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Supports: OPUS
Both OPUS and OGG Vorbis are open, royalty-free audio formats from the Xiph.Org Foundation. They even share the same Ogg container — the difference is the codec inside. OPUS (RFC 6716, standardized September 2012) is the newer, technically superior codec; Vorbis (1.0 reference implementation released July 2002 by the Xiph.Org Foundation) is older but has nearly universal legacy support. Common reasons to transcode OPUS → OGG Vorbis:
.opus files, which won't open in Windows Media Player on older Windows builds, iTunes, or many corporate desktop policies. OGG Vorbis is more widely registered..opus but accept .ogg Vorbis cleanly.audio/ogg with Vorbis inside.| Property | OPUS (.opus) | OGG Vorbis (.ogg) |
|---|---|---|
| Standardized | RFC 6716, Sept 2012 (IETF) | Vorbis I spec, 2002 (Xiph.Org) |
| Designed by | Xiph.Org, Mozilla, Skype, Broadcom | Xiph.Org Foundation |
| Container | Ogg (when in .opus) |
Ogg |
| Bitrate range | 6 – 510 kbps | ~45 – 500 kbps (q-1 to q10) |
| Sample rates | 8 / 12 / 16 / 24 / 48 kHz | Arbitrary (commonly 8 – 192 kHz) |
| Algorithmic delay | 5 – 26.5 ms | ~100 ms (block-based) |
| Best for | VoIP, streaming, voice notes, low-bitrate music | Music, game audio, internet radio |
| Quality at 64 – 96 kbps | Best-in-class | Good; outperformed by Opus in Xiph listening tests |
| Royalty-free | Yes | Yes |
| Legacy playback | Mostly post-2013 software | Wide — players built since the early 2000s |
| Vorbis quality | Approx. bitrate (44.1 kHz stereo) | Use case | Audible vs OPUS source |
|---|---|---|---|
| q2 | ~96 kbps | Speech, voice notes from WhatsApp/Telegram | Subtle high-frequency loss; fine for voice |
| q4 | ~128 kbps | Background music, podcasts | Mostly transparent for typical listening |
| q5 | ~160 kbps | General music distribution | Effectively transparent |
| q6 | ~192 kbps | Quality music, archival from a high-bitrate Opus | Effectively transparent |
| q8 | ~256 kbps | Near-source quality | Indistinguishable for most listeners |
| q10 | ~500 kbps | Highest Vorbis quality | Diminishing returns above q8 |
Yes — both formats are lossy, so this is a transcode (lossy-to-lossy), which always loses a small amount of data on top of what OPUS already discarded. Pick a Vorbis bitrate at or above the source OPUS bitrate to keep the loss imperceptible. A 64 kbps OPUS voice note re-encoded to q4 (128 kbps) Vorbis sounds essentially identical; the same source crushed down to q1 (80 kbps) will sound noticeably worse than just keeping the OPUS.
WhatsApp, Telegram, Signal, and Discord all use OPUS for voice messages because it's the best codec for variable-bandwidth voice at low bitrates (typically 16-32 kbps for speech). The exported file lands as .opus, which Windows Media Player on older builds, iTunes, and many email clients won't open. Converting to OGG Vorbis (or MP3 / WAV) makes the file play anywhere.
Renaming .opus to .ogg only changes the filename extension; the codec stream inside is still Opus. Players that don't understand Opus will fail to decode regardless of the extension. Real conversion decodes the Opus stream to PCM and re-encodes it with the Vorbis codec inside the Ogg container — that's what produces a file old Vorbis-only players can actually decode.
OPUS, by a clear margin in Xiph.Org's own listening tests, especially at 64-96 kbps. Opus combines the SILK (speech) and CELT (music) coding modes, supports algorithmic delay as low as 5 ms, and handles 6-510 kbps. Since 2013 the Xiph.Org Foundation has officially recommended Opus for new applications. You convert to Vorbis for compatibility, not for quality.
Keep both at ORIGINAL unless you have a reason to change. Opus internally resamples everything to 48 kHz, so most .opus files decode at 48 kHz; Vorbis happily encodes at 48 kHz. Downsample to 16 kHz only if you're targeting speech-recognition workflows. Switch to mono if the source is a voice note that was recorded mono — it will halve the output file size with zero perceptual loss.
Yes — pick "Specific file size" in the File Compression section and enter the target (e.g. 8 MB). The converter calculates the bitrate needed for your trimmed duration to land at that size. Useful for clearing Discord's 10 MB free upload cap, fitting under Gmail's 25 MB attachment ceiling, or staying inside a forum's upload limit. For granular control over chunks instead, use the Audio Cutter tool first.
Mostly yes. Both formats use Vorbis Comments for metadata, which means tags like TITLE, ARTIST, ALBUM, and DATE map across cleanly. Some custom or app-specific fields (WhatsApp's timestamp metadata, for example) may not survive — they're not part of the Vorbis Comment standard. Embedded album art using the METADATA_BLOCK_PICTURE field generally transfers.
Yes — drop every .opus file in at once and they convert in parallel within your browser session. Settings apply uniformly (typical for voice notes from one conversation). Download them individually or as a single ZIP. If you also want to compress without re-encoding to Vorbis, see Compress OPUS instead — that keeps the Opus codec and just lowers the bitrate.
You can reverse the conversion with OGG to OPUS, but every transcode adds a small amount of loss. If you might need the original later, keep the source .opus file as your master and treat the OGG Vorbis as a distribution copy.