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Supports: OGG
Both are Xiph open codecs, and Opus is the newer one — since February 2013 the Xiph.Org Foundation has recommended Opus over Vorbis for new audio. Converting makes sense when you want smaller files at the same quality for portable or streaming use, or you need Opus for a modern toolchain (Discord bots, WebRTC). But this is a lossy-to-lossy transcode: quality can only hold or drop slightly, never improve — so if you still have the lossless master (CD rip, FLAC, or WAV), encode Opus from that instead.
| Property | OGG (Vorbis) | Opus |
|---|---|---|
| Standard | Xiph.Org, Vorbis I spec | IETF RFC 6716 |
| First released | Version 1.0, May 2000 | September 2012 |
| Type | Lossy | Lossy |
| Container | Ogg (.ogg / .oga) |
Ogg (.opus) |
| Bitrate range | ~32–500 kbps typical | 6–510 kbps |
| Sample rates | 8 kHz–192 kHz | 8 kHz–48 kHz |
| Algorithmic latency | ~26 ms | 26.5 ms default, down to 5 ms |
| Near-transparent at | ~160–192 kbps | ~96–128 kbps |
| License | Royalty-free, open | Royalty-free, open |
| Best for | Legacy Ogg libraries, gaming audio | Streaming, voice, WebRTC, small libraries |
.ogg files onto the page or click "+ Add Files." You can queue several at once and convert them with the same settings..opus file. No sign-up, no watermark.Slightly, yes — this is a lossy-to-lossy transcode, so the encoder re-compresses audio that was already compressed once. At matching bitrates the loss is usually inaudible, but it is never zero and it never improves the original. If transparency matters and you still have a CD rip, FLAC, or WAV, encode Opus from that lossless source instead of from the Vorbis file.
Generally yes. In listening tests Opus matches Vorbis quality at a lower bitrate, with the biggest savings below roughly 96–128 kbps. Per Xiph's own recommended settings, Opus at 128 kbps VBR is "pretty much transparent" for stereo music, where Vorbis typically needs ~160–192 kbps for the same result.
For stereo music, 96–128 kbps VBR is near-transparent and is Xiph's recommended range for storage. For voice or podcasts, 28–40 kbps is plenty. The one rule that matters: do not target a bitrate below your source — transcoding 96 kbps Vorbis down to 64 kbps Opus throws away quality you cannot get back.
Not quite, which is why a one-off conversion for playback is rarely worth it. Opus has broad modern support — Chrome, Firefox, Edge, Android, VLC, WhatsApp, Telegram, and Discord all handle it — but it arrived later than Vorbis. Safari only added Ogg-container Opus playback in version 18.4 (2025), iOS gained native Opus encode/decode in iOS 17, and many older car stereos, hardware players, and iTunes-based workflows still expect MP3. For maximum legacy compatibility, convert OGG to MP3 instead.
Opus audio is carried inside an Ogg container, so the bytes are still "Ogg," but Xiph recommends the .opus extension specifically for Opus-in-Ogg streams to distinguish them from Vorbis .ogg files. The output here uses .opus so players and tools recognize the codec immediately.
Yes — upload multiple .ogg files and they convert with the same preset, which is the main legitimate reason to do this conversion (a smaller library for phones or streaming). If your goal is purely size rather than the Opus codec itself, the Audio Compressor lets you target a file size or percentage while keeping the format.
Your OGG file is uploaded over an encrypted connection, converted on our servers, and the upload plus the Opus result are deleted automatically a few hours after conversion. There is no sign-up, no watermark, and files are never shared or made public. In our testing, a 4-minute stereo OGG at the Very High preset produced an Opus file around 110–130 kbps with no audible difference from the source on headphones.