a 44.1 kHz source yields a 44.1 kHz AIFF, not a higher-resolution one. To go in the opposite direction and re-pack PCM audio into AIFF from a WAV master, use WAV to AIFF.
Yes, although AIFF is Apple's format. On Windows, players built on FFmpeg (VLC) and Windows Media Player open AIFF, and most audio editors import it. On Android, support varies by app — VLC and many third-party players handle it, while the stock player may not. If you need audio that plays on essentially everything, extract to AVI to MP3 instead; if you want an uncompressed file with broader default support than AIFF, AVI to WAV is the cross-platform equivalent.
No. "Lossless" means AIFF stores whatever it is given without discarding anything further; it does not mean the audio itself is high fidelity. If the AVI's track is a lossy MP3 or AC-3, the AIFF is a lossless copy of already-lossy audio — pristine packaging around the same limited source. It equals a true high-fidelity master only when the AVI's audio was uncompressed PCM to begin with. Lossless is about preserving what you have, not upgrading it.