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Supports: 3GP, 3G2
3GP (3GPP Multimedia File) was designed for 3G UMTS phones in 2001 and dominated the feature-phone era from 2003 to roughly 2012 — Nokia N-series, Sony Ericsson Walkman phones, BlackBerry, early Motorola RAZR. It uses H.263 or low-profile H.264 video plus AMR-NB audio in a stripped-down MP4 container tuned for 64-128 kbps cellular networks. MOV is Apple's QuickTime container, the native ingest format for Final Cut Pro, iMovie, and the broader Mac video editing ecosystem. Common reasons people convert 3GP -> MOV:
If you actually want a more universal output instead, convert 3GP to MP4 — MP4 with H.264 plays everywhere, including Apple devices. MOV is the right pick when the target is specifically a Mac editing workflow.
| Property | 3GP | MOV |
|---|---|---|
| Origin | 3GPP (2001) for UMTS phones | Apple QuickTime (1991) |
| Common codecs inside | H.263, MPEG-4 SP, low-profile H.264; AMR-NB, AAC-LC | H.264, HEVC, ProRes, MJPEG, Animation; AAC, AC3, PCM |
| Typical resolution | 176x144 (QCIF), 320x240 (QVGA), 352x288 (CIF) | 480p up to 8K; 4K HDR standard on modern iPhones |
| Era | 2003-2012 (feature phones) | 1991-present (Apple's pro-video format) |
| Native macOS playback | Inconsistent on QuickTime X / 10+ | QuickTime out of the box |
| Final Cut / iMovie support | Often fails on import | First-class — preferred input |
| Modern relevance | Obsolete — phones moved to MP4 / HEVC in 2012 | Current — still default for iPhone screen recordings and FCP exports |
| Codec | Compatibility | Bitrate efficiency | Best for |
|---|---|---|---|
| H.264 (default) | Every Mac and iPhone since 2010, QuickTime 7+ | Excellent — universal baseline | Default for QuickTime / FCP / iMovie playback |
| H.265 / HEVC | Apple Silicon Macs, iPhone 7+, Apple TV 4K | ~40% smaller than H.264 | Smaller files, modern Apple-only audiences |
| MPEG-4 / Xvid | Older QuickTime 6 / 7, third-party players | Comparable to H.264 baseline | Legacy Mac (PowerPC, 10.4 - 10.6) |
| MJPEG | Final Cut Pro, Motion, color grading apps | Larger files, frame-accurate | Editing intermediates, scrubbing performance |
Most people should pick MP4 — it plays on Mac, iPhone, Windows, Android, and every browser without thinking about it. Pick MOV specifically when the destination is a Final Cut Pro / iMovie / Motion timeline, a QuickTime Player playback workflow, or an AirPlay / Apple TV chain that you've already built around .mov files. MOV gives you slightly better integration with Apple-native tools (chapter markers, timecode tracks, alpha channels) at the cost of broader compatibility.
No — and no online tool can fix this. The source 3GP was encoded at 64-256 kbps for 2G / 3G cellular networks at 176x144 or 320x240. Upscaling the resolution doesn't add detail, it just enlarges blurry pixels. The conversion preserves the original quality inside an Apple-friendly container. If you want it to look better on a Retina display, run a separate AI upscaler (Topaz Video AI, Pixop) after converting.
Yes. MOV with H.264 or HEVC is the default format Apple devices ship with — iPhone screen recordings are MOV, QuickTime exports are MOV, AirDrop preserves the .mov extension. The converted file plays in Photos.app, the Files app, QuickTime Player, AirPlay to Apple TV, and any third-party iOS player (VLC, Infuse, PlayerXtreme).
H.264 if you need maximum compatibility — it plays on every Mac since 2010, every iPhone, and every Apple TV. H.265 / HEVC if your target is an Apple Silicon Mac, iPhone 7 or newer, or Apple TV 4K and you want roughly 40% smaller files. Avoid HEVC if you'll send the MOV to Windows users or anyone on a 2017-era machine; older Intel Macs can play HEVC but encoding is much slower without hardware acceleration.
Yes. Use the trim section to enter a start time and duration. Both accept seconds (12.5) or HH:MM:SS.sss format (00:00:30.500). Useful for cutting the 1-2 seconds of dead air feature phones often record before the real footage starts, or for grabbing just the clip-worthy section of a longer voicemail video.
Functionally none — both are QuickTime containers. .mov is the modern standard Apple ships; .qt was used by some QuickTime 6-era exports and rarely shows up today. macOS, iOS, FCP, and iMovie all treat them as the same format. We output .mov because every modern Apple tool expects that extension; rename to .qt if a legacy app demands it.
3GP files are extremely small because they target cellular bandwidth — a 2-minute clip is often 2-5 MB at 64-128 kbps. MOV at default H.264 quality reserves much more bitrate for video and audio, so the output may be 15-40 MB. Drop the quality preset to "Low" or set a target file size in MB if you need to match the original 3GP footprint. This is normal — you're trading bitrate for codec quality and Apple-ecosystem compatibility.
Yes. 3G2 is the CDMA cousin of 3GP — used by Verizon, Sprint, US Cellular, and KDDI au feature phones. The container layout is nearly identical, just with codec preferences tuned for CDMA networks (typically QCELP voice instead of AMR-NB). Drop 3G2 files into the same upload area; they convert to MOV with the same options.
Yes. 3GP files use AMR-NB (narrowband, 8 kHz, 4.75-12.2 kbps) for voice or AAC-LC for music. We re-encode to AAC at 44.1 kHz / 128 kbps by default — voice clarity is preserved and music gets a slight boost since AAC is a higher-fidelity codec than AMR-NB. If your 3GP is voice-only, the converted MOV will sound essentially identical to the source; no online tool can recover frequencies AMR-NB threw away during the original encode.