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Supports: AV1
.av1 stream or wrapped in MP4, MKV, or WebM. Batch is supported — drop in several files and each converts in parallel.AV1 (AOMedia Video 1) is the first codec released by the Alliance for Open Media, a consortium that includes Google, Mozilla, Microsoft, Amazon, Netflix, Intel, and Apple. Its bitstream specification was published in 2018, and unlike H.264 and H.265 it is completely royalty-free. AV1 compresses noticeably better than older codecs — roughly 30% smaller than H.265 (HEVC) and meaningfully smaller than H.264 at the same perceptual quality — which is why YouTube, Netflix, and other large streamers encode in AV1 to save bandwidth.
That efficiency comes at a cost: AV1 is expensive to encode and to decode. The reasons people convert away from it are almost always about compatibility and CPU load, not quality:
| Codec / target | Released | File size vs. H.264 | Where it plays | Royalty | Best for |
|---|---|---|---|---|---|
| AV1 (source) | 2018 | ~30-50% | Chrome 70+, Firefox 67+, Edge 121+, Safari 17+ (partial); recent GPUs | Royalty-free | Streaming, bandwidth savings, archival masters |
| H.264 (AVC) in MP4 | 2003 | 100% (baseline) | Every device since ~2010, all modern browsers | Royalty-bearing | Universal playback and device compatibility |
| H.265 (HEVC) | 2013 | ~50-60% | Apple devices, Edge, Chrome 107+, recent Android | Royalty-bearing | Apple ecosystem, 4K where AV1 hardware is missing |
| VP9 in WebM | 2013 | ~50-70% | Chrome, Firefox, Edge, Android; not Safari | Royalty-free | YouTube-style open-web delivery |
| MPEG-4 / XviD in AVI | ~2001 | ~140% | VLC, legacy Windows editors | Patented | Old hardware and legacy editors |
Almost always because the device lacks AV1 hardware decoding. AV1 decode support only reached mainstream hardware recently — Intel Arc, NVIDIA RTX 30-series, AMD RX 6000-series GPUs, Apple M3 Macs, and the iPhone 15 Pro (A17 Pro). Anything older has to decode AV1 in software, which can stutter on high-resolution clips or fail entirely, and Windows' built-in players additionally need the AV1 Video Extension installed. The reliable fix is to convert AV1 to MP4 with the H.264 codec, which plays on practically every device and browser without extra software.
Usually yes, at matched visual quality. AV1 is one of the most efficient codecs available, so re-encoding to the older H.264 typically lands the same clip 30-50% larger. That is the trade you make for universal compatibility. If you want to keep file size down while gaining broader playback, target H.265 (HEVC) instead — it sits between AV1 and H.264 on efficiency and plays natively on Apple devices and most recent hardware. You can also offset the size increase by trimming dead footage or downscaling 4K to 1080p before converting.
Re-encoding AV1 to a different codec is a lossy step — the frames are decoded and compressed again. In our testing, a 1080p AV1 clip re-encoded to H.264 at Constant Quality (CRF) 18-20 is visually indistinguishable from the source in normal side-by-side viewing, so the loss is invisible in practice even though it is mathematically present. The only way to avoid re-encoding entirely is to keep the AV1 stream and just change the wrapper — converting AV1 to MKV or WebM can re-wrap the existing AV1 bytes without a second encode, preserving quality exactly while still solving a container-compatibility problem.
Sometimes. MP4 can legally carry an AV1 stream, so re-wrapping AV1 into an .mp4 container without re-encoding is technically possible — but it does not solve the usual problem, because a device that can't decode AV1 still can't decode it inside an MP4 wrapper. If your goal is compatibility, you need to actually re-encode the video to H.264, not just change the extension. If your goal is only to get AV1 into a container a specific app accepts, re-wrapping to MP4 or MKV keeps the original quality and is much faster.
Convert AV1 to an H.264 MOV or MP4 for light editing, or to a ProRes-based MOV if you're doing color grading or compositing. AV1 is a delivery codec built for streaming, not an edit-intermediate format, and both Premiere Pro and DaVinci Resolve have limited AV1 support. Transcoding to H.264 gives a timeline that scrubs and renders smoothly; ProRes goes further by storing lightly-compressed frames that editors handle far more responsively, at the cost of a much larger file. See AV1 to MOV for the Apple-editing path.
AV1 encoding and decoding are CPU-intensive, so the conversion runs on our servers rather than in your browser. Your file is uploaded over an encrypted (HTTPS) connection, processed, and then deleted automatically after a few hours — it is never shared, made public, or used for anything other than your conversion. There's no sign-up and no watermark on the output. Because the work is server-side, the practical limit on big files is upload size and connection speed, not your device's processing power, so multi-gigabyte 4K AV1 files convert fine.