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Supports: OGV
If you have old .ogv clips that no longer play in Chrome or Firefox, converting them to AV1 brings them into a modern, royalty-free codec that current browsers and players actually decode. This walk-through covers the upload, the few settings worth changing, the gotchas of OGV-to-AV1 (slow encoding, no quality regain), and when MP4 or WebM is the smarter target instead.
.ogv files or click "+ Add Files" to select them. You can queue several clips to convert in one batch.The default Very High preset is the safe choice — it keeps the AV1 output visually close to your Theora source without you having to know bitrates. The other modes exist for specific goals:
One thing no setting can do: make the picture sharper than the original. Theora is already a lossy codec, so an OGV is a lossy source. AV1 will faithfully preserve what's there and shrink the file, but any softness or blocking baked into the OGV carries over.
AV1 is the right target when your priority is the smallest, most future-proof open file and you'll play it on current browsers or 2022+ hardware. It is the wrong target when you need a clip that plays on virtually anything today or you need the conversion done quickly. AV1 encoding is slow, and software AV1 decoding is heavy on older machines. For maximum compatibility on phones, TVs, and editors, OGV to MP4 (H.264) is the faster, broadly playable choice. If you want to stay fully royalty-free and open like OGV but with modern browser support, OGV to WebM is the natural successor — WebM (VP9 or AV1) plays in Chrome, Firefox, Edge, and Safari 14.1+.
For preserving and future-proofing old Theora clips, yes. OGV's Theora codec has had no release since around 2011, Chrome removed it in version 123 (March 2024), Firefox disabled it on the same timeline, and Safari never supported it — so an OGV often won't play in a modern browser at all. AV1 is the current royalty-free AOMedia codec (released 2018), it's far more efficient than Theora, and it plays in current browsers and players. The two trade-offs are honest: AV1 encoding is slow, and it can't recover quality the lossy OGV source already lost.
No. Both Theora (inside OGV) and AV1 are lossy, so this is a lossy-to-lossy re-encode — you can't restore detail the OGV already discarded. The AV1 will look like the source, sometimes marginally softer from the extra encode pass, but it will be much smaller and will actually play in modern browsers. Use the Very High or Constant Quality preset to keep loss minimal.
Because AV1 is one of the most efficient codecs available and Theora is one of the least. At matching visual quality AV1 needs roughly 30% less bitrate than VP9 and far less than Theora, so re-encoding an OGV to AV1 typically produces a noticeably smaller file. In our testing, a 1080p OGV clip re-encoded to AV1 at the Very High preset came out substantially smaller than the source while looking essentially identical.
AV1 uses much more complex compression tools than Theora — larger block partitions, more prediction modes, refined motion estimation — so encoding is several times slower than older codecs at comparable quality. A short clip finishes quickly; a long recording can take a while. The payoff is a far smaller, future-proof file. If speed matters more than size, OGV to MP4 is the faster path.
Choose AV1 for the smallest, most future-proof open file when you'll play it on current browsers or 2022+ hardware. Choose OGV to MP4 (H.264) when you need a clip that plays on virtually anything today — older phones, TVs, and editors — and want a fast conversion. Choose OGV to WebM when you want to stay fully open and royalty-free like OGV but with modern browser support. AV1 wins on size and licensing; H.264 wins on speed and universal compatibility.
Yes. OGV typically carries Vorbis or Opus audio, and the AV1 output uses Opus by default — a modern, efficient codec that plays anywhere AV1 does. The audio is re-encoded along with the video, so as with the picture it's a lossy-to-lossy pass; the Very High preset keeps any audible loss minimal.