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Supports: WEBM
.av1 (IVF) container. Pick a Quality Preset (Highest → Lowest), target a specific file size in MB, set Constant Bitrate, or fine-tune Constant Quality on the 0-63 CRF scale (15-20 = visually lossless, 28-32 = web default, 35-40 = small file). The qmin / qmax sliders let you bound the encoder's quality range when you need predictable size.WebM is a container that almost always carries VP8 (2010) or VP9 (2013) video. AV1, finalized in 2018 by the Alliance for Open Media (Google, Netflix, Amazon, Meta, Apple, Microsoft), is the successor — same royalty-free philosophy, but roughly 30% smaller files than VP9 and 50% smaller than VP8 at matched visual quality. Re-encoding a VP8 or VP9 WebM to AV1 trades encode time for long-term storage and bandwidth savings. Below are the most common reasons to make the switch:
.webm extension while still upgrading the inner codec to AV1; that path remuxes AV1 into WebM rather than the bare IVF container.| Property | VP8 | VP9 | AV1 |
|---|---|---|---|
| Released | 2010 | 2013 | 2018 |
| Compression vs VP8 | baseline | ~50% smaller | ~65% smaller |
| Encode speed | Fastest | Moderate | Slowest (3-10× VP9) |
| Decode CPU cost | Lowest | Medium | Higher without hardware support |
| Hardware decode | Universal | Most devices since 2017 | Intel 11th-gen+, AMD RDNA2+, RTX 30/40, M3, Snapdragon 8 Gen 2 |
| Browser support | All browsers since 2011 | All browsers since ~2017 | Chrome 70+, Firefox 67+, Edge 87+, Safari 17+ |
| Royalty status | Royalty-free (Google) | Royalty-free (Google) | Royalty-free (AOMedia) |
| Best for | Legacy compatibility | Today's web default | Archival, streaming, future-proofing |
| CRF (Constant Quality) | Visual Quality | Typical Use Case | Relative Size |
|---|---|---|---|
| 15-20 | Visually lossless | Source masters, archival | Largest |
| 23-27 | High quality | Tutorials, professional content, premium streaming | Large |
| 28-32 | Web-friendly | YouTube alternatives, self-hosted video, embeds | Medium (recommended default) |
| 33-39 | Acceptable | Mobile playback, low-bandwidth, social previews | Small |
| 40-50 | Visible artifacts | Quick previews, thumbnails | Smaller |
| 51-63 | Heavy artifacts | Not recommended for normal viewing | Smallest |
AV1's encoder explores far more block partition shapes, prediction modes, and transform options than VP9. Reference encoders like libaom-av1 trade encode time for compression efficiency — typically 3-10× slower than VP9 at the same quality target. SVT-AV1 (used by many fast pipelines) narrows the gap. The encode is a one-time cost: every playback after that is just as cheap as VP9 on devices with AV1 hardware decode.
Modern devices yes, older ones no. AV1 hardware decode shipped in Apple A17 / M3 (2023), Snapdragon 8 Gen 2 / Tensor G3 (2022-2023), Intel 11th-gen Tiger Lake (2020), AMD RDNA2 (2020), and NVIDIA RTX 30 (2020). Smart TVs and streaming sticks added AV1 starting around 2022 (Roku Ultra 2022, Fire TV Stick 4K Max 2nd-gen, Apple TV 4K 2022). Pre-2020 hardware decodes AV1 in software, which works for 1080p but stutters above that. If your audience is older devices, convert to MP4 instead.
CRF (Constant Quality) for almost everything — it gives the best size-to-quality ratio because the encoder spends bits where they matter. Use Constant Bitrate when you have a strict bandwidth budget (e.g., live streaming at exactly 5 Mbps) or when downstream tooling expects a flat bitrate. The qmin / qmax bounds available in advanced options let you cap the worst-case quality for hybrid CRF + bitrate workflows.
Opus is the modern default and pairs naturally with AV1 in MP4, MKV, or WebM containers — it's the most efficient lossy codec at every bitrate. Vorbis is the legacy WebM partner and still works but is being phased out. AAC is fine if you need MP4 compatibility for older players. Output here is a bare AV1 stream by default; if you want a wrapped container, see WebM to MP4 or WebM to MKV.
Usually yes for storage, sometimes no for everyday playback. AV1 is roughly 30% smaller than VP9 at the same quality, so a 1GB VP9 4K file lands near 700MB at AV1. If you're archiving, hosting on a CDN, or distributing to many viewers, the savings add up. If the file is staying on your own machine and you don't care about disk space, VP9 is fine — encoding to AV1 just costs you CPU hours.
Yes. Resolution presets cover 144p through 4320p (8K), or you can enter a custom width × height or scale by percentage. The Trim option accepts start time + duration in HH:MM:SS.sss format. Trim before encoding to skip unwanted footage and shrink the output before AV1's slow encoder runs over it.
XConvert processes files in your browser session, so the practical limit is your device's available memory. Large 4K and 8K WebM sources are supported. AV1 encoding is CPU-intensive though — for multi-GB 4K masters, expect long encode times even on fast machines. Trim or downscale first if you only need a section.
Yes. See AV1 to MP4 for the most universal target (H.264/H.265 fallback for older devices), AV1 to MKV to keep AV1 inside a flexible Matroska container, or WebM to WebM if you want to swap codec while keeping the .webm extension downstream tools expect.
Both reach roughly the same compression efficiency (~50% smaller than H.264). H.265 ships with multiple patent pools and per-device royalty fees, which is why Apple ecosystems use it but most browsers refuse to. AV1 is royalty-free under AOMedia, which is why Chrome, Firefox, Edge, YouTube, Netflix, and Twitch picked it. AV1 encodes slower than H.265 today but the codec gap is closing as encoders mature.