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Supports: AV1
AV1 (AOMedia Video 1) is a royalty-free codec finalized by the Alliance for Open Media in 2018 and now used by YouTube, Netflix, Meta, and Twitch as their next-generation delivery format. At equivalent perceptual quality, AV1 produces files roughly 30% smaller than HEVC and up to 50% smaller than H.264, according to comparisons from Netflix and codec wiki benchmarks. Even so, exports from editing software or direct camera captures can balloon at 4K and 8K resolutions, which is where re-compressing helps.
<source> in a <video> tag, with an H.264 fallback for older browsers. caniuse currently reports ~94% global AV1 support (78% full + 15% partial).<video> tags inline like a GIF.| Property | AV1 | HEVC / H.265 | H.264 | VP9 |
|---|---|---|---|---|
| Compression vs H.264 | ~50% smaller | ~25–50% smaller | baseline | ~30–50% smaller |
| Royalty-free | Yes | No (patent pool licensing) | Partial | Yes |
| Encoding speed | Slowest | Medium | Fastest | Medium |
| Decode CPU cost | High in software | Medium | Low | Medium |
| Hardware decode (consumer) | iPhone 15 Pro+, M3+, recent Intel/AMD/Nvidia GPUs | Wide since 2017 | Universal | Limited |
| Browser support | Chrome 70+, Firefox 67+, Edge 121+, Safari 17 (M3/A17 Pro+ only) | Safari, some Chrome | Universal | Chrome, Firefox, Edge |
| Typical use | Streaming, archival, royalty-free pipelines | Apple ecosystem, 4K Blu-ray | Compatibility default | YouTube fallback |
| CRF | Quality | Typical Use Case |
|---|---|---|
| 18–22 | Visually near-lossless | Archival masters, color grading, post-pipeline intermediates |
| 23–28 | High quality | YouTube source uploads, 4K HDR streaming |
| 29–32 | Balanced (default 30) | General web video, social uploads, embed players |
| 33–40 | Aggressive | Mobile-first delivery, ad creatives, preview proxies |
| 41–50 | Heavy compression | Thumbnails, scrubber previews, low-bandwidth fallbacks |
| 51–63 | Maximum | Internal QA proxies, low-priority content where size dominates |
AV1's CRF scale runs 0–63 (wider than x264/x265's 0–51). As a rough cross-codec reference, AV1 CRF 30 is comparable in perceptual quality to x265 CRF 21, per community benchmarks.
CRF 30 is the default and a sensible starting point for general web use. For YouTube uploads or 4K HDR sources, CRF 23–28 preserves detail you'd otherwise lose to YouTube's own transcode. For archival masters, CRF 18–22. For social-media reach where size matters more than detail, CRF 33–40. Each step of 6 roughly halves or doubles file size, so it's worth doing a 10-second test render before committing on a long clip.
AV1 spends much more CPU per frame than H.264 because its block partition tree, transform options, and intra/inter modes are far more numerous. Software encoders like SVT-AV1 expose presets 0–13 to trade quality for speed: preset 0–4 are very slow and used for archival, preset 6 is a balanced default, preset 8–12 are near-real-time. XConvert's encoder is tuned for a sensible default; you trade longer encode time for the 30–50% smaller files AV1 delivers versus H.264.
Yes. Under Advanced Options, the Video Codec dropdown lets you re-encode to H.264, H.265 / HEVC, VP9, VP8, MPEG-2, MPEG-4, DivX, Xvid, MJPEG, and others. Picking H.264 is the typical choice when you need a broadly compatible MP4 (the fallback codec virtually every device decodes). See AV1 to MP4 or AV1 to HEVC for the dedicated conversion pages.
Only partially. Apple shipped hardware AV1 decode starting with the iPhone 15 Pro (A17 Pro chip, September 2023), M3-family Macs (October 2023), and the M4 iPad Pro. Older iPhones, Intel Macs, and pre-M3 Apple Silicon Macs run Safari 17 but cannot decode AV1 because Apple has not shipped a software fallback. If you need universal Apple playback today, convert AV1 to MP4 with H.264.
No. The audio track is passed through or re-encoded based on the Audio Codec dropdown. AV1 video in an MP4/MKV container defaults to Opus, but AAC, MP3, FLAC, AC3, Vorbis, and PCM variants are all selectable. If you want lossless audio, pick FLAC; for broad device support, pick AAC.
Target file size (%) is a one-pass percentage compression — set 50% and you get a file roughly half the source size, with bitrate scaled to fit. CRF is a quality-locked mode — you pick a perceptual quality level and the encoder uses whatever bitrate it needs to hit that level. Use % when you have a strict size budget (upload cap, storage quota); use CRF when you have a quality bar (archival, post-production) and don't care about exact output size.
If the source was already aggressively encoded (e.g., a phone export at high CRF), re-encoding at a lower CRF or higher bitrate target can inflate it. Compression is not a one-way ratchet — you can only make a file smaller by accepting lower quality or by switching to a more efficient codec at the same quality. Check the source bitrate first; if it's already near AV1's efficient range (say, ~2 Mbps for 1080p), there's little room to shrink further without visible loss.
Yes. Drop several files on the page and each is queued independently. Settings (CRF, resolution, codec) apply per-batch by default. If you need different settings per file, run them in separate batches.
AV1 was designed with 10-bit and 12-bit profiles for HDR delivery (HDR10, HLG). XConvert's compressor preserves the source bit depth when possible; if you re-encode to H.264 the output is 8-bit (H.264's 10-bit Main10 profile is rare in practice). For HDR-preserving compression, keep the codec as AV1 or switch to HEVC, both of which have mature 10-bit support. Related: compress MKV for HDR MKV containers, or compress MP4 for SDR MP4 sources.