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Supports: ERF
ERF is Epson's camera RAW photo format — a single still image straight from the sensor. AV1 is a modern video codec, so this conversion wraps that one photo into a short, silent video clip that displays the frame for a set duration. It is the right tool when you need motion-format output (for a video timeline, a slideshow stitch, or an AV1 test asset); if you only want a viewable picture, convert ERF to a still image instead.
| Property | Value |
|---|---|
| Full name | Epson RAW Format (camera raw still image) |
| Origin | Epson R-D1 (March 2004) — the first commercially produced digital rangefinder — plus the R-D1s and R-D1x |
| Sensor data | Minimally processed output from a 6.1-megapixel APS-C CCD sensor |
| Type | Still image (one frame), not video |
| Opens natively in | Epson PhotoRAW; also Adobe Photoshop / Lightroom and other raw-capable editors |
| Best converted to | JPG / TIFF / PNG for viewing and editing; a video format only when you need a clip |
| Property | Value |
|---|---|
| Codec | AV1 — royalty-free video codec from the Alliance for Open Media |
.av1 file |
AV1 video in a Matroska wrapper carrying a non-standard .av1 extension |
| Audio | None — this conversion produces silent video (image-to-video, no audio) |
| Playback | VLC and mpv open it as-is; rename to .mkv (same bytes) for extension-keyed players, or convert to MP4/WebM |
| Best for | AV1 test assets, or a starting point you later convert to a standard container |
.erf file onto the page or click "+ Add Files." You can queue several ERF photos and convert them with the same settings.A video. ERF to AV1 turns your single RAW photo into a short silent clip that shows that one frame for the duration you set. If your goal is a normal, shareable picture, convert ERF to JPG or to TIFF/PNG instead — those keep it a still image.
There is nothing to add sound from. A RAW still photo carries no audio track, so the image-to-video conversion produces a silent AV1 clip by design. If you need narration or music, add an audio track afterward in a video editor.
Not always. The file is AV1 video in a Matroska wrapper, but many players and browsers judge files by extension and expect .mp4, .webm, or .mkv rather than .av1. VLC and mpv open it as-is, and renaming it to .mkv (same bytes) helps; if it still will not play, run the result through an AV1 to MP4 tool.
No. ERF holds minimally processed high-bit-depth sensor data, but standard video output is rendered down to 8 bits per channel, so the wide editing latitude of the RAW is baked in during conversion. To preserve more of that latitude for editing, convert the ERF to a still image like TIFF and grade it there first.
In our testing, leaving Video resolution on "Keep original" produces a clip at the ERF's native pixel dimensions (the 6.1-megapixel frame from the Epson sensor). Pick a Fixed Resolution preset instead when you need a specific output size, such as 1920x1080 for a 1080p timeline.
Yes. Your ERF is sent over an encrypted connection, processed on our servers, and deleted automatically after a few hours. There is no sign-up, no watermark, and files are never shared or made public.
AV1 is royalty-free and more efficient, so a long-held still encodes to a very small file. The trade-offs are speed and reach: AV1 encoding is slower, and fewer players and browsers decode it than H.264. For a still-image clip the picture looks the same either way, so the codec choice really comes down to file size versus how easily the clip will play elsewhere.
The RAW is demosaiced with default development settings during conversion, so there are no interactive exposure or white-balance controls on this step. If the ERF needs correction, convert it to a still like ERF to TIFF first, adjust it in a photo editor, then bring the finished image into a video tool — that gives you latitude the one-step conversion cannot.
The Image Duration control sets the length — a longer duration simply holds the same frame on screen for more time; it does not add motion. Because AV1 compresses a static frame extremely well, even a long single-image clip stays small, so pick whatever duration your timeline or slideshow needs without worrying much about file size.
If you need the frame to appear only briefly, a short duration works too; the output is still a valid clip, just a fleeting one. For a genuine sequence of different photos rather than one held frame, upload several ERF files and let each play in turn.