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Supports: AIFC
AIFC (Audio IFF Compressed, also written AIFF-C) is the compressed sibling of Apple's AIFF format — same IFF chunk structure, but with a CODE chunk that lets the file carry μ-law, A-law, IMA ADPCM, MACE 3:1/6:1, or even uncompressed PCM. It was Apple's mid-1990s answer to fitting audio onto smaller drives, and it shows up today mostly in legacy Mac archives, voicemail systems, telephony captures, and old CD-ROM software. MP3 is universal compressed audio that plays everywhere. Common reasons to convert AIFC to MP3:
| Property | AIFC | MP3 |
|---|---|---|
| Container | IFF (Apple) | MPEG-1/2 frame stream |
| Compression | μ-law, A-law, IMA ADPCM, MACE 3:1/6:1, or PCM | Lossy perceptual coding (MPEG-1 Audio Layer III) |
| Typical bitrate | 64-1411 kbps depending on codec | 64-320 kbps |
| Year introduced | 1991 (extension to AIFF) | 1993 |
| Universal playback | Mac (QuickTime), pro audio software | Every device on earth |
| Metadata | NAME / AUTH / COMT chunks | ID3v1 / ID3v2 (artist, title, album art) |
| Best for | Legacy Mac archives, telephony storage | Distribution, sharing, mobile listening |
| Bitrate | File size (4-min audio) | Use case | Notes |
|---|---|---|---|
| 64 kbps mono | ~1.9 MB | Voicemail, telephony AIFCs | Plenty for 8 kHz μ-law sources |
| 96 kbps mono | ~2.8 MB | Spoken word, audiobooks | Cleaner than the source for telephony AIFC |
| 128 kbps CBR | ~3.7 MB | Podcasts, speech | Slight high-frequency loss on music |
| 192 kbps CBR | ~5.5 MB | General music | Mostly transparent |
| 256 kbps CBR | ~7.3 MB | Quality music distribution | Effectively transparent |
| 320 kbps CBR | ~9.2 MB | Best MP3 quality | Audibly identical to most listeners |
| V0 VBR (~245 kbps avg) | ~7 MB | Best quality-per-byte | Recommended for music |
AIFC (also written AIFF-C) is an extension of Apple's AIFF format introduced around 1991. Both share the same IFF chunk structure, but AIFC adds a CODE (Codec) chunk that lets the file carry compressed audio: μ-law, A-law, IMA ADPCM, MACE 3:1, MACE 6:1, or even just uncompressed PCM. Plain AIFF only carries uncompressed PCM. In practice, if your file says ".aifc" or ".aifr" it's likely compressed; if it says ".aiff" or ".aif" it's almost always uncompressed PCM.
It depends on the AIFC's internal codec. If the source is already lossy (μ-law, MACE, IMA ADPCM), converting to MP3 is a second lossy step — quality is preserved best by using a generous MP3 bitrate (192-256 kbps) so the MP3 encoder doesn't add audible artifacts on top of what's already there. If the AIFC is uncompressed PCM internally, the conversion is a single lossy step and 320 kbps CBR or V0 VBR is effectively transparent.
8 kHz μ-law and A-law AIFCs cap their useful bandwidth around 4 kHz — they're designed for the human voice over phone lines. 64-96 kbps mono MP3 is plenty; going higher just wastes bytes without adding any audio detail that wasn't in the source. For music-grade AIFCs (44.1 kHz CD-quality content), use 192-320 kbps stereo.
Modern macOS removed support for some legacy codecs that older AIFCs used — especially MACE 3:1 and MACE 6:1, which haven't shipped since macOS 10.6 Snow Leopard. XConvert decodes these legacy codecs server-side and re-encodes to MP3, so files that fail to open in current QuickTime or iTunes still convert here.
Yes — NAME, AUTH (author), and COMT (comment) chunks from the AIFC map to the MP3's ID3v2 title, artist, and comment tags. AIFC files exported from iTunes or GarageBand carry full metadata; raw telephony or scientific captures often have empty metadata blocks and produce untagged MP3s.
Yes — drop in dozens or hundreds of files at once. They convert in parallel within your browser session and download individually or as a single ZIP. Settings (bitrate, sample rate, channels) apply uniformly across the batch, which is exactly what you want when bulk-converting an old CD-ROM or Mac backup.
VBR (variable bitrate) spends more bits on complex passages and fewer on silence, giving better quality per byte than CBR at the same average. Use VBR for music and mixed content. CBR (constant bitrate) has predictable file size and is required by some broadcast / podcast hosts (they need precise time math). Use CBR for podcasts and broadcast delivery.
Yes. Use the trim section to enter a start time and duration in seconds (12.5) or HH:MM:SS.sss (00:01:30.500). Useful for pulling a single voicemail out of a multi-message capture, extracting one cue from a sound-effects archive, or grabbing a specific song from a long Mac CD rip.
Use the AIFF to MP3 page — same MP3 output, but the source path expects uncompressed PCM. If you're not sure which you have, try this AIFC page first; XConvert handles both internal layouts and will convert successfully.