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Supports: AIFC
AIFC (AIFF-C) is Apple's 1991 extension of the AIFF audio format — a wrapper that can hold either uncompressed PCM or an older compressed codec, and it's the legacy .aifc extension that today's apps and phones often misread. M4A is the modern Apple default: AAC audio in an MPEG-4 container, small and playable almost everywhere. Converting AIFC to M4A re-encodes whatever the AIFC holds into AAC, which is the normal way to shrink old Mac, GarageBand, or sampler audio for a phone or an Apple Music library.
| Property | Value |
|---|---|
| Standard | Apple AIFF-C, an extension of EA/Apple IFF AIFF (1988) |
| Released | July 1991 |
| Payload | Uncompressed PCM, or a lossy codec (µ-law, A-law, IMA4/IMA ADPCM, legacy MACE 3:1/6:1) |
| Container | IFF-style chunked file; codec named in the COMM chunk |
| Bit depth | Up to 32-bit integer / float for PCM payloads |
| Native support | macOS, QuickTime, Logic, Audacity, VLC; poor on phones and the modern web |
| Best for | Mac and pro-audio source files; not a delivery format |
| Note | macOS frequently writes plain PCM into an AIFF-C wrapper (sowt = little-endian PCM, no compression) |
| Property | Value |
|---|---|
| Standard | AAC: MPEG-2 Part 7 (1997), folded into MPEG-4 Part 3 (1999); MP4 container on the ISO base media file format |
| Released | M4A extension popularized by Apple from 2004 (iTunes) |
| Payload | Advanced Audio Coding (AAC) — lossy; an .m4a can also carry ALAC, but this converter outputs AAC |
| Container | MPEG-4 (MP4) |
| Bit depth | Decodes to 16-bit PCM on playback; quality set by bitrate, not bit depth |
| Native support | iPhone, iPad, Mac, Apple TV; Chrome 12+, Edge 12+, Safari 4+, Firefox, Opera 15+; Android 2.3+ |
| Best for | Phones, Apple Music libraries, streaming, sharing — smaller than MP3 at the same bitrate |
| Replaces | A practical successor to MP3 for delivery; supersedes the legacy AIFC extension for everyday use |
.aifc file onto the page, or click "+ Add Files" to browse. Queue several at once and they convert in one batch.The M4A output is always AAC, which is lossy, so there is one encode step either way — but how much it matters depends on what's inside the AIFC. If the AIFC holds uncompressed PCM (the common NONE/sowt case macOS writes), this is a clean single-generation encode: the normal, expected way to make a large file small, and at Very High or Highest the difference is hard to hear. If the AIFC already used a lossy codec like µ-law or IMA4, you're encoding lossy-to-lossy, so some generational loss stacks on top of the loss the original codec already introduced. In that case keep the bitrate generous to limit further damage.
Check the codec named in the file's COMM chunk if your audio tool shows it. NONE, sowt, fl32, and fl64 all mean uncompressed PCM or float — sowt is simply little-endian PCM, which is why macOS-written "AIFF-C" files usually aren't compressed at all. Names like ulaw, alaw, ima4, MAC3, or MAC6 are lossy codecs. A rough size clue: under about 1 MB per minute of stereo audio usually means it was already lossy.
Two practical reasons. First, size: an uncompressed-PCM AIFC can run ~10 MB per stereo minute, while an AAC M4A at 192–256 kbps is a fraction of that, which is what makes it fit on a phone or in an Apple Music library. Second, the .aifc extension itself confuses many players and uploaders; an .m4a is recognized natively by iPhones, the Music app, browsers, and Android, so it just plays.
If your goal is a small, universally playable copy, AAC in an M4A is the right call — it generally sounds better than MP3 at the same bitrate. If instead you want to archive the audio without any further loss, don't re-encode to AAC: convert to a lossless target with AIFC to FLAC so the samples are preserved exactly. For the broadest playback on old devices and messaging apps, AIFC to MP3 is the most universal option.
For music you want to keep sounding good, Very High or Highest (roughly 192–256 kbps AAC) is a safe default and is usually transparent for most listeners. For voice memos, podcasts, or telephony-grade source, a lower preset or a Custom Bitrate around 96–128 kbps keeps files tiny without much audible cost. If you have a hard size target — an email or upload cap — pick Specific file size under File Compression and let the encoder fit the bitrate to it.
The MP4 container behind M4A supports rich tags and embedded cover art, so titles, artist, and album art are written where the AIFC actually carried them. AIFC's own NAME/AUTH/COMT tagging is limited and inconsistent between apps, so raw or scientific captures frequently arrive with empty metadata and produce untagged M4As you can fill in afterward.
Yes — if you don't need the AIFC step, use Compress M4A to re-encode an existing M4A to a lower bitrate or a target size. To move an M4A onto an older device that won't play AAC, M4A to MP3 converts it to the most widely supported format.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, never shared or made public.