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Supports: MOV
MOV is Apple's QuickTime container, usually holding modern H.264 or HEVC video. MPG is an MPEG-1 or MPEG-2 program stream — an older, less efficient format that legacy DVD authoring tools, hardware DVD players, and ageing editors still expect. Convert MOV to MPG only when a specific device or workflow needs MPEG-1/2; if you just want a smaller, modern file, MOV (or MP4) is the better target. This conversion re-encodes the video, so keep the Quality Preset high to limit the quality loss.
| Property | MOV (QuickTime) | MPG (MPEG-1 / MPEG-2 program stream) |
|---|---|---|
| Introduced | 1991 (QuickTime) | MPEG-1: early 1990s; MPEG-2: 1995 |
| Typical video codec | H.264, HEVC, ProRes | MPEG-1 Part 2, MPEG-2 Part 2 (H.262) |
| Compression efficiency | High (H.264 targets MPEG-2 quality at ~half the bitrate) | Lower — MPEG-2 needs more bits for the same quality |
| File size at similar quality | Smaller | Often larger |
| DVD-Video authoring | Not directly usable | Native (DVD uses MPEG-2) |
| Hardware DVD / legacy player support | Limited | Broad |
| Browser playback | Safari (H.264 widely; HEVC limited) | Safari only for MPEG-1/2; no Chrome/Firefox/Edge support |
| Best for | Apple workflows, editing, modern sharing | Legacy editors, DVD authoring, old hardware |
Compatibility, not compression. MPEG-1/MPEG-2 is the codec family DVD-Video is built on and the format legacy DVD players, set-top boxes, and older editors reliably accept. If your only goal is a smaller file, stay on MOV or convert to MP4 — but if a disc-authoring tool or old hardware demands MPEG, the larger MPG is the price of getting it to play. If you later need to bring that MPG back to a modern format, convert MPG to MP4.
Some, yes. MOV-to-MPG re-encodes the video from H.264/HEVC into MPEG-1 or MPEG-2, and any lossy re-encode discards a little detail. Because MPEG-2 is less efficient than H.264, you generally need a higher bitrate just to break even. Keeping the Quality Preset on "Very High" or "Highest" minimizes the visible loss; dropping it to save space is where blockiness creeps in.
Effectively yes — ".mpg" and ".mpeg" are interchangeable extensions for an MPEG program stream carrying MPEG-1 or MPEG-2 video. Some players and tools prefer one spelling, but the underlying container and codecs are the same. If a workflow specifically asks for ".mpeg", you can convert MOV to that extension instead.
Pick MPEG-2 for almost everything modern-legacy: it is the DVD-Video codec, supports higher bitrates and interlaced video, and looks noticeably better than MPEG-1 above standard-definition bitrates. MPEG-1 caps out around 1.5 Mbps and is mainly useful for very old players or Video CD-style targets that explicitly require it.
MPEG-2 does — it is used for HD broadcast (1080i/720p) at high bitrates. But MPG is most often used for standard-definition, DVD-bound content at 720x480 or 720x576, because that is what DVD players and legacy hardware expect. If your destination is a DVD, downscale to those dimensions; HD frames will not fit the DVD-Video spec.
It depends on the source bitrate and the Quality Preset, but expect growth rather than shrinkage. In our testing, a 1080p H.264 MOV re-encoded to MPEG-2 at the "Very High" preset typically came out noticeably larger than the original, since MPEG-2 spends more bits to match H.264's detail. Lower the preset and the gap closes, but so does the picture quality.
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after your conversion finishes — no sign-up, no watermark, and your files are never shared or made public. For very large videos, the main constraint you will notice is upload time rather than the conversion itself.