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Supports: 3FR, ARW, AVIF, BMP, CR2, CR3 +30 more
AV1 is the royalty-free video codec from the Alliance for Open Media (Google, Mozilla, Netflix, Amazon, Apple, and others). At equivalent perceived quality it compresses roughly 20-30% smaller than HEVC/H.265 and around 50% smaller than H.264, which makes it the strongest choice when you want to turn a photo set into a video that has to stream cheaply or download fast.
| Property | AV1 | H.265 (HEVC) | H.264 (AVC) |
|---|---|---|---|
| Compression vs H.264 (same quality) | ~50% smaller | ~50% smaller | baseline |
| Compression vs H.265 (same quality) | ~20-30% smaller | baseline | larger |
| Licensing | Royalty-free | Patent pool (MPEG LA, Access Advance, Velos) | Patent pool (largely expired in most markets) |
| Encoding speed | Slowest | Slow | Fast |
| Hardware decode (desktop) | Intel 11th-gen+, AMD RX 6000+, Nvidia RTX 30+ | Intel 6th-gen+, most modern GPUs | Universal since ~2008 |
| Hardware decode (mobile) | iPhone 15 Pro+, M3 Mac+, M4 iPad Pro+, Snapdragon 8 Gen 2+ | iPhone 6+, most Android since ~2014 | Universal |
| Browser support | Chrome 70+, Firefox 67+, Edge 121+, Safari 17+ (partial) | Safari, Edge; Chrome/Firefox limited | All browsers |
| YouTube usage | >75% of library | Some 4K/HDR | Legacy fallback |
| Preset | Approx. CRF | Use case |
|---|---|---|
| Highest | 18-22 | Master archive, lossless-feel reference |
| Very High (default-recommended) | 23-27 | YouTube uploads, paid client deliverables |
| High | 28-30 | Web slideshows, social media (CRF 30 is the page default) |
| Medium | 31-35 | Email attachments, draft previews |
| Low | 36-42 | Quick share, low-bandwidth preview |
| Lowest | 43-50 | Smallest possible file, visible artefacts acceptable |
AV1's compression efficiency comes from a much larger toolkit of block partitions, prediction modes, and transforms than H.264 — the encoder evaluates many more candidate encodings per frame. Software encoders are typically 3-10× slower than x264 at comparable quality. The trade-off is a file 30-50% smaller. For image-to-video conversions this usually still finishes in seconds-to-minutes because the input is a small frame count, not a 90-minute movie.
The page default is CRF 30, which lands in the "High / Very High" perceptual band — good enough for web embeds and social uploads with files well under MP4/H.264 equivalents. Drop to CRF 23-25 if you're delivering to a client or archiving a master; push to CRF 35-40 if you specifically need the smallest file and accept some softness in fine detail.
iPhone 15 Pro and 15 Pro Max (A17 Pro chip), iPhone 16 series, all M3 and later Macs, and M4-and-later iPad Pros decode AV1 in hardware. Older Apple devices fall back to software decode on iOS 17+ and macOS Ventura+, which works but uses more battery. The standard (non-Pro) iPhone 15 has no AV1 hardware decoder.
Yes. Upload a sequential image set, pick "Merge images" as the Merge Strategy, and set Duration to 1/24s for 24 fps, 1/30s for 30 fps, or 1/60s for 60 fps time-lapse playback. 720 photos at 1/30s produce a 24-second clip.
Trim only applies to an existing video timeline. For image-to-AV1, the runtime is governed by Duration × number of images, not a start/end timestamp, so the trim controls would have nothing to act on. Adjust the per-frame duration or remove images to shorten the output.
Constant Quality (CRF) targets a perceptual quality level and lets the file size float — simple frames get fewer bits, complex frames get more. Constant Bitrate (CBR) forces every second of video to hit a fixed bit budget, which is what live-streaming endpoints expect. For a photo slideshow with static frames, Constant Quality almost always produces a smaller file at the same visual fidelity.
This converter renders silent AV1 by default (the IMAGE_TO_VIDEO_NO_AUDIO preset). If you need a soundtrack, render the AV1 first, then layer audio in a dedicated editor. To produce a video with music in one pass from your photos, Image to MP4 and Image to WebM are usually simpler endpoints because their containers are friendlier to in-browser players that need an audio track.
Presets go from 256×144 up to 7680×4320 (8K, 4320p). You can also enter custom Width × Height pixels or scale by percentage. For most photo slideshows 1920×1080 (1080p) or 3840×2160 (4K) is the sweet spot — AV1 encoding cost scales steeply with resolution, and the perceived quality gain above 4K is small for still-image content.
Pick AV1 if your audience is on modern browsers, YouTube, or any 2022-or-later phone/TV — you'll get the smallest file and no licensing risk. Pick HEVC / H.265 if you need to play on older Apple devices (pre-iPhone 15 Pro), or import into editors like Final Cut Pro that have stronger HEVC tooling. For maximum compatibility on truly old devices, Image to MP4 with H.264 remains the safest pick.