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Supports: M2TS
M2TS is the large, HD container that Blu-ray discs and AVCHD camcorders write — usually H.264 video at high bitrates. Re-encoding it to AV1, the royalty-free codec from the Alliance for Open Media, can shrink those files dramatically at matching quality, which makes AV1 a good target for archiving old camcorder footage. Two honest caveats up front: this is a re-encode, not a remux, so there is some generation loss; and a raw .av1 file is a video-only elementary stream with no audio — if you need a playable file that keeps the M2TS's soundtrack, convert to AV1-in-WebM instead.
.m2ts clip onto the page or click "+ Add Files." Camcorder M2TS files are often several gigabytes, so the main wait is the upload over your connection.| Property | H.264 / AVC (typical M2TS) | AV1 |
|---|---|---|
| Developer | ITU-T / MPEG (2003) | Alliance for Open Media (v1.0.0, June 2018) |
| Licensing | Patent-pool royalties | Royalty-free |
| Compression vs H.264 | baseline | roughly 30-50% smaller at equal quality |
| Encoding speed | fast | much slower (CPU-heavy) |
| Audio in raw stream | n/a (raw is video-only) | none — .av1 is video-only |
| Hardware decode | near-universal | newer GPUs/SoCs, VLC, modern browsers |
| Best for | wide compatibility, speed | archiving, bandwidth savings, web delivery |
A raw .av1 file is a bare elementary video stream — it carries only the AV1 video data, with no audio track and no container to hold one. That is expected for the .av1 format, not a fault. If you want the M2TS's soundtrack preserved in a playable file, convert to AV1-in-WebM, which wraps AV1 video and an audio track in one container, or to MP4 for the broadest device compatibility.
At equal visual quality, AV1 is generally about 30-50% smaller than the H.264 that most M2TS files use, with the biggest savings on high-resolution footage. The exact result depends on the quality setting you choose and the original bitrate. Because Blu-ray and AVCHD M2TS files are often recorded at generous bitrates, the proportional savings are usually on the high end of that range.
Some, because this is a re-encode rather than a straight copy — every lossy-to-lossy transcode adds a small amount of generation loss. In practice, using Constant Quality at a high setting keeps the result visually close to the source while still shrinking the file, since AV1 is more efficient than the original H.264. For true archival masters where you cannot accept any loss, keep the original M2TS as well.
AV1's compression gains come from a much larger and more complex search space than H.264, so software encoders do far more work per frame — reference encoders can be many times slower than an H.264 encode at comparable quality. The encoder Preset lets you trade some compression for speed. A large camcorder M2TS can take a while to finish; this is inherent to the codec, not a queue.
VLC plays raw AV1 streams, and modern browsers (Chrome, Firefox, Edge) decode AV1 in supported containers. On Windows 10/11 the built-in Photos and Movies & TV apps gain AV1 support after installing the AV1 Video Extension; recent Intel, AMD, and NVIDIA GPUs add hardware decoding. For a file that "just plays" with audio on most devices, a container output like WebM or MP4 is the safer choice than a bare .av1.
Your file is uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours. There is no sign-up, no watermark, and your file is never shared or made public. In our testing, a 1080p AVCHD M2TS at default Constant Quality settings produced an AV1 stream roughly a third to a half the original size, depending on scene complexity.