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Supports: 3GP, 3G2
Almost everyone who needs MPEG-2 needs it for one reason: a disc-authoring program, a standalone DVD player or a piece of legacy broadcast gear refuses everything newer. This tutorial walks through taking a clip off an old 3G-era phone, re-encoding it to MPEG-2 with settings a DVD pipeline will accept, and knowing in advance which parts of the result will disappoint you — because a 176 x 144 source cannot be talked into looking like standard-definition footage.
.3gp (or .3g2) clip onto the page, or click "+ Add Files" to browse. Several clips can be queued and they all run with the same settings.MPEG-2 is the only video codec this target offers, and the audio track is written as MP2 — the pairing legacy program-stream tools expect. So all your decisions live in File Compression and Video resolution:
| Goal | File Compression | Video resolution | Notes |
|---|---|---|---|
| Best-looking result | Quality Preset — "Very High (Recommended)" | Keep original | Largest file; preserves whatever the phone captured |
| Feeding a DVD authoring tool | Variable Bitrate, a few Mbit/s | Preset Resolution matching your TV standard | Authoring tools enforce their own rules on top |
| Fitting a size budget | Specific file size | Keep original | Name the figure in MB; detail suffers first |
| Direct encoder control | Constant Quality | Keep original | Scale runs 1-31, preset 5, lower is better |
| Small clip for a legacy editor | Constant Bitrate, 1-2 Mbit/s | Keep original | A QCIF source needs very little bitrate |
The Constant Quality scale is worth understanding because it reads backwards compared to the H.264 CRF numbers most guides quote. For MPEG-family codecs the slider runs 1 to 31 with 5 preset, and lower means better quality and a bigger file — 2 is near-transparent, 10 is visibly degraded, 31 is a last resort.
| Delivery target | Frame size | Frame rate | Video bitrate |
|---|---|---|---|
| DVD-Video, NTSC regions | 720 x 480 | 29.97 fps | Commonly 4-8 Mbit/s; the spec ceiling is about 9.8 Mbit/s |
| DVD-Video, PAL/SECAM regions | 720 x 576 | 25 fps | Same ceiling applies |
| Legacy SD playback or editing | Keep original | Source rate | 1-2 Mbit/s is ample for a QCIF or QVGA source |
| Video CD | 352 x 240 / 352 x 288 | 29.97 / 25 fps | 1.15 Mbit/s — but VCD needs MPEG-1, so use 3GP to MPG and switch the codec there |
One geometry detail that catches people out: QCIF (176 x 144) and CIF (352 x 288) are 11:9 frames, while DVD-Video stores 720 x 480 and 720 x 576 for display at 4:3 using non-square pixels. Those shapes do not match, so something in the chain has to pad or reshape the picture — either your resolution choice here or the authoring program afterwards. QVGA (320 x 240) and VGA (640 x 480) sources are already 4:3 and scale cleanly.
Clips pulled off a failing memory card, half-delivered MMS attachments and DRM-wrapped downloads may decode partially or not at all; if VLC cannot play the file end to end, the re-encode will inherit the same problem. Re-export from the original source if you still have it. And if MPEG-2 is not a hard requirement handed to you by a disc tool or a piece of hardware, this is the wrong conversion — 3GP to MP4 produces a smaller file at the same quality that plays on essentially everything made this century.
No — the MPEG-2 target encodes MPEG-2 video, which is the point of it. If you want a choice, 3GP to MPG offers MPEG-2 or MPEG-1 in a program stream, and 3GP to TS offers H.264, H.265, MPEG-2 and more inside a transport stream.
MP2 — MPEG-1 Audio Layer II — which is the audio format MPEG-2 program streams and legacy players were built around. Our converter pairs MPEG-2 video with MP2 audio on this target with no alternative offered, so the AMR speech or AAC track inside your 3GP is re-encoded to MP2 during the conversion.
Because you are trading efficiency for compatibility. The H.263 or MPEG-4 Part 2 video in a 3GP file compresses far better than MPEG-2 at these resolutions, so re-encoding the identical picture into MPEG-2 costs more bits. That growth is normal for this conversion, not a sign that anything improved.
No. MPEG-2 cannot reconstruct detail the phone never recorded, and every re-encode adds a little loss of its own. The realistic goal is to lose as little as possible: keep Quality Preset high, keep Video resolution on "Keep original" unless a tool demands otherwise, and accept that a 3G-era recording will look like one.
720 x 480 for NTSC regions (the Americas, Japan, South Korea, Taiwan, the Philippines) and 720 x 576 for PAL and SECAM regions. Pick the matching Preset Resolution if your authoring tool wants the file already conformed; otherwise leave "Keep original" and let the tool scale, since most of them do it as part of building the disc anyway.
Set Trim to Time Range and give a start time and duration. Trimming before the encode means the converter only processes the section you keep, which is faster than encoding the whole clip and cutting afterwards.
It is the quantiser scale the MPEG-2 encoder works to, running from 1 to 31 with 5 preset. Lower numbers hold more detail and produce bigger files; higher numbers coarsen the picture to save space. It is not the 0-51 CRF scale used for H.264, so a value copied from an H.264 guide will not mean what you expect here.
.mpeg2 a normal file extension?It is an explicit one rather than a common one — most software writes MPEG-2 program streams as .mpg or .mpeg. The bytes are the same kind of stream either way. If a program refuses the file on sight, converting with 3GP to MPG instead gives you the conventionally named output without changing the codec.
Yes, .3g2 is accepted alongside .3gp. It is the 3GPP2 variant of the same ISO-base-media container, so every option on this page behaves the same way.
They are uploaded over an encrypted connection, processed on our servers, and deleted automatically a few hours later. There is no sign-up, no watermark on the output, and your video is never shared or made public.