Initializing... drag & drop files here
Supports: WAV
.wav audio from your device. Batch uploads are supported, so you can convert an entire album in one pass..flac. Files stay in your private session — no watermarks, no sign-up, no email required.WAV is uncompressed PCM — every sample stored verbatim, no decoder math needed. That makes it the editing/mastering exchange format, but it also means a 60-minute 16-bit/44.1 kHz stereo session is ~600 MB and a 24-bit/96 kHz session is ~2 GB. FLAC (Free Lossless Audio Codec, first released July 2001 by Josh Coalson and the Xiph.Org Foundation; standardised as RFC 9639 in December 2024) shrinks that to roughly 50-70% of the original size while remaining bit-for-bit reversible — decode the FLAC back to WAV and the SHA-256 of the PCM payload matches the source exactly.
| Property | WAV (PCM) | FLAC |
|---|---|---|
| Compression | None (raw PCM) | Lossless (50-70% of original size) |
| Audio fidelity | Bit-perfect | Bit-perfect (decodes to identical PCM) |
| Max bit depth | 32-bit float (typical 16/24-bit PCM) | 32-bit integer (RFC 9639) |
| Max sample rate | Spec allows up to 4.3 GHz; practical limit 384 kHz | 1,048,575 Hz (RFC 9639) |
| Max channels | Up to 65,535 (RIFF spec); 8+ uses WAVE_FORMAT_EXTENSIBLE | 8 channels (RFC 9639) |
| Metadata / tags | Limited (RIFF INFO, BWF), poorly supported | Vorbis comments, embedded album art |
| Typical 1-hour 16/44.1 stereo | ~600 MB | ~300-360 MB |
| First standardised | 1991 (Microsoft/IBM) | 2001 (Xiph.Org); RFC 9639 in Dec 2024 |
| Streaming services | Rarely (too large) | Tidal, Qobuz, Apple, Amazon HD |
| DAW import/export | Universal | Most modern DAWs (Reaper, Studio One, Audition; Pro Tools via plug-in) |
| Browser playback | Chrome, Firefox, Edge, Safari | Chrome 56+, Firefox 51+, Edge 17+; Safari 11+ on macOS/iOS |
| Patent status | Royalty-free | Royalty-free, open source (BSD/Xiph licence) |
| Reference level | Speed | Typical size vs WAV | When to pick it |
|---|---|---|---|
| 0 | Fastest | ~60-65% | Batch-converting huge libraries on a slow CPU |
| 3 | Fast | ~58-62% | Default in some encoders; fine for daily use |
| 5 | Balanced (FFmpeg default) | ~55-58% | Best compromise — what most rippers use |
| 8 | Slowest | ~54-57% | Long-term archive; encode once, store forever |
Higher levels take longer to encode but decode at the same speed — the file plays identically regardless of which level produced it. The audio data is mathematically identical at every level; only the encoder's compression search depth changes.
No. FLAC is mathematically lossless — decoding the FLAC back to PCM produces a bit-for-bit identical waveform to the source WAV. If you run a cmp or checksum on the PCM payload from a FLAC decoded with flac -d and the original WAV's data chunk, they match exactly. Compression levels affect file size and encode time only, not the decoded audio.
Because FLAC keeps every sample. A 3-minute song that's 30 MB as WAV becomes ~15-21 MB as FLAC but only ~3-7 MB as 192-320 kbps MP3 — MP3 throws away frequencies your ear is least likely to notice. If you need true archival fidelity, use FLAC. If you need small files for portable players or messaging, convert to MP3 instead.
Most modern devices do. Android has played FLAC natively since version 3.1 (2011). iOS gained native FLAC support in iOS 11 (2017) — the Files app, VLC, Foobar2000 Mobile, and Doppler all play it. CarPlay and Android Auto stream FLAC from compatible apps. Older car head units, cheap Bluetooth speakers, and pre-2017 iPods may not — for them, keep an MP3 or AAC backup.
Level 5 is the FFmpeg/reference encoder default and what most rippers (dBpoweramp, EAC, foobar2000) use out of the box. Level 8 squeezes another 1-3% off the file size at roughly 3-5x the encode time. Both produce identical audio when decoded. Pick 8 only if you're archiving once and storage matters more than encoding time; pick 5 for everything else.
Yes. FLAC is fully reversible: decoding it gives you bit-identical PCM. Use our FLAC to WAV converter when you need to load the file into a DAW that doesn't natively read FLAC (older Pro Tools versions, some hardware samplers) or burn an audio CD.
Both are lossless and produce identical decoded audio, but ALAC (Apple Lossless) is Apple's format, used in iTunes/Music and Apple Music Lossless tier; FLAC is the open-source Xiph format dominant everywhere else. Apple finally added FLAC playback to iOS/macOS in 2017 (iOS 11), so the practical interoperability gap has narrowed. FLAC typically achieves slightly better compression than ALAC on most material.
Leave both at "Original" unless you have a specific reason. Resampling 96 kHz to 44.1 kHz or converting 24-bit to 16-bit involves dithering and is technically lossy. Only downsample when the destination demands it (CD-targeted archives at 16/44.1, podcast publishing at 48 kHz). FLAC itself supports up to 32-bit integer samples and 1,048,575 Hz per RFC 9639, so it can hold any source you throw at it.
Yes. FLAC uses Vorbis comments for tags (ARTIST, ALBUM, TITLE, TRACKNUMBER, DATE, GENRE, REPLAYGAIN) and a dedicated PICTURE block for embedded cover art (JPEG, PNG). This is markedly better than WAV's RIFF INFO/BWF metadata, which many players ignore or strip. Most rippers and tag editors (Mp3tag, MusicBrainz Picard, Kid3) handle FLAC tags natively.
Yes. Drop a folder of WAVs in at once and they'll all encode with the same compression level and sample-rate settings. For very large libraries (thousands of files), a desktop tool like FFmpeg, dBpoweramp Batch Converter, or foobar2000's Converter component will be faster than any web tool because they can use every CPU core for hours; for one-off albums and EPs, browser conversion is the simpler workflow.