Initializing... drag & drop files here
Supports: 3FR
3FR is the RAW image format written by Hasselblad medium-format cameras — a sensor dump with the full bit depth and dynamic range the camera captured, which almost no app outside Hasselblad's own software can open. Converting to JPG renders that RAW into a standard 8-bit image that opens anywhere, at the cost of the editing latitude RAW gives you. This converter is for proofing, sharing, and quick previews — not for replacing a proper RAW edit.
| Property | Value |
|---|---|
| Format | Hasselblad 3F RAW image |
| Maker | Hasselblad |
| Introduced | 2006, with the Hasselblad H2D |
| Based on | TIFF (little-endian variant) |
| Type | Camera RAW (unprocessed sensor data) |
| Bit depth | 14-bit or 16-bit per channel (camera-dependent) |
| Compression | Lossless on older bodies; uncompressed on newer ones |
| Typical resolution | Very high — current 100MP bodies output ~11,656 × 8,742 px |
| Opens in | Hasselblad Phocus, Adobe Lightroom/Camera Raw, Capture One |
| Property | Value |
|---|---|
| Format | JPEG (Joint Photographic Experts Group) |
| Standardized | 1992 (ISO/IEC 10918) |
| Type | Rendered, display-ready image |
| Bit depth | 8-bit per channel (no RAW headroom) |
| Compression | Lossy, typically 10:1 to 20:1 |
| Color | Full 24-bit color, no alpha channel |
| Opens in | Every browser, OS, phone, and image viewer |
| Best for | Sharing, web, proofs, email, prints from a finished edit |
Files are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours after conversion — never shared or made public. The JPG you get back is a standard image you can open on any device.
For an archival copy that keeps the full 16-bit depth instead of flattening to 8-bit, convert to TIFF instead. If a full-resolution JPG comes out too large to email, run it through Compress JPG.
Yes, some loss is unavoidable, and it is worth understanding what you give up. A 3FR holds 14- or 16-bit RAW data with the camera's full dynamic range — the Hasselblad X2D 100C, for example, captures roughly 15 stops. JPG is 8-bit and lossy, so highlight and shadow recovery, large white-balance shifts, and heavy exposure correction are no longer possible after conversion. For a finished, well-exposed frame the visible difference is small; for a file you still plan to edit, keep the original 3FR.
3FR is a proprietary Hasselblad RAW format based on TIFF, but with camera-specific tags that general-purpose viewers do not understand. It is meant to be read by Hasselblad Phocus or RAW-aware editors like Lightroom and Capture One, not by the default photo app on your phone or PC. Converting to JPG produces a standard image that any viewer can open, which is the simplest way to share or preview a Hasselblad shot without specialized software.
Smaller than the 3FR, but still substantial. Hasselblad RAW files from a 100-megapixel body run well over 100 MB each, while the JPG is typically a few megabytes to low tens of megabytes depending on the quality preset and resolution you choose. Because the source is so high-resolution, even a strongly compressed JPG stays sharp — which is exactly why these conversions work well for client proofs and large prints.
For best results, edit first. A 3FR comes off the sensor with no baked-in white balance, sharpening, or noise reduction, so a straight conversion can look flat. The professional workflow is to process the RAW in Phocus, Lightroom, or Capture One — set exposure, white balance, and tone — then export to JPG. A direct 3FR-to-JPG conversion is best treated as a fast proof or contact-sheet copy, not a final deliverable.
Standard EXIF — camera model, lens, shutter, aperture, ISO, and capture date — carries through to the JPG and is readable in any image viewer. What does not transfer is the RAW-only data: the unprocessed 14/16-bit sensor values and Hasselblad's proprietary tags that make non-destructive re-editing possible. Once you are in JPG, those editing options are gone, which is why the original 3FR is worth archiving.
Yes. Add multiple Hasselblad RAW files and they convert with the same quality and resolution settings, which is the usual case for a shoot you want to proof in one pass. In our testing, a single 100-megapixel 3FR exported at the "Very High" preset produced a JPG in the low tens of megabytes — set a Resolution Percentage below 100% on the batch if you want the whole set to come out lighter for email or web galleries.