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Supports: AV1, MP4, MKV, WEBM
M2TS is the BDAV transport-stream file used by Blu-ray discs and AVCHD camcorders; AV1 is a 2018 streaming codec that no disc format has ever accepted. So this is not a rewrap — the picture is decoded and re-encoded into something a disc-authoring workflow understands. The short answer: convert to M2TS only when you are feeding an AVCHD or Blu-ray authoring tool, and if you are, change the audio codec to AC3 before you convert. For playback on anything else, AV1 to MP4 is smaller and better supported.
| Property | AV1 (source) | M2TS (output) |
|---|---|---|
| What it is | A video codec — a bare bitstream, no container | A container: MPEG-2 transport stream in the BDAV variant |
| Defined by | Alliance for Open Media | Blu-ray Disc Association / AVCHD format specification |
| Published | Bitstream specification in 2018 (v1.0.0, current text with Errata 1) | Blu-ray and AVCHD era, from 2006 onward |
| Packet structure | Open Bitstream Units | 188-byte transport packets, each preceded by a 4-byte timestamp in BDAV |
| Video codec inside | AV1 | H.264/AVC by default here; MPEG-2 and H.265 also selectable |
| Audio in the same file | None in a bare .av1 stream |
Yes, multiplexed — AC3, AAC, DTS, EAC3, MP2, or MP3 on this page |
| Licensing | Royalty-free | Proprietary disc-format specifications |
| Streaming friendliness | Built for adaptive HTTP streaming | Built for constant-rate playback from disc and broadcast |
| Choose it when | You want the smallest file at a given quality | An authoring tool or camcorder workflow requires it |
If the M2TS is heading for AVCHD or disc authoring, the format specification — not the converter — sets the rules. These are the values the official AVCHD format lists:
| Element | What the AVCHD specification lists |
|---|---|
| Video compression | MPEG-4 AVC / H.264 |
| Audio compression | Dolby Digital (AC-3), 64-640 kbps, 1 to 5.1 channels |
| Alternative audio | Linear PCM, 1.5 Mbps for 2 channels, up to 7.1 channels |
| System | MPEG-2 Transport Stream |
| System bit rate | Up to 24 Mbps (up to 18 Mbps on DVD media), and up to 28 Mbps for some recording types |
| Not listed | AAC — convenient for general playback, but not part of the specification |
That last row is the one that catches people. This page defaults Audio Codec to AAC, which plays fine on a computer but is not an AVCHD audio format, so authoring software and disc players may reject the file. Switching to AC3 puts you inside the specification.
.m2ts and nothing else..m2ts is not a finished disc. Blu-ray and AVCHD playback needs the full BDMV or AVCHD folder structure, which authoring software builds around the stream you export here..av1 file, or click "+ Add Files" to browse. Several clips can be queued and converted with identical settings..m2ts. Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours — no sign-up, no watermark, never shared or made public.The stream will be in the right shape, but a bare .m2ts file is not a disc. Blu-ray and AVCHD playback requires the surrounding BDMV or AVCHD folder structure — playlists, clip information files, index — which authoring software such as multiAVCHD or tsMuxeR generates. Export a conforming stream here (H.264 video, AC3 audio), then let the authoring tool build the structure around it. Camcorders themselves generally will not play back an arbitrary file you copy onto the card.
Because AVCHD's audio list has two entries and AAC is not one of them. The format specification allows Dolby Digital (AC-3) at 64-640 kbps for up to 5.1 channels, or Linear PCM at 1.5 Mbps for stereo and up to 7.1 channels. This page defaults to AAC, which is the sensible default for general-purpose files but will get your stream rejected by strict authoring tools and players. Set Audio Codec to AC3 and the file lands inside the specification.
They are the same family of MPEG-2 transport stream with different naming conventions. AVCHD camcorders typically write .MTS files on the card, while the same material inside a disc-style folder structure is named .M2TS. A plain .TS is the broadcast-style transport stream without BDAV's extra 4-byte timestamp ahead of each 188-byte packet. If your tool asks specifically for one of the others, use AV1 to MTS or AV1 to TS instead of renaming a file.
Yes, unavoidably. There is no way to copy AV1 into a transport stream, because no disc format carries AV1 — the video is decoded and re-encoded into H.264 (or whichever codec you select), which is a second lossy generation on top of the AV1 encode. Keeping Quality Preset on Very High (Recommended) and Video resolution on Keep original keeps that second generation as close to invisible as it gets. Expect the file to grow, too: H.264 needs more bits than AV1 for the same picture.
No. Preset Resolutions and Width x Height can enlarge the frame to 1080p, but upscaling interpolates existing pixels — it cannot recover detail that was never recorded. The result is a larger file that looks softer than the original at its native size. If an authoring tool requires a specific frame size, upscale for compliance; otherwise convert at the source resolution.
Leave it on H.264 for anything disc-bound: the AVCHD specification names MPEG-4 AVC/H.264, and that is what authoring tools and players expect. MPEG-2 exists for older workflows that predate AVC, at a significant size penalty. H.265 is available and produces a smaller file, but it is not part of the AVCHD specification, so treat it as a choice for software playback rather than disc authoring. DivX, Xvid, MPEG-4, and MPEG-1 are there for completeness and are not appropriate targets for a transport stream headed to a disc.
Only if there is audio in the source. A bare .av1 file is a raw AV1 video bitstream and carries no audio track, so the resulting .m2ts will be silent no matter which audio codec is selected — and for AVCHD authoring, a stream with no audio track is usually rejected outright. AV1 files exported from XConvert are the exception: they are wrapped in a Matroska container and keep their audio despite the .av1 name, and that track is re-encoded into the transport stream.
Your file is uploaded over an encrypted connection, re-encoded on our servers, and deleted automatically a few hours later — never shared, never made public, with no sign-up and no watermark. The practical limit on a long clip is upload size and time rather than anything on your end; Trim → Time Range lets you export just the segment you need instead of processing the whole file. To go the other direction, see M2TS to MP4.