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Supports: ERF
ERF is the Epson RAW File format — a 12-bit camera raw still shot by the Epson R-D1 and R-D1s rangefinders. DivX is a video codec, so this is a still-to-video conversion: your single raw photo becomes a short silent DivX clip that simply holds that one frame on screen for a set duration. It does not animate the photo and it adds no audio. If you only want a viewable picture, convert to a still image with ERF to JPG; choose DivX (or better, MP4) when you specifically need the image inside a video timeline.
| Property | Value |
|---|---|
| Full name | Epson RAW File |
| Type | Camera raw still image |
| Released | 2004 (Epson R-D1) |
| Produced by | Epson R-D1 and R-D1s rangefinder cameras only |
| Base format | TIFF/EP (ISO 12234-2) |
| Sensor data | 6.1 MP APS-C CCD, 12-bit, CFA bit-packed |
| Best for | Archival of original R-D1 captures |
| Status | Discontinued; no current camera writes ERF |
| Property | Value |
|---|---|
| Full name | DivX video |
| Type | Video codec (MPEG-4 Part 2, Advanced Simple Profile) |
| First codec release | 1998 (DivX, Inc.) |
| Usual container | AVI (.divx / .avi) |
| Codec family | Same MPEG-4 ASP family as Xvid |
| Plays in | VLC, DivX Player, most desktop media players |
| Audio in this conversion | None — the output is silent |
| Best for | Legacy DivX-certified players; older media libraries |
.erf file onto the page or click "+ Add Files" to browse from your device. You can queue several at once.Because ERF is a still photo, there is no soundtrack to carry over. This converter uses an image-to-video pipeline that holds your single frame on screen for the duration you set, with no audio track. If you need sound, add it afterward in a video editor.
For sharing and modern playback, MP4 (H.264) is the safer choice — it plays natively in browsers, on phones, and in nearly every editor, whereas DivX is a dated MPEG-4 Part 2 codec aimed at older DivX-certified players. Use ERF to MP4 unless a specific device or library requires DivX.
Yes, some. The R-D1 records 12-bit raw with wide exposure latitude, and that gets baked down to standard 8-bit video color during conversion. The output looks fine on screen, but you lose the raw headroom you would have kept by editing the ERF first or exporting a still image instead.
Keeping the original frame size preserves the most detail. The R-D1 sensor is about 3008 x 2000 pixels, so if your target player or timeline expects a standard size, pick a preset like 1920x1080 to avoid odd dimensions. In our testing, leaving "Keep original" selected produced the cleanest single-frame clip.
DivX plays reliably in VLC, the free DivX Player, and most desktop media players. Native support on phones and in web browsers is patchy because DivX uses the older MPEG-4 ASP codec rather than H.264, which is another reason MP4 is the more portable choice.
No. If your goal is simply to see or share the picture, convert the raw to a standard image instead with ERF to JPG. A video only makes sense when you need the frame inside a clip or timeline.
Yes. Your ERF is uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours. There is no sign-up, no watermark, and files are never shared or made public.