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Supports: AV1
.av1 (or AV1-in-MP4/MKV/WebM) clips, or click "+ Add Files" to browse. Batch uploads are supported — every file inherits the same settings.AV1 (AOMedia Video 1) is the royalty-free video codec finalized by the Alliance for Open Media in June 2018, designed as the successor to VP9 and a competitor to HEVC. Opus is the royalty-free audio codec standardized by the IETF as RFC 6716 in September 2012, combining Xiph.Org's CELT (music) and Skype's SILK (speech) under a hybrid design. Both formats share open licensing, but they serve different layers of a media file — pulling Opus out of an AV1 video gives you a tiny, high-quality audio-only file for downstream use.
.opus or .ogg file that loads instantly on mobile.| Property | AV1 + Opus | H.264 + AAC | VP9 + Opus | HEVC + AAC |
|---|---|---|---|---|
| Video royalty | Royalty-free | Patent pool (MPEG LA) | Royalty-free | Patent pool (multiple) |
| Audio royalty | Royalty-free | Patent-encumbered | Royalty-free | Patent-encumbered |
| Typical container | MP4, MKV, WebM | MP4, MOV | WebM, MKV | MP4, MOV |
| Browser playback | Chrome 70+, Firefox 67+, Edge; Safari 17 on M3/iPhone 15 Pro hardware only | Universal | Chrome, Firefox, Edge, Android | Safari, Edge; partial Chrome/Firefox |
| Voice quality at 32 kbps | Excellent (Opus SILK mode) | Poor (AAC artifacts) | Excellent (Opus) | Poor (AAC artifacts) |
| Music transparency | ~96-128 kbps Opus | ~128-192 kbps AAC | ~96-128 kbps Opus | ~128-192 kbps AAC |
| Bitrate | Channels | Best For | Notes |
|---|---|---|---|
| 6-12 kbps | Mono | Ultra-low-bandwidth speech | SILK-mode narrowband, intelligible only |
| 16-24 kbps | Mono | Voice notes, podcasts | WhatsApp default range |
| 32-48 kbps | Mono/Stereo | Speech with light music | Comparable to ~96 kbps MP3 voice |
| 64-96 kbps | Stereo | Streaming music, near-transparent for many listeners | Discord voice channels run here |
| 128-160 kbps | Stereo | Transparent music for most listeners | Default for general use |
| 192-256 kbps | Stereo | High-quality archival | YouTube Music Premium uses 256 kbps Opus |
| 510 kbps | Stereo | Maximum quality | Spec cap; diminishing returns past 256 kbps |
Opus internally operates at 48 kHz and resamples any other input to that rate during encoding, per the RFC 6716 spec. Even if you select 44.1 kHz in the Sample Rate dropdown, the decoder will play it back at 48 kHz. This is a property of the codec, not the converter. For audio mastering work where sample rate matters, extract to FLAC or WAV instead.
Keep Opus if your target playback environment is modern browsers, Android, VLC, or any WebRTC-based app — all support Opus natively. Re-encode to MP3 only when you need iOS pre-iOS 17, older car stereos, or hardware MP3 players. For Apple-ecosystem playback you may want AAC instead; see AAC to Opus for the reverse direction.
Opus uses VBR by default and reserves a higher bitrate when the audio is complex (multi-instrument music, dense ambient noise). Speech-only content compresses dramatically smaller. If you need a predictable file size, switch to Constant Bitrate mode or set a specific target file size.
If your AV1 file already has an Opus audio track (common in YouTube WebM downloads), our converter will detect this and remux without re-encoding when you keep the Audio Codec on its default. That preserves bit-exact quality. If you change the bitrate, sample rate, or channel count, re-encoding is required.
True bare .av1 elementary streams are uncommon and not all players or pipelines parse them. Most "AV1 video" in the wild is AV1 encoded inside an MP4, MKV, or WebM container. Rename the file with the correct extension (or use AV1 to MP4 first to rewrap) and re-upload.
The "Highest" preset targets roughly 256 kbps VBR stereo, which is the YouTube Music Premium tier and considered overkill-transparent for music. Setting Custom Bitrate to exactly 256 kbps gives you a tighter bound — useful if you're feeding the file into a system with bitrate ceilings. For most listeners the audible difference between the two is none.
Safari on iOS 17+ and macOS Sonoma+ supports Opus inside CAF and Ogg containers. The native Music app does not import Opus — for iPhone Music library use, convert to AAC/M4A. Web playback via Safari works fine on any iOS 17+ device.
Yes — OBS Studio, NVIDIA ShadowPlay, and AMD ReLive can all produce AV1+Opus output that this tool reads. If your capture used AAC audio instead of Opus, the output of this conversion will be re-encoded Opus, not a passthrough. To trim a specific section of game commentary, use the Audio Cutter after extraction.
For a typical 1080p YouTube clip, video accounts for 95-98% of the file. A 100 MB AV1+Opus video will usually yield a 2-5 MB Opus-only file at the same audio bitrate. If you need the audio even smaller, drop to 64 kbps stereo or 32 kbps mono — see the bitrate guide above. The Compress Opus page covers further size reduction after extraction.