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Supports: AVIF
AVIF and AV1 share the same compression engine — AVIF is literally an AV1 keyframe stored inside a HEIF/ISOBMFF container, per the AV1 Image File Format spec from the Alliance for Open Media. Converting a sequence of AVIF stills to an AV1 video repackages those keyframes into a temporally-coded stream so they can be played as a slideshow, timelapse, or short clip without re-transcoding to a less-efficient codec like H.264.
<video> tag.| Property | AVIF (image) | AV1 (video) |
|---|---|---|
| Standardized by | Alliance for Open Media (2019) | Alliance for Open Media (Mar 2018, v1.0 Jun 2018) |
| Underlying codec | AV1 keyframe (intra-only) | AV1 (intra + inter frames) |
| Container | HEIF / ISOBMFF (.avif) |
MP4 / WebM / Matroska / IVF |
| Frame count | 1 still (or animated AVIF for sequences) | Unlimited |
| Audio track | No | Yes (Opus default here) |
| Compression vs JPEG/H.264 | ~50% smaller than JPEG at same quality | ~50% lower bitrate than H.264 |
| Browser support | Chrome 85+, Firefox 93+, Safari 16.4+, Edge 121+ | Chrome 70+, Firefox 67+, Safari 17+, Edge 121+ |
| Hardware decode | Reuses AV1 video hardware | RTX 30+, RDNA 2+, A17 Pro, M3, SD8 Gen 2 |
The AV1 bitstream from this tool is muxed into a standard video container. Here's what each option implies:
| Container | Extension | Best for | Notes |
|---|---|---|---|
| MP4 (ISOBMFF) | .mp4 |
Web <video>, social uploads |
Standardized AV1 binding (AV1 ISOBMFF spec) |
| WebM | .webm |
YouTube, Chromium-based players | Common pairing for AV1 + Opus |
| Matroska | .mkv |
Local archival, multiple tracks | Finalized AV1 binding late 2018 |
| IVF | .ivf |
Codec testing / raw bitstream | Minimal container; not a delivery format |
No. AVIF and AV1 use the same compression engine, but they're different files. AVIF stores a single AV1 keyframe (or a short image sequence) inside a HEIF/ISOBMFF container with the .avif extension and an image/avif MIME type. AV1 video is a temporally-coded stream — keyframes plus inter-frames — usually delivered in MP4 or WebM. Per the official AV1 Image File Format specification, AVIF "supports the storage of a subset of the syntax and semantics of an AV1 bitstream in a HEIF file."
Compression. A sequence of AVIF photos converted to AV1 is typically 50% smaller than the same content as H.264 MP4 and an order of magnitude smaller than animated GIF. For a 5-second product loop at 1080p, that can be the difference between a 200 KB AV1 file and a 5 MB GIF. If you specifically need legacy compatibility, see our AVIF to MP4 or AVIF to GIF tools instead.
You set this with the Image Duration control. Options range from 1/60s (one frame, useful for high-frame-rate timelapses) up to 10 seconds per still. Common picks: 1/24s and 1/30s for cinematic timelapses, 3 to 5 seconds for slideshows, 1 to 2 seconds for product image carousels.
iOS 17 and macOS Sonoma added AV1 video decoding support in Safari 17, per caniuse AV1. On iPhones with the A17 Pro chip or newer (iPhone 15 Pro and 16 series) and Macs with M3 silicon, AV1 decode is hardware-accelerated; older devices fall back to software decode, which works but uses more battery for long videos. Chrome, Firefox, and Edge have supported AV1 since 2019.
Yes. Pick "Merge images" under Merge Strategy. All uploaded AVIF files are concatenated in the order they appear in the upload list, each held for the Image Duration you set. Pick "Video per image" instead if you want one separate AV1 file per input.
By default, none — the AV1 video is silent because the source AVIF stills carry no audio. The audio codec dropdown defaults to Opus and is used only if your specific export needs an audio track. If you need to add a soundtrack after conversion, you can mux audio in with a separate tool.
Keep "Original" if all input AVIFs share the same dimensions and you don't need to resize. Pick a preset (e.g. 1080p for YouTube, 720p for social embeds, 4320p for 8K archival) when targeting a specific platform. The Background Color setting (default Black) fills the frame when an input image's aspect ratio doesn't match the chosen resolution.
Constant Quality (CRF-style) targets a perceptual quality level and lets bitrate vary — pick this when you care about visual fidelity and don't have a strict file size budget. Constraint Quality caps the bitrate so file size is more predictable — pick this when uploading to platforms with size limits or when bandwidth is the binding constraint. For most web slideshows, Constant Quality at "Very High" produces the smallest file at indistinguishable quality.
Yes, use AV1 to AVIF to extract frames from an AV1 video into AVIF stills. You can also start from other sources: PNG to AV1, JPG to AV1, or HEIC to AV1 work the same way as this tool but with different input formats.