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Supports: ERF
ERF is Epson's RAW photo format — a single high-bit-depth still written straight off the sensor of an Epson R-D1 or R-D1s rangefinder camera. MPG is a legacy MPEG program-stream video container. This converter renders one ERF photo into a short, silent MPG clip that holds the still on screen for a set duration. It is a genuinely niche conversion: if you only want a viewable picture, convert the ERF to a still image instead — MPG makes sense only when a player, kiosk, or DVD-authoring workflow specifically needs a video file.
| Property | Value |
|---|---|
| Full name | Epson RAW Format |
| Cameras | Epson R-D1 and R-D1s digital rangefinders (mid-2000s) |
| Container | TIFF/EP-based; CFA sensor data in a SubIFD, plus a thumbnail JPEG |
| Holds | A single still photo — unprocessed sensor data, not video |
| Compression | Bit-packed RAW (a custom packing, not a finished image) |
| Editing latitude | High: white balance and exposure can be re-developed from RAW |
| Editor support | Adobe Lightroom and Camera Raw, Photoshop, Epson PhotoRAW |
| Best for | Editing and archiving R-D1 captures before exporting a finished image |
| Property | Value |
|---|---|
| Full name | MPEG program stream (the .mpg container) |
| Standard | ISO/IEC 11172 (MPEG-1, 1993) and ISO/IEC 13818 (MPEG-2) |
| Video codec here | MPEG-2 by default on this converter |
| Audio | MPEG-1 Audio Layer II (MP2) when present — but a photo source produces a silent clip |
| Bit depth | 8 bits per channel |
| Best for | DVD-era authoring, set-top boxes, and legacy players that predate H.264 |
| Modern alternative | H.264 in MP4 — smaller, sharper, far more compatible |
.erf photo onto the page or click "+ Add Files" to browse. You can queue several Epson R-D1 files at once.A short, silent video that shows your single ERF photo as a still frame for the duration you set. There is no motion and no sound — the converter demosaics and tone-maps the RAW into one ordinary video frame and holds it. If your goal is a picture you can view, print, or post, this is the wrong format; convert to ERF to JPG or ERF to TIFF instead. Choose MPG only when something downstream genuinely needs a .mpg file.
An ERF holds a photo, and a photo carries no sound, so this image-to-video conversion writes no audio track rather than padding the clip with silence. The MPG is silent in every case. If you need a soundtrack, open the clip in a video editor afterward and add music or narration.
No. An ERF stores bit-packed RAW sensor data with wide editing latitude — the raw output of the R-D1 sensor before any white-balance or exposure decisions are baked in. To make a video frame, that data is demosaiced and tone-mapped down to an ordinary 8-bit MPEG frame, and a high-resolution image is scaled to fit the chosen resolution. The video is a rendered, baked-in interpretation; it does not preserve the highlight recovery or detail of the original RAW. Keep the .erf as your master.
MP4 (H.264) for almost everything. The .mpg output here carries MPEG-2, a 1990s codec built for DVDs and set-top boxes — larger files, softer image, and patchy support on modern phones and browsers. Choose ERF to MP4 for sharing, editing, or web use, and reserve MPG for a player or DVD-authoring tool that specifically requires that container.
Then skip the video wrapper entirely. Convert to ERF to JPG for a small, universally openable image, or to ERF to TIFF for a high-fidelity, print-ready master that keeps more detail. The ERF itself still opens in current Adobe Lightroom and Camera Raw releases as well as Epson PhotoRAW — the video route is only for the rare case where you genuinely need an .mpg file.
MPEG-2 is an older, low-efficiency codec, and holding a still for several seconds at video bitrates can produce a file bigger than the source photo. In our testing, a single ERF held for 5 seconds and encoded as MPG produced a short standard-definition clip noticeably heavier than the same image saved as a high-quality JPG. Shorten the "Duration", or if the file needs to be smaller still, run the result through the video compressor.
The Epson R-D1 sensor is about 6 megapixels (roughly 3008×2000). If you leave "Video resolution" on "Keep original," that full frame is held in the MPEG-2 stream, but many .mpg players and DVD-authoring tools expect standard sizes, and a very large frame also inflates the file.
For a smaller, more broadly compatible clip, pick a Video resolution preset — standard-definition sizes are the safe target for the DVD-era players MPG was built for. Reserve "Keep original" for cases where a downstream tool specifically wants the full-resolution frame.
Your ERF is uploaded over an encrypted connection, rendered on our servers, and deleted automatically a few hours after conversion — no sign-up, no watermark, and your photos are never shared or made public.