Initializing... drag & drop files here
Supports: ARW
ARW is Sony's Alpha RAW container, based on the TIFF specification, used by Alpha mirrorless bodies (A1, A7, A7R, A7S, A9 series), the ZV-E and FX cinema line, RX compacts, and legacy DSLR-A bodies. RAW files store 14-bit sensor data with full exposure latitude — but they're also large (a single uncompressed ARW from a 61MP A7R V runs roughly 120 MB; compressed ARW from a 50MP A1 runs roughly 50 MB) and require dedicated software to view. MP4 with H.264 video plays everywhere, on every browser since 2010 and every smartphone since the iPhone 4.
| Property | ARW (Sony RAW) | MP4 (H.264 video) |
|---|---|---|
| Container | TIFF-based, single image per file | ISO/IEC 14496-14, multi-frame video |
| Color depth | 14-bit per channel | 8-bit per channel (10-bit with H.265 Main 10) |
| Typical size | 25–120 MB per frame | 5–50 MB per minute at 1080p |
| Compression | Lossless or Sony cRAW | Lossy inter-frame (H.264/H.265) |
| Playback | Requires Imaging Edge, Lightroom, or RawTherapee | Native on browsers, iOS, Android, smart TVs, consoles |
| Editing latitude | Full exposure / white balance / shadow recovery | Baked-in — color decisions are permanent |
| Best use | Capture and develop | Share, embed, archive deliverables |
| Duration per image | Effective frame rate | Typical use |
|---|---|---|
| 1/60 second | 60 fps | Smooth astro / cloud / sunset timelapse |
| 1/30 second | 30 fps | Standard timelapse (construction, plants) |
| 1/24 second | 24 fps | Cinematic timelapse, matches film rate |
| 1/2 second | 2 fps | Stop-motion or burst-action playback |
| 1–2 seconds | — | Social media reel (Reels, TikTok, Shorts) |
| 3–5 seconds | — | Portfolio slideshow, client proofing |
| 10 seconds | — | Long-form portfolio with narration overlay |
| Camera | Sensor resolution | Typical ARW size |
|---|---|---|
| Sony A1 | 50 MP stacked CMOS | ~50 MB compressed, ~100 MB uncompressed |
| A7R V / A7R IV | 61 MP BSI CMOS | ~60–120 MB |
| A7 IV | 33 MP BSI CMOS | ~35–70 MB |
| A7 III / A9 II / A9 III | 24 MP CMOS | ~25–50 MB |
| A6700 / A6400 | 26 / 24 MP APS-C | ~25–50 MB |
| RX100 VII / RX1R II | 20 / 42 MP | ~20–80 MB |
Multiply target duration by frame rate. A 30-second clip at 24 fps needs 720 frames; at 30 fps it needs 900. If you shot at one frame every 5 seconds, 720 frames covers 60 minutes of real time. Set Duration to 1/24 second per image in the converter to get exactly 24 fps from 720 ARW frames.
No. ARW carries 14-bit sensor data plus camera metadata, but converting straight from ARW bakes in the converter's default rendering. For graded output, develop your ARWs in Lightroom, Capture One, or Sony Imaging Edge first, export to JPEG or TIFF at full resolution, then convert that sequence to MP4 (use JPG to MP4 if you've already developed to JPEG). The same applies to noise reduction and lens profile corrections — finalize before video render.
For YouTube 4K delivery, 3840x2160 is the practical ceiling — anything larger gets downsampled by YouTube's encoder. For Reels and TikTok, output at 1080x1920 vertical. "Keep original" preserves up to 9504x6336 (A7R V) or 8640x5760 (A1), which produces files of 50–200 MB per minute and won't upload cleanly to most social platforms. 1080p (1920x1080) covers 95% of viewing scenarios.
Flicker comes from inconsistent exposure or white balance between source frames — common when shooting timelapse in aperture priority or auto white balance. The fix is upstream: lock manual exposure, manual white balance, and manual focus before shooting, or run the ARWs through LRTimelapse to de-flicker before export. The MP4 converter renders frames as-supplied.
Not in this tool — the output is video-only. After downloading the MP4, add audio in DaVinci Resolve (free), CapCut, iMovie, or any NLE. You can also keep the silent MP4 and add a music track when uploading to TikTok/Reels via their built-in audio library.
Yes for both — the converter accepts all ARW variants Sony has shipped (ARW 2.x through ARW 4.0 lossless compressed, introduced 2021). cRAW and uncompressed ARW from A1, A7R V, A9 III, FX3, ZV-E1, and older bodies all process the same way.
Merge images produces one MP4 containing every uploaded ARW as a sequential frame — the slideshow/timelapse output 95% of users want. Video per image renders each ARW into its own short MP4 with the chosen Duration — useful when you want to drop individual clips into a video editor and assemble them with transitions yourself.
H.264 (the default in this tool) plays on essentially every browser and device made since 2010, including older smart TVs and the Roku 1. H.265/HEVC produces files roughly 40-50% smaller at the same visual quality but requires hardware decode — supported on Safari 11+, Chrome 107+, Edge 107+, Firefox 120+, iOS 11+, and Android 5+. If your audience is mostly mobile and modern desktops, ARW to HEVC saves bandwidth; for maximum compatibility, stay on MP4 H.264. For animated GIF output instead of video, see ARW to GIF.
Frames render in the upload order, so reorder by renaming with a leading zero-padded index (frame_0001.ARW, frame_0002.ARW...) before upload. The converter doesn't expose mid-render trim controls — to drop frames, remove them from the upload batch, or trim the finished MP4 in a downstream tool. For a single-image output, ARW to JPG or merge ARW to PDF may fit better.