Trim WAV audio by setting start time and duration. Lossless quality preservation for professional audio editing workflows.
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Set exact start and end points with frame accuracy
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WAV is the standard delivery format for professional audio: uncompressed linear PCM in a RIFF container, defined by IBM and Microsoft in 1991. Because the samples are stored verbatim, a trim is a byte-range copy — there is no decode/re-encode cycle, so the output is bit-identical to the source within the selected window. That makes WAV trimming the safest possible edit for masters, voiceover, and sample libraries.
| Property | WAV (PCM) | FLAC | AIFF | ALAC (M4A) |
|---|---|---|---|---|
| Compression | None (uncompressed) | Lossless (~50-60% of WAV) | None (uncompressed) | Lossless (~50-60% of WAV) |
| File size, 4 min stereo 44.1/16 | ~42 MB | ~22-28 MB | ~42 MB | ~22-28 MB |
| Max file size | <4 GiB (RIFF 32-bit) | No practical limit | 2 GiB (older), larger via 64-bit | No practical limit |
| Metadata / tags | LIST/INFO chunk (limited) | Vorbis comments (rich) | ID3 chunk (rich) | iTunes-style atoms |
| DAW compatibility | Universal | Most modern DAWs | Universal (esp. Logic/Pro Tools) | Limited in non-Apple DAWs |
| Streaming / web | Rare (size) | Common | Rare | Common in Apple ecosystem |
| Best for | Editing, mastering, archival | Archival with size savings | Mac/Logic workflows | Apple Music delivery |
| Configuration | Bitrate (stereo) | File size / minute | Typical use |
|---|---|---|---|
| 44.1 kHz / 16-bit | 1,411 kbps | ~10.1 MB | CD-quality, music distribution |
| 48 kHz / 16-bit | 1,536 kbps | ~11.0 MB | Broadcast, web video, DVD |
| 48 kHz / 24-bit | 2,304 kbps | ~16.5 MB | Film/TV post, location sound |
| 96 kHz / 24-bit | 4,608 kbps | ~33.0 MB | High-resolution master, mixing |
| 192 kHz / 24-bit | 9,216 kbps | ~66.0 MB | Sample-library capture, archival |
| 48 kHz / 32-bit float | 3,072 kbps | ~22.0 MB | Field recorders (Zoom F-series, MixPre) |
Mono recordings are exactly half the size of stereo at the same rate/depth. Trimming does not change the rate or depth unless you explicitly override them in advanced options.
No. WAV stores raw PCM samples, so a trim is a byte-range copy of the sample data within the chosen window plus a rewritten RIFF header. There is no decode-encode round trip, so the trimmed segment is bit-identical to the same region of the source file. This is fundamentally different from trimming a lossy format like MP3, where re-encoding can introduce minor degradation if the cut doesn't fall on a frame boundary.
Standard WAV is capped at ~4 GiB because the RIFF header uses a 32-bit size field. Files larger than that are typically RF64 (an EBU extension with a 64-bit ds64 chunk) or BWF/Wave64. xconvert handles standard RIFF WAV up to the 4 GiB limit; for larger session files, split them in your DAW first or export the section you need before trimming.
Yes. By default, the output WAV keeps the source's sample rate (commonly 44.1, 48, or 96 kHz), bit depth (16, 24, or 32-bit float), and channel layout (mono / stereo / multichannel). Override only if a downstream tool requires a specific configuration — for example, ACX audiobook delivery requires 44.1 kHz / 16-bit mono.
Trim start and duration accept sub-second precision (down to milliseconds, equivalent to ~44-48 samples at standard rates). For sample-accurate edits at zero-crossings — important for seamless loop points — load the trimmed file into Audacity or a DAW and nudge the edit by individual samples.
Yes. Upload several WAVs and the same start time + duration are applied to each. This is useful for trimming a folder of recorded takes to identical lengths, or stripping a fixed pre-roll from a batch of stems.
WAV is uncompressed. A 30-second clip at 48 kHz / 24-bit stereo is still ~8.6 MB because every sample is stored explicitly. If you need a smaller delivery file, convert the trimmed result with WAV to MP3, WAV to FLAC (lossless, ~half the size), or WAV to M4A.
Standard RIFF LIST/INFO tags (artist, title, comment) are preserved when present. Broadcast Wave (BWF) bext chunks containing timecode and origination data are also preserved, but the timecode offset itself refers to the start of the original file — your trimmed clip begins at 00:00:00 in its own timeline unless you re-stamp BWF metadata in a dedicated tool like Wave Agent.
In xconvert, trim keeps the segment between your start point and duration and discards the rest. Cut (Cut WAV) removes a section from the middle and joins the remaining pieces. Split (Audio Trimmer) breaks one file into multiple clips at chosen markers. For ringtones, podcast intros, or extracting a single hook, trim is the right tool.
Yes. The conversion runs in your active browser session — your WAV bytes are processed in-tab and the trimmed result is returned to you. There's no account, no watermark, and no permanent server-side copy of your audio.