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Supports: WMA
WMA (Windows Media Audio) was Microsoft's answer to MP3, and it remains common in legacy Windows media libraries, audiobook collections, and older portable devices. High-bitrate WMA files (192–320 kbps) can be unnecessarily large for spoken-word content, podcasts, or background music. Reducing the bitrate to 64–128 kbps cuts file size by 50–75% with minimal perceptible quality loss for speech. For music, 128–192 kbps WMA delivers quality comparable to a 192–256 kbps MP3.
| Bitrate | Quality | ~Size per Minute | Best For |
|---|---|---|---|
| 32 kbps | Low | ~240 KB | Voice memos, phone recordings |
| 64 kbps | Acceptable | ~480 KB | Podcasts, audiobooks |
| 128 kbps | Good | ~960 KB | Music streaming, general listening |
| 192 kbps | High | ~1.4 MB | High-quality music |
| 320 kbps | Very high | ~2.4 MB | Archival, critical listening |
| Feature | WMA | MP3 | AAC | OGG Vorbis |
|---|---|---|---|---|
| Developed by | Microsoft | Fraunhofer | Apple / ISO | Xiph.Org |
| Lossy compression | ✅ | ✅ | ✅ | ✅ |
| Typical quality at 128 kbps | Good | Good | Better | Better |
| DRM support | ✅ | ❌ | ✅ | ❌ |
| Windows native support | ✅ | ✅ | Partial | ❌ |
| macOS / iOS native support | ❌ | ✅ | ✅ | ❌ |
WMA is a legacy format. For new projects, AAC or Opus offer better compression at the same quality. However, if you already have a WMA library or need Windows-native compatibility, compressing existing WMA files is more practical than converting everything.
For speech (podcasts, audiobooks), 48–64 kbps is sufficient. For music, 128 kbps offers a good balance. Use 192–256 kbps only if you need near-transparent quality for critical listening.
Yes. Under Audio Codec in Advanced settings, you can switch to WMA v1 or WMA v2 (default). Both are available for the WMA output format.
Yes, but this page focuses on compressing within the WMA format. If you want to convert to MP3 or AAC for broader compatibility, use the WMA to MP3 converter.
Yes. Trimming removes audio outside the selected time range, directly reducing file size proportional to the removed duration. Combine trimming with bitrate reduction for maximum savings.