Initializing... drag & drop files here
Supports: M2TS
If you have a hard drive of AVCHD camcorder M2TS files eating space, AV1 is the codec with the best size-per-quality on offer, and re-encoding to it can cut those files roughly in half. If the footage is a master you may re-edit, or you need it to play on a TV or phone today, keep the M2TS and convert to MP4 instead. The honest summary: AV1 is an archival and bandwidth play, not a compatibility play, and this page produces a Matroska file carrying an .av1 name, which is a detail worth understanding before you convert a whole library.
| Property | Your M2TS (AVCHD) | The AV1 output from this page |
|---|---|---|
| Video codec | MPEG-4 AVC/H.264, 4:2:0, 8-bit | AV1 |
| Specification | AVCHD format spec (Sony / Panasonic, 2006) | AV1 bitstream spec v1.0.0-errata1, Alliance for Open Media |
| Container | MPEG-2 Transport Stream, 188-byte packets | Matroska, written with an .av1 extension |
| Typical bitrate | Up to 24 Mbps system rate (28 Mbps for 3D) | Whatever your quality or bitrate setting produces |
| Bitrate at equal quality | Baseline | NVIDIA measures 40% lower than H.264 at 1080p60 — 7 Mbps versus 11 Mbps at 42 dB PSNR |
| Audio | Dolby Digital (AC-3) or Linear PCM | Opus by default; AAC, AC3, EAC3, DTS, FLAC, MP2, MP3 and Vorbis also selectable |
| Encoding cost | Recorded in real time by the camera | Slow — AV1's search space is far larger than H.264's |
| Hardware decode | Effectively universal | Recent Intel, AMD and NVIDIA GPUs; software decode elsewhere |
| Plays on a TV or phone as-is | Usually, via USB or a media server | Rarely, and almost never under the .av1 name |
| Best for | Editing, playback, keeping the camera master | Long-term storage and bandwidth savings |
.m2ts clip onto the page or click "+ Add Files". Camcorder files run to gigabytes, so the upload is normally the longest step..mkv if a player refuses the .av1 extension. No sign-up, no watermark. Files upload over an encrypted connection, are processed on our servers, and are deleted automatically after a few hours.| Property | What you get |
|---|---|
| File extension | .av1 |
| Container inside | Matroska — the same structure as an .mkv |
| Video stream | AV1, re-encoded from your H.264 source |
| Audio stream | Carried across and re-encoded, Opus by default |
| Renaming | Renaming to .mkv is safe and fixes players that judge by extension |
| Not included | It is not a raw AV1 elementary stream, and it is not a lossless copy of the source |
Yes. Because the output is a Matroska container rather than a bare video stream, the camcorder's audio track comes along and is re-encoded — to Opus by default, or to AAC, AC3, EAC3, DTS, FLAC, MP2, MP3 or Vorbis if you pick one. If the file plays silently, the player is more likely missing an Opus decoder than missing the track; VLC and mpv handle it.
Meaningfully, though the exact figure depends on the content. NVIDIA's published comparison puts AV1 at 40% lower bitrate than H.264 for equal quality at 1080p60 — 7 Mbps against 11 Mbps at 42 dB PSNR. AVCHD records at up to a 24 Mbps system rate, so there is usually generous headroom to reclaim; static, low-motion footage saves less than handheld or action material.
Some, because this is a re-encode and not a copy — the server always decodes and re-encodes, so there is no lossless passthrough available. Using Constant Quality at a high setting keeps the result visually close to the source while still shrinking it. If the footage is irreplaceable, keep the original M2TS as the master and treat the AV1 as the access copy.
AV1 buys its compression with a much larger search space than H.264 — more partition shapes, more prediction modes, more transform options — so an encoder does far more work per frame. A long camcorder clip genuinely takes a while, and that is a property of the codec rather than a queue on our side. Trimming to the section you need, or downscaling with Video resolution, is the practical way to cut the wait.
No. There is no deinterlacing anywhere in this pipeline, so interlaced fields are encoded as they arrive and horizontal combing on moving subjects is preserved in the output. AVCHD's most common consumer modes are 1080/60i and 1080/50i, so this affects a lot of camcorder footage. Deinterlace in a desktop editor before uploading if it matters; clips shot in 1080/24p, 1080/60p or 720p are unaffected.
Because AVCHD allows both 1920 × 1080 and 1440 × 1080 recording, and the 1440-wide modes use non-square pixels that a player stretches back to 16:9 on display. This conversion does not carry that pixel-aspect flag through, so the output can end up at its stored 1440 × 1080 shape. The fix is to set Video resolution to "Width x Height" and enter 1920 × 1080 explicitly, which bakes the correct display shape into the frame.
VLC and mpv open the Matroska-wrapped file as-is, and renaming it to .mkv gets you past players that dispatch on the extension. Recent Intel, AMD and NVIDIA graphics hardware includes AV1 decoding, and modern browsers decode AV1 in supported containers. If the goal is a file that plays on a TV, phone or console without any of that, M2TS to MP4 is the pragmatic choice.
AV1 compresses harder and has no licensing questions hanging over personal use, but encodes slowly and decodes on fewer devices. HEVC is faster to encode and is hardware-decoded on most phones and TVs from the last decade — M2TS to HEVC is the middle ground. Both outputs here are Matroska-wrapped under their codec-named extension, so the renaming advice applies to either.
No. Your M2TS is uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours — no sign-up, no watermark, never shared or made public.