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Supports: 3FR
A 3FR file is a Hasselblad RAW still photo, and DivX is a video codec — so this conversion wraps a single medium-format image into a short, silent DivX clip that simply holds that photo on screen. It does not animate or add motion. People reach for it to drop a high-resolution Hasselblad still onto a timeline that only accepts AVI/DivX, or to display a portfolio image on an older DivX-certified DVD or media player. If you instead want a normal viewable photo, convert 3FR to JPG; for a modern, widely shareable clip, 3FR to MP4 is more universal.
| Property | Value |
|---|---|
| Full name | Hasselblad 3F RAW Image |
| Type | RAW still image (camera sensor data) |
| Introduced | 2006, with the Hasselblad H2D |
| Based on | TIFF/EP raw structure with lossless compression |
| Bit depth | High (medium-format raws carry far more than 8-bit tonal data) |
| Used by | Hasselblad medium-format cameras and digital backs (H-series, X-series such as the X1D II 50C, 907X) |
| Best for | Maximum-latitude editing before export; not a delivery format |
| Opens in | Hasselblad Phocus, Adobe Lightroom/Photoshop (Camera Raw), Capture One |
| Property | Value |
|---|---|
| Type | Video codec (MPEG-4 Part 2, Advanced Simple Profile) |
| Family | Same MPEG-4 ASP family as Xvid; decoder-compatible |
| Container | Usually AVI (.avi or .divx) |
| Audio in this conversion | None — a still photo has no soundtrack, so the clip is silent |
| Efficiency | Lower than modern H.264/H.265; a legacy format kept for older players |
| Best for | DivX-certified DVD players and old AVI-based workflows |
| Native browser support | None — no current browser plays DivX/AVI without a plugin or external player |
.3fr file, or click "+ Add Files" to select it from your computer. You can queue several stills to convert with the same settings.No. A 3FR file is a still photograph with no audio track, so the output is a silent DivX video that simply displays the image for the duration you set. If you need narration or music, add it afterward in a video editor.
No. The conversion holds one static frame on screen for the chosen duration — it is not a pan, zoom, or slideshow. To build motion you would sequence several frames in editing software after exporting.
Yes, meaningfully. A 3FR carries far more tonal range than 8-bit video, and DivX (MPEG-4 ASP) compresses each frame more aggressively than modern codecs. Medium-format raws are also very high resolution, so unless you keep the original size the image is downscaled to your chosen video resolution. In our testing, a Hasselblad raw exported to a Very High preset DivX clip looked clean for playback but showed visibly less shadow detail than the source raw — expected when baking a high-bit-depth raw down to 8-bit video.
Mostly compatibility with older hardware. DivX/AVI still plays on legacy DivX-certified DVD players and dated editing setups. For anything you want to share online or on a phone, MP4 (H.264) is far more universal and compresses more efficiently, so choose DivX only when a specific old device or pipeline requires it.
No. If your goal is simply to open and look at the picture, convert 3FR to JPG (or TIFF for editing) instead. Wrapping a still in a video container only makes sense when something on your end needs a video file rather than an image.
It depends on the destination. A few seconds is plenty for a placeholder or title card; 5 to 10 seconds suits a portfolio display. There is no quality penalty for a longer duration — a longer still just produces a slightly larger file because the same frame is encoded for more seconds.
Yes. Your file is uploaded over an encrypted connection, processed on our servers, and deleted automatically after a few hours. There is no sign-up, no watermark, and your files are never shared or made public.