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Supports: AIF, AIFF
M4B is not a different format from M4A — it is the same MPEG-4 Part 14 container (ISO/IEC 14496-14) carrying the same AAC audio, with an extension that tells audiobook players "treat this as a book". That single signal is what buys you position memory, playback-speed controls and a separate Audiobooks shelf instead of a track lost in a music library. This page covers turning a narration, lecture or interview recorded as AIFF into that file: which bitrate to pick, how big the result will be, and what M4B will and will not do for you.
.aif or .aiff files onto the page or click "+ Add Files". Files convert individually with shared settings — the queue does not join them into one book..m4b. No sign-up, no watermark.The instinct is to protect quality by choosing a high bitrate, but narration is the one kind of audio where that is genuinely wasted. A voice occupies a narrow band, has no stereo image worth preserving, and is listened to on phone speakers and earbuds during commutes. Work from the constraint you actually have:
| Bitrate and channels | Per hour | A 10-hour book | Fits on |
|---|---|---|---|
| 32 kbps mono | ~14.4 MB | ~144 MB | Any phone, easily emailed in parts |
| 48 kbps mono | ~21.6 MB | ~216 MB | Comfortable for most libraries |
| 64 kbps mono | ~28.8 MB | ~288 MB | The quality-first choice for narration |
| 128 kbps stereo (the default here) | ~57.6 MB | ~576 MB | Music-heavy productions only |
| M4B | M4A | MP3 | |
|---|---|---|---|
| Container | MPEG-4 Part 14 | MPEG-4 Part 14 — identical | MPEG-1/2 Audio Layer III |
| Audio codec | AAC | AAC | MP3 |
| Chapter markers | Supported by the container | Supported, rarely used | Only via non-standard conventions |
| Remembers your place | Yes, in audiobook-aware players | No — treated as music | Depends entirely on the player |
| Playback speed control | Standard in audiobook apps | Player-dependent | Player-dependent |
| Filed under | Audiobooks | Music | Music |
| Universal playback | Good — most modern players | Excellent | Absolute |
.m4b and not .m4b.m4a after downloading..m4b. Support varies by app rather than by platform. Either use a player that handles audiobooks, or rename the file to .m4a — the bytes inside are the same MPEG-4 container either way.Three jobs sit outside a format converter. Chapter markers, cover art and per-book metadata are authoring tasks: this page hands you a clean single-track M4B, and a dedicated audiobook builder or an MP4 tagging tool is what turns several of those into a chaptered book. Audible's .aax downloads are a separate, DRM-protected format — they are not accepted here and cannot be converted. And if what you actually need is one file that plays on absolutely everything, including old car head units and cheap MP3 players, MP3 remains the safer target, at the cost of the audiobook behaviour the .m4b extension unlocks.
Almost entirely the extension. M4B and M4A are the same MPEG-4 Part 14 container with the same AAC audio inside; the .m4b name is the convention audiobook players look for before enabling position memory, speed controls and a separate shelf. The container can additionally hold chapter markers, artwork and hyperlinks, which is what distinguishes a fully authored audiobook from a plain long track.
No. One AIFF in produces one continuous M4B, with no chapter list. If you need chapters, either author the book from per-chapter source files in an audiobook builder, or convert here and then add a chapter track with an MP4 utility. Nothing about the file produced here prevents that — the container already supports chapters, it just has none.
For narration, 64 kbps mono is the quality-first answer and 32-48 kbps mono is where most commercial audiobooks live. Our encoder writes a fixed bitrate, so the size is arithmetic you can check: 64,000 ÷ 8 = 8,000 bytes per second, which is 28.8 MB per hour and about 288 MB for a 10-hour book. At the page's 128 kbps default in stereo, that same book would be roughly 576 MB.
Yes, unless the recording genuinely uses the stereo field. A single voice recorded to two channels carries the same signal twice, so Audio Channel set to MONO halves the file with no audible change. Keep stereo for dramatised productions, music beds, or interviews recorded with separated microphones.
Usually, yes — the container and codec are identical, so renaming is enough for most players to reclassify the file. It works in the other direction too, which is the standard workaround when an app refuses .m4b. What renaming cannot do is add chapters or artwork that were never in the file.
Partially at best. AIFF stores text in NAME, AUTH and ANNO chunks, while MPEG-4 keeps metadata in its own atoms, and audiobook fields such as author, narrator, series and cover art have no AIFF equivalent to come from. Plan on tagging the finished M4B in your library app or a tagging tool.
Because AIFF is uncompressed linear PCM at a fixed 176,400 bytes per second for 44.1 kHz 16-bit stereo — about 10.6 MB every minute, or 636 MB an hour. AAC at 64 kbps mono runs at 28.8 MB an hour, roughly 22 times smaller. That ratio is also why very long AIFF recordings are awkward to upload: the practical limit here is upload size and time, not anything in the encoder.
It plays widely. VLC, foobar2000 and mpv open .m4b on any desktop, and several Android audiobook players handle it natively; the extension originated with Apple but the container is a plain ISO standard. The one place you may hit friction is a basic music player that only recognises .m4a — renaming solves it.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours — no sign-up, no watermark, never shared or made public.
Need the plain music-library version of the same file instead? AIFF to M4A writes the identical AAC audio under the extension music apps expect.