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Supports: AIFC
AIFC (AIFF-C) is Apple's compression-capable version of the AIFF audio format, but the files that editors and this tool write hold uncompressed 16-bit big-endian PCM — which is why they are large. Because PCM stores every sample in full, the only way to shrink an AIFC while keeping the format is to lower its sample rate, drop it to mono, or trim the length; for a dramatic size cut you convert it to a lossy format instead. Files upload over an encrypted connection, are processed on our servers, and are deleted automatically after a few hours — no sign-up, no watermark.
AIFC extends the original AIFF container; knowing what it actually stores explains why "compressing" it behaves differently from compressing an MP3.
| Property | Value |
|---|---|
| Full name | Audio Interchange File Format, Compressed (AIFF-C) |
| Introduced | July 1991, extending AIFF (1988) |
| Developer | Apple, based on Electronic Arts' IFF (Interchange File Format) |
| Sample byte order | Big-endian |
| Codecs the container allows | PCM, μ-law, A-law, IMA ADPCM, MACE, and others |
| What xconvert writes | 16-bit big-endian PCM (uncompressed) |
| Common uses | macOS and pro-audio interchange, samplers, game-console audio |
| Opens in | QuickTime, Apple Music, Audacity, VLC, Adobe Audition |
For an uncompressed PCM file, size equals sample rate × bit depth × channels × duration, so those are the only levers. The last row is the real win when you can leave the AIFC container behind.
| Method | What it changes | Rough size effect | Trade-off |
|---|---|---|---|
| Lower sample rate (44,100 → 24,000 Hz) | Fewer samples per second | ~45% smaller | Caps audio at ~12 kHz |
| Sample rate 44,100 → 16,000 Hz | Voice-grade rate | ~64% smaller | Caps audio at 8 kHz; speech only |
| Stereo → Mono | One channel instead of two | ~50% smaller | Loses the stereo image |
| Trim unused start/end | Fewer total samples | Proportional to time removed | None when trimming silence |
| Convert to MP3 or AAC | Perceptual lossy codec | 85–90% smaller | Minor; usually inaudible |
Because the audio inside is uncompressed 16-bit big-endian PCM: every sample is stored in full, so the size is fixed by sample rate, bit depth, and channel count times the duration. There is no quality slider that removes data the way MP3 or AAC does — the only ways to make a PCM AIFC smaller while keeping the format are a lower sample rate, mono instead of stereo, or a shorter clip.
Convert it to a lossy format. A 128–192 kbps MP3 or AAC file is typically 85–90% smaller than 16-bit / 44.1 kHz PCM with little audible difference, because those codecs discard information the ear cannot detect. Use AIFC to MP3 for the widest compatibility or AIFC to M4A for slightly better quality at the same bitrate.
Savings scale directly with the rate. In our testing, a 60-second 44.1 kHz 16-bit stereo AIFC (about 10 MB) dropped to roughly 5.5 MB after we set Audio Sample Rate to 24,000 Hz, and to about 3.8 MB at 16,000 Hz. The file stays an uncompressed AIFC the whole time — it simply carries fewer samples.
It trades bandwidth for size. By the Nyquist limit, a 24,000 Hz rate can only reproduce frequencies up to 12 kHz and a 16,000 Hz rate up to 8 kHz, so cymbals and high harmonics in music will dull; speech and podcasts survive both fine. Mono is safe when the content is a single voice or a mono instrument sample, but it collapses any stereo panning. Keep 44,100 Hz stereo for music masters.
AIFF (1988) stores only uncompressed PCM. AIFF-C, or AIFC, arrived in July 1991 and extended the same container so it could also hold compressed codecs such as μ-law, A-law, and IMA ADPCM. In practice many AIFC files — including the output here — still carry uncompressed 16-bit PCM, so the ".aifc" extension does not guarantee the audio is compressed.
Yes. AIFC to WAV rewraps the same audio into the more Windows-friendly WAV container; the main technical difference is byte order — AIFF and AIFC are big-endian while WAV is little-endian — so the sound is identical, only the wrapper changes. This does not reduce size on its own, since WAV is also uncompressed PCM.
On macOS, QuickTime Player, Apple Music, and the Music app open AIFC natively. Cross-platform editors including Audacity, VLC, and Adobe Audition handle it on macOS, Windows, and Linux. Because compressed AIFF variants sometimes use the .aif or .aiff extension interchangeably, renaming rarely fixes a playback problem — the codec inside is what matters.
The real limit is upload size and time rather than any hard cap, so very large multi-hour PCM files simply take longer to send. Every file uploads over an encrypted connection, is processed on our servers, and is deleted automatically after a few hours — never shared, never made public, and no sign-up or watermark is required.