Initializing... drag & drop files here
Supports: MXF
MXF (Material Exchange Format) is a heavyweight professional container used in broadcast and post-production, typically wrapping a high-bitrate codec like MPEG-2, XDCAM, or DNxHD with uncompressed PCM audio. AV1 is the open, royalty-free codec from the Alliance for Open Media, designed to deliver the same picture in far fewer bits. Converting MXF to AV1 trades a bulky edit-room master for a compact, modern stream suited to web delivery and long-term archival.
| Property | Value |
|---|---|
| Standard | SMPTE 377M (ST 377-1), first published Sept 2004 |
| Type | Container / wrapper format |
| Typical video codec | MPEG-2, XDCAM, DNxHD, DVCPRO, JPEG 2000 |
| Typical audio | Uncompressed PCM / Broadcast Wave, often multi-channel |
| Metadata | KLV (Key-Length-Value) — carries production metadata across systems |
| Native browser support | None — not a web format |
| Best for | Broadcast interchange, tapeless archiving, DCP, NLE workflows |
| Property | Value |
|---|---|
| Standard | AV1 Bitstream & Decoding Process Spec (AOMedia, 2018) |
| Type | Video codec (royalty-free) |
Raw .av1 payload |
Bare OBU elementary stream — video only, no container, no audio |
| Compression | Roughly 20-30% smaller than HEVC, ~30% smaller than VP9 at equal quality |
| Native browser support | ~93% globally — Chrome 70+, Firefox 67+, Edge 121+, Safari 17+ (hardware-dependent) |
| Best for | Bandwidth-efficient web streaming, archival, royalty-free delivery |
.mxf file or click "+ Add Files" to select it from your device.A raw .av1 file is a bare AV1 elementary stream (a sequence of OBUs), not a media container. Elementary streams carry one kind of data, so there is no place to store an audio track. If you need a playable file that keeps the audio from your MXF, convert to AV1 inside a container instead — see MXF to MP4 or MXF to WebM, both of which can hold AV1 video alongside an audio track.
It depends heavily on what was inside the MXF and the CQ setting you choose, but the reduction is usually dramatic. Broadcast MXF masters often run at tens or hundreds of Mbps in codecs like MPEG-2 or DNxHD, while AV1 reaches comparable perceptual quality at a small fraction of that bitrate. AV1 is roughly 20-30% more efficient than HEVC and about 30% more efficient than VP9, and far ahead of the older codecs typically wrapped in MXF.
AV1's compression gains come from a large set of coding tools that are expensive to evaluate, so encoding is significantly more CPU-intensive than H.264 or even HEVC. A long broadcast master can take a while to transcode. The upside is permanent: you pay the encoding cost once and every download and playback afterward benefits from the smaller file.
Largely, yes. MXF uses a KLV metadata framework to carry detailed production information — timecode, reel names, and other broadcast metadata — that a raw AV1 elementary stream has no way to store. If preserving that production metadata matters, keep your MXF master and treat the AV1 file as a delivery or proxy copy.
AV1 decoding is supported in roughly 93% of browsers worldwide, including Chrome 70+, Firefox 67+, and Edge 121+. Safari added AV1 support in version 17, but it relies on hardware AV1 decoders, so playback on Apple devices depends on the chip. Most recent phones, TVs, and GPUs include hardware AV1 decode; older hardware falls back to slower software decoding.
Yes. AV1 was developed by the Alliance for Open Media specifically as an open, royalty-free alternative to patent-licensed codecs like H.264 and HEVC. That is a major reason platforms and broadcasters adopt it for distribution — there are no per-stream or per-device license fees of the kind that apply to HEVC.
Yes. Add multiple .mxf files and they are converted with the same settings. Files upload over an encrypted connection, are processed on our servers, and are deleted automatically after a few hours — never shared or made public.