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Supports: ERF
.erf raw file or click "Add Files". These are the Epson raw images straight off an R-D1, R-D1s, or R-D1x — drop several in at once and each converts in parallel..tif extensionERF (Epson RAW Format, MIME type image/x-epson-erf) is the proprietary raw format written by Epson's digital rangefinder cameras: the R-D1 (released March 2004, the world's first digital rangefinder), the R-D1s (2006), and the Japan-only R-D1x (2009). All three share the same Sony ICX413AQ 6.1-megapixel APS-C CCD behind a Leica M-mount, with bodies built by Cosina. The file is a TIFF/EP container holding the sensor's unprocessed 12-bit Bayer-pattern data, bit-packed — it is a true raw, not a finished picture.
That rawness is exactly why you usually have to convert it. An ERF is the digital equivalent of an undeveloped negative: it carries the full tonal latitude the CCD captured before any white balance, tone curve, or demosaicing was baked in, which is great for editing but means most software, websites, browsers, and phones can't display it directly. The practical reasons people convert ERF:
| Property | Value |
|---|---|
| Full name | Epson RAW Format |
| MIME type | image/x-epson-erf |
| Container | TIFF/EP (Tag Image File Format) |
| Sensor data | 12-bit Bayer-pattern CFA, bit-packed |
| Source cameras | Epson R-D1 (2004), R-D1s (2006), R-D1x (2009) |
| Sensor | Sony ICX413AQ, 6.1 MP APS-C CCD, Leica M-mount |
| Native browser support | None — must be converted to view |
| Opens in | Adobe Camera Raw / Lightroom, RawTherapee, darktable, dcraw |
| Best converted to | JPG (share), WebP (web), 16-bit TIFF (archive) |
| Target | Compression | Bit depth | Transparency | Best for |
|---|---|---|---|---|
| JPG | Lossy | 8-bit | No | Sharing, web, email — smallest finished file |
| PNG | Lossless | 8 / 16-bit | Yes (alpha) | Lossless RGB with no JPEG artifacts |
| TIFF | Lossless (LZW / DEFLATE) or none | 8 / 16-bit | Yes | 16-bit archival master, editing pipelines |
| WebP | Lossy or lossless | 8-bit | Yes (alpha) | Web delivery, smaller than JPG at equal quality |
| AVIF | Lossy or lossless | 8 / 10 / 12-bit | Yes (alpha) | Smallest modern web files; Chrome, Firefox, Safari 16.4+ |
| BMP | Uncompressed | 8-bit | No | Legacy Windows tools that need a raw bitmap |
For a develop-once-keep-forever workflow, export a 16-bit TIFF master first, then make JPG or WebP copies from that master for sharing.
ERF is a raw format, so a standard image viewer won't display it — you need raw-aware software. Adobe Camera Raw and Lightroom have shipped Epson R-D1 and R-D1s profiles for years (the cameras appear in Adobe's supported list going back to Camera Raw 4.0), and the open-source RawTherapee, darktable, and dcraw all read ERF through the dcraw/libraw decoders. If you just need to see or share the photo rather than develop it, converting the ERF to JPG or PNG here is faster than installing a raw editor.
Some, because JPG is lossy and 8-bit while the ERF holds 12-bit raw data. For a finished photo meant for sharing or printing, that loss is invisible at a high Quality Preset — keep it at "Very High (Recommended)". If you want to preserve the full tonal range for editing or archiving, convert to a 16-bit TIFF or to PNG instead, both of which are lossless. In our testing, a single R-D1 ERF developed to a high-quality JPG lands around 2-4 MB, versus roughly 15-20 MB as a 16-bit TIFF.
TIFF is the better archival master. It supports 16-bit depth, so you can carry more of the CCD's tonal latitude than PNG's typical 8-bit RGB, and it offers lossless LZW or DEFLATE compression plus broad support in professional cataloging tools. Set Bit Depth to 16-bit (High Precision) and choose a lossless Compression Type. PNG is fine when you specifically need a web-friendly lossless image, but for a long-term negative-equivalent, TIFF wins.
ERF is built on the TIFF/EP standard — the same family that ordinary TIFF descends from — but it stores undemosaiced 12-bit sensor data with Epson-specific tags, so a generic TIFF viewer can't render it. DNG is Adobe's open, standardized raw format; you can convert an ERF into DNG with Adobe's DNG Converter to future-proof it inside a raw workflow, but to actually view or share the image you'll still want a developed JPG, PNG, or TIFF, which is what this converter produces.
Because a raw file hasn't had a tone curve, white balance, or contrast applied yet — it's the sensor's unprocessed readout. Raw editors apply those adjustments interactively; a straight conversion applies sensible defaults so the output looks like a normal photo. If you want full control over exposure and color, develop the ERF in Lightroom, RawTherapee, or darktable first, then export. If you just want a usable image, converting straight to JPG here gives you a reasonable rendering instantly.
Yes. Your file is uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours. There's no sign-up and no watermark, and files are never shared or made public. Because conversion runs server-side, the only real limit on a large batch of raws is upload size and your connection speed, not your device.
All three Epson rangefinders that wrote ERF — the R-D1, R-D1s, and R-D1x — use the same 6.1-megapixel APS-C CCD, producing frames of roughly 3008 × 2000 pixels. That's modest by modern standards but plenty for prints up to about A4 and for web use. Converting doesn't change the pixel count unless you deliberately scale it: leave Image resolution on the original to keep the full 6.1-megapixel frame, or pick a smaller Preset Resolution when you only need a web-sized copy.
It depends on the target. ERF is a TIFF/EP file that carries camera metadata, and converting to JPG, TIFF, or WebP generally keeps standard EXIF-style tags such as exposure, aperture, and timestamp intact. Formats like PNG and BMP don't store JPEG/EXIF metadata the same way, so those tags may not carry over. If keeping the capture data matters, choose JPG, TIFF, or WebP as the output rather than PNG or BMP.